All stories by Abe on BroadwayStars

Friday, May 30, 2025

Dozens of Festival Plays Worth Traveling to This Summer by Laura Collins-Hughes and Elisabeth Vincentelli

Across the country, you’ll find Shakespeare in amphitheaters, exciting new works on intimate stages and many regional repertories in bucolic settings.

SOURCE: The New York Times Subscription at 05:12AM
Monday, May 12, 2025

To Play Betty Boop, Jasmine Amy Rogers Had to Transform by Elisabeth Vincentelli and Dana Golan

The Broadway rookie has a Tony nomination and star power, but inside she’s still this “weird little girl.”

SOURCE: The New York Times Subscription at 05:06AM
Tuesday, January 21, 2025

Against All Odds, a Vegas Theater Scene With a ‘Sense of the Wild West’ by Elisabeth Vincentelli and Mikayla Whitmore

Local artists straddle aesthetic and artistic worlds in the land of mega-spectacles and oversize flash.

SOURCE: The New York Times Subscription at 05:06AM
Wednesday, October 30, 2024

Two Climate Change Plays Keep the Flames of Hope Alive by Laura Collins-Hughes and Elisabeth Vincentelli

“Hothouse,” at Irish Arts Center, fends off despair with loopiness; “In the Amazon Warehouse Parking Lot,” at Playwrights Horizons, is a fuzzy world lacking depth.

SOURCE: The New York Times Subscription at 12:31PM
Monday, October 14, 2024

‘American Idiot,’ Reborn in L.A. With American Sign Language by Gabe Cohn and Chad Unger

Performed simultaneously in sign language and sung English, a Los Angeles revival of the Green Day musical finds new ways to communicate rage and angst.

SOURCE: The New York Times Subscription at 05:12AM
Thursday, February 8, 2024

Playwright Kwame Kwei-Armah to step down as Young Vic artistic director by Naomi Clarke and Jabed Ahmed

Kwame Kwei-Armah became first African-Caribbean director to lead a major British theatre when he took over from David Lan in 2018

SOURCE: The Independent at 08:36AM
Thursday, January 11, 2024

At UTR and Exponential, Four Soul-Enriching Experiments in Theater by Laura Collins-Hughes and Elisabeth Vincentelli

Buckle up for “Open Mic Night” and “Search Party” at Under the Radar and two wildly adventurous works at the Exponential Festival.

SOURCE: The New York Times Subscription at 01:06PM
Sunday, June 18, 2023
Monday, June 12, 2023

Best and Worst Moments of the 76th Tony Awards by Jesse Green, Maya Phillips, Elisabeth Vincentelli, Laura Collins-Hughes, Alexis Soloski and Sarah Bahr

With a clever opening number and repeated support for striking writers, the Tonys celebrated Broadway’s shows, performers and creative teams.

SOURCE: The New York Times Subscription at 05:07AM
Wednesday, May 10, 2023

For Broadway Dance, High Kicks and Low Comedy in a Season of Change by Jesse Green, Elisabeth Vincentelli and Brian Seibert

Is theatrical choreography at a turning point? Or just leaping, lurching and shimmying as usual? Our critics weigh in.

SOURCE: The New York Times Subscription at 05:01AM
Tuesday, May 2, 2023

Tony Awards Nominations 2023: Updating List by Rachel Sherman and Gabe Cohn

Nominations for the 76th Tony Awards will be announced Tuesday morning. Follow below for a live list of nominees.

SOURCE: The New York Times Subscription at 05:06AM
Friday, April 14, 2023

‘The Phantom of the Opera’: Thinking of a Spectacle Fondly by Joshua Barone, Alexis Soloski and Elisabeth Vincentelli

As the longest-running musical in Broadway history closes, Times critics with a lasting affection for the show take stock of its legacy.

SOURCE: The New York Times Subscription at 02:24PM
Sunday, February 5, 2023
Sunday, January 29, 2023
Wednesday, January 18, 2023

At Under the Radar, Family Histories Bubble Up With No Easy Answers by Jesse Green, Laura Collins-Hughes and Elisabeth Vincentelli

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a second selection of the works on display.

SOURCE: The New York Times Subscription at 02:20PM
Monday, December 19, 2022

Jodie Comer, a gen-Z Elle Woods and a giant swimming pool: The best theatre of 2022, ranked by Jessie Thompson,isobel Lewis,nicole Vassell and Annabel Nugent

The Independent’s theatre critics have chosen their top stage shows of 2022, a year in which fresh new writing and charming musicals reigned supreme

SOURCE: The Independent at 02:42AM
Friday, November 18, 2022

‘It’s undoubtedly going to have a big impact’: inside three Arts Council funding cases by Mabel Banfield-Nwachi, Caroline Butterwick and Alex Needham

In our final set of case studies exploring the impact of Arts Council England’s new funding round, we speak to Ballet Black, Disability Arts Online and Camden Art Centre Thrilled, relieved…

SOURCE: The Guardian at 05:18AM
Thursday, September 8, 2022

‘I’m Enough’: Gregg Mozgala on His Debut in ‘Cost of Living by Alexis Soloski, Elisabeth Vincentelli, Laura Collins-Hughes and Scott Heller

We spoke to three actors and a playwright — Gregg Mozgala, Bonnie Milligan, Solea Pfeiffer and Noah Diaz — who are taking big shots this season.

SOURCE: The New York Times Subscription at 12:34PM
Thursday, August 18, 2022

Why comedian Grace Campbell refuses to be silenced about sex – podcast by Presented By Nosheen Iqbal With Grace Campbell; Produced By Natalie Ktena and Rudi Zygadlo; Executive Producers Nicole Jackson, Elizabeth Cassin and Joshua Kelly

Comedian Grace Campbell on why after being raped last year, she worried that her openness about her sex life would be used against her Grace Campbell, comedian and author of Amazing Disgrace…

SOURCE: The Guardian at 10:33PM
Friday, December 3, 2021

Best Theater of 2021 by Jesse Green, Maya Phillips, Laura Collins-Hughes, Scott Heller, Alexis Soloski and Elisabeth Vincentelli

Digital innovation continued this year, but experiencing plays in isolation grew tiring. Then came an in-person season as exciting as a child’s first fireworks.

SOURCE: The New York Times Subscription at 10:48AM
Wednesday, November 10, 2021

Little Amal, a Refugee Puppet, Looks for Home by Alex Marshall, Carlotta Gall and Elisabetta Povoledo

In “The Walk,” a 12-foot tall, 9-year-old Syrian girl named Amal trekked from Turkey to Britain to find her mother. In a politically divided continent, were any minds changed?

SOURCE: The New York Times Subscription at 10:24AM
Monday, September 27, 2021

For a Broadway Torn by a Pandemic, a Split-Personalities Tonys by Jesse Green, Elisabeth Vincentelli and James Poniewozik

The streaming part of the ceremony actually did a better job conveying the electricity of being in a theater than the CBS special billed as “Broadway’s Back!”

SOURCE: The New York Times Subscription at 02:18PM
Friday, September 17, 2021

Driving Ms Margolyes – A hilarious road trip through Europe in lockdown by Lucy Darwin, Noah Anderson, Annabel Kipnis, Elmaz Ekrem, Tony Sage, Phoebe Clothier, Noah Payne-Frank, Joseph Pierce and Charlie Phillips

At the height of Europe’s spring Covid wave in 2021, the filmmaker Lucy Darwin offered to drive the actor and national treasure Miriam Margolyes from her home in Italy to London so that sh…

SOURCE: The Guardian at 11:06AM
Wednesday, June 23, 2021

‘In the Heights’ y el colorismo: lo que se pierde cuando se borra a los afrolatinos by Maira Garcia, Sandra E. Garcia, Isabelia Herrera, Concepción De León, Maya Phillips and A.o. Scott

La película, ambientada en un barrio neoyorquino conocido como la Pequeña República Dominicana, no incluyó a latinos de piel oscura en los papeles principales. Críticos y reporteros del…

SOURCE: The New York Times Subscription at 09:49PM
Monday, June 21, 2021

‘In the Heights’ and Colorism: What Is Lost When Afro-Latinos Are Erased by Maira Garcia, Sandra E. Garcia, Isabelia Herrera, Concepción De León, Maya Phillips and A.O. Scott

The film, set in a New York neighborhood known as the Little Dominican Republic, didn’t cast dark-skinned Latinos in lead roles. Our writers discuss how that absence reverberates.

SOURCE: The New York Times Subscription at 02:26PM
Friday, February 5, 2021

Trump Resigns From Screen Actors Guild by Matt Stevens and Maggie Haberman

Top officials at SAG-AFTRA had cited the former president for his role in inciting the mob that stormed the U.S. Capitol last month. With a disciplinary hearing looming, Mr. Trump made his e…

SOURCE: The New York Times Subscription at 12:23PM
Thursday, December 24, 2020

How the Spectacle of British Pantomime Looks From Across the Pond by Alexis Soloski and Elisabeth Vincentelli

Thanks to streaming, two American critics got to binge a bunch of the holiday extravaganzas. So how does this silly British tradition translate?

SOURCE: The New York Times Subscription at 01:32PM
Wednesday, December 23, 2020

Advocating and Agitating, Connecting and Inventing by Michael Paulson, Jesse Green, Scott Heller, Laura Collins-Hughes and Elisabeth Vincentelli

With their field rocked by unprecedented challenges in 2020, these people and groups — some notable, some new — stepped into the breach.

SOURCE: The New York Times Subscription at 11:12AM
Tuesday, December 22, 2020
Tuesday, December 1, 2020

Best Theater of 2020 by Jesse Green, Laura Collins-Hughes, Scott Heller, Maya Phillips, Alexis Soloski and Elisabeth Vincentelli

It wasn’t the year for celebration. But watching innovation flourish inspired our chief critic, while other writers found the joys of the stage in other media.

SOURCE: The New York Times Subscription at 05:06AM
Wednesday, November 4, 2020

From Stage to Screen: 5 Shows That Got It Right (And 5 That Didn’t) by Jesse Green, Elisabeth Vincentelli, Laura Collins-Hughes and Scott Heller

Our theater experts provide a guide to some of the successful (and failed) cinematic adaptations of plays and musicals — all for your streaming pleasure.

SOURCE: The New York Times Subscription at 05:36AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre