Thursday, March 28, 2013
HAVING IT ALL (LAGUNA PLAYHOUSE): 100% – SWEET SWEET Still, with eye-catching costuming by Ann Closs-Farley and an exquisite lighting motif by Luke Moyer, Having it All has nearly everythi…
SOURCE: Footlights at 02:11PMMELANCHOLIA (LATC): 100% – SWEET SWEET Valenzuela skillfully blends elements of music and choreography into this timely play, and his sizable ensemble performs efficiently in multiple role…
SOURCE: Footlights at 02:06PMWednesday, March 27, 2013
CHAPTER TWO (LITTLE FISH): 100% – SWEET SWEET Neil Simon’s Chapter Two is but the latest reason for Los Angeles theatergoers to head on down the 110 to San Pedro and check out this gem o…
SOURCE: Footlights at 07:07PMNUTTIN’ BUT HUTTON: 92% – SWEET SWEET Winningly directed by Larry Raben and featuring a versatile set by Jeff McLaug…
SOURCE: Footlights at 05:30PMOn the Spectrum has been a huge success, with many raving reviews pouring in after every show. This show is Ken LaZebnik’s third production “dealing with the issues surrounding…
SOURCE: Footlights at 04:26PMREMEMBRANCE (THEATRE 40): 100% – SWEET SWEET “Remembrance” is a very special love story that you, too, will long remember. Shari Barrett – BroadwayWorld [click here to read the revie…
SOURCE: Footlights at 03:45PMMASTER CLASS (INTERNATIONAL CITY THEATRE): 94% – SWEET SWEET Though Berminghan’s interpretation of Callas is loaded with gravitas, credibility, and charisma, right down to her Arianna Hu…
SOURCE: Footlights at 03:42PMTHE NETHER: 95% – SWEET SWEET All in all, this powerfully rendered speculation on the future grapples forcefully with issues that are central to our social experience today in a tense and …
SOURCE: Footlights at 02:04PMWednesday, December 26, 2012
It’s Boxing Day, when one typically returns the gifts you don’t want for things you do. Isn’t it a shame you can’t get the same deal at the theater?
If that were the case, we’d ret…
SOURCE: The New York Post Subscription at 12:35AMMonday, December 24, 2012
Maybe it’s because we live in a world where everybody’s connected, but this year has seen an explosion of “immersive” shows that blur the line between audience and performers. In som…
SOURCE: The New York Post Subscription at 12:00AMThursday, August 30, 2012
There was a small revolution recently at the Shubert Theatre, during the waning days of “Memphis.”
Nearly 15 minutes into intermission, several women on the long, slow-moving line into t…
SOURCE: The New York Post Subscription at 12:16AMSunday, August 5, 2012
Titillating titles, madcap musicals and Shakespeare, either straight up (another “Twelfth Night”) or twisted (“Pulp Shakespeare,” a mash-up of the Bard and Quentin Tarantino): Yes, t…
SOURCE: The New York Post Subscription at 11:41PMSaturday, January 14, 2012
Sure, we've all seen concerts and dance and other performances on the city's great stages. But what goes on behind the curtains is something to behold, as well. With these grand tours, you'l…
SOURCE: The New York Post Subscription at 04:05AMMonday, October 24, 2011
It’s the Upper Debts Side. The taxman cometh for 500 income-tax deadbeats in two Upper West Side neighborhoods. In the 10025 ZIP code alone, the feds issued 273 tax liens in the last year,…
SOURCE: The New York Post Subscription at 06:07AMSunday, August 7, 2011
There’s a reason some people call it “the Cringe Festival.” Regulars at the New York International Fringe Festival know it’s a crapshoot — emphasis on the first syllable.
For every…
SOURCE: The New York Post Subscription at 11:31PMThursday, January 13, 2011
Happy families, Tolstoy mused, are all alike — it’s the messy, miserable ones we love to watch. So are great dramas born, from “King Lear” through “Long Day’s Journey Into Night�…
SOURCE: The New York Post Subscription at 07:51AM 
