All stories by ALEXIS SOLOSKI on BroadwayStars

Saturday, May 28, 2016

The Spoils review – Jesse Eisenberg's comedy of cringes by Alexis Soloski

Pershing Square Signature Center, New YorkEisenberg is such a skilled practitioner of the comedy of mortification it’s surprising he can talk through all the feet in his mouth – but is i…

SOURCE: The Guardian at 06:18AM
Friday, May 27, 2016

American Psycho review – Patrick Bateman sings, strips and slashes by Alexis Soloski

Gerald Schoenfeld Theatre, New YorkThe Wall Street maniac rides again in a musical rich in synth pop and buff bodies, but the meaning of the original novel slides off the slick surroundingsH…

SOURCE: The Guardian at 02:34PM

A Changing of the Guard for Performance Space 122 by Alexis Soloski

Vallejo Gantner, the artistic director of PS122 who will step down when a replacement is found, said, “You want to leave when the going’s good.”

SOURCE: The New York Times Subscription at 01:01PM

Why did American Psycho get the chop during Broadway's banner year? by Alexis Soloski

The adaptation of Bret Easton Ellis’s modern classic couldn’t survive in a competitive theater landscape where only the very best is good enoughThe Broadway run of American Psycho, the m…

SOURCE: The Guardian at 12:01PM
Thursday, May 26, 2016

Review: In ‘Ross & Rachel,’ Life Isn’t Always a Sitcom by Alexis Soloski

This solo show, part of the Brits Off Broadway festival at 59E59 Theaters, imagines that “Friends” couple struggling in a long-term relationship.

SOURCE: The New York Times Subscription at 06:02PM

Cirque de Soleil’s Paramour review – 'Muddle, miscalculation and mayhem' by Alexis Soloski

Lyric Theatre, New YorkThe popular circus troupe’s first Broadway show is a cacophony of ridiculous extravagance, from an erotic aerial pas de deux to … zombiesFitfully thrilling and con…

SOURCE: The Guardian at 01:44AM
Wednesday, May 25, 2016

Review: ‘The Tear Drinkers,’ Where There’s Little to Separate People and Aliens by Alexis Soloski

The performer, playwright, composer and director Mike Iveson has preoccupied himself with what makes us human in his new sci-fi song cycle, at the Kitchen.

SOURCE: The New York Times Subscription at 06:12PM
Tuesday, May 24, 2016

Incognito review – Nick Payne’s brainteaser is at the top of its class by Alexis Soloski

Manhattan Theatre Club, New YorkThe multi-narrative work sees the cast – including Charlie Cox – shift through neurological oddities. But is the whole thing too cerebral for its own good…

SOURCE: The Guardian at 10:50PM
Monday, May 23, 2016

Josephine and I review – one-woman show goes deeper than hero-worship by Alexis Soloski

Joe’s Pub at the Public Theater, New YorkCush Jumbo performs Jospehine Baker with such passion that it comes to seem less like homage and more like invocationErnest Hemingway called Joseph…

SOURCE: The Guardian at 06:13AM
Sunday, May 22, 2016

Review: ‘Half Moon Bay’ Shows the Hook Up and the Aftermath by Alexis Soloski

In this Dan Moyer play, a man and a woman meet in a bowling alley bar and forge a relationship.

SOURCE: The New York Times Subscription at 06:10PM
Wednesday, May 18, 2016

The Ruins of Civilization review – a dystopian domestic horrorshow by Alexis Soloski

Manhattan Theater Club, New YorkPlaywright Penelope Skinner offers a powerful portrait of an anguished woman fixating on the prospect of a baby as a source of affection, hope and escapePenel…

SOURCE: The Guardian at 10:16PM
Tuesday, May 17, 2016

The Judas Kiss review – Rupert Everett compels as a doomed Oscar Wilde by Alexis Soloski

Brooklyn Academy of Music Harvey Theatre, New YorkThe 1998 production faltered, but David Hare’s play is back with Everett physically transformed to play the famed wit, sharp of mind but f…

SOURCE: The Guardian at 10:38PM

Indecent review – Broadway's first lesbian kiss locks lips once more by Alexis Soloski

Vineyard Theatre, New YorkA tender unconventional new play explores the furore created by Sholem Asch’s play God of Vengeance, a flashpoint in Jewish and queer theatrical historyIn 1923, G…

SOURCE: The Guardian at 10:38PM
Monday, May 16, 2016

Daphne’s Dive review – raising a glass to the Big Apple's outsiders by Alexis Soloski

Signature Theater, New YorkQuiara Alegría Hudes’ new play, which shares a director with Hamilton, has a fierce compassion for its characters and an ardent love for New York’s diversityI…

SOURCE: The Guardian at 12:02PM
Sunday, May 15, 2016

Finding Neverland review – Gary Barlow's dull songs sink muddled show by Alexis Soloski

Lunt-Fontanne Theater, New YorkHarvey Weinstein has spent millions trying to make a film about Peter Pan’s author fly on stage – but though the child stars shine, the music is leadenDo y…

SOURCE: The Guardian at 04:31PM
Thursday, May 12, 2016

In ‘The Humans,’ Jayne Houdyshell Embodies Mom by Alexis Soloski

The actress, nominated for a Tony for playing an office manager and mother from Scranton, Pa., knew from an early age that she wanted to be onstage.

SOURCE: The New York Times Subscription at 11:07AM
Thursday, May 5, 2016

Review: ‘La Verità’ Pays Homage to Salvador Dalí by Alexis Soloski

Acrobats, musicians and pole dancers infuse an air of surrealism into this neo-cirque show at the Brooklyn Academy of Music.

SOURCE: The New York Times Subscription at 07:10PM
Tuesday, May 3, 2016

Sixteen ways Hamilton transformed theater – and the world by Alexis Soloski

The theater sensation of the decade scooped a record 16 Tony nominations. Here are 16 reasons Lin-Miranda Manuel’s hip-hop musical broke new groundTony awards: Hamilton musical makes histo…

SOURCE: The Guardian at 06:50PM
Monday, May 2, 2016

Dear Evan Hansen review: sentimental high school musical that should go viral by Alexis Soloski

Second Stage TheatrePop score and outcast protagonist hit all the right notes as Benj Pasek and Justin Paul production explores intense issues – and critiques internet culture Can a perfor…

SOURCE: The Guardian at 09:18AM
Sunday, May 1, 2016

A Streetcar Named Desire review – Gillian Anderson haunts in vital staging by Alexis Soloski

St Ann’s Warehouse, BrooklynBenedict Andrews’ poignant new staging of Tennessee Williams’s play, imported from London, feels utterly contemporaryTennessee Williams’ play has travelle…

SOURCE: The Guardian at 10:48PM

Review: A Wedding Reunion Goes Down Like a Shot of Whiskey in ‘Kentucky’ by Alexis Soloski

This play by Leah Nanako Winkler has a crowded stage and a frenetic rhythm, but heralds the arrival of a new voice in theater.

SOURCE: The New York Times Subscription at 07:03PM

Toast review – biting humor marks play about life at a British bread factory by Alexis Soloski

59E59 TheatersRichard Bean’s 1999 play blends social realism with sometimes cruel jokes, managing a distinctive voice despite sticking with a standard recipe Continue reading...

SOURCE: The Guardian at 06:03PM
Friday, April 29, 2016

Ben Foster Brings His Beast Mode to ‘A Streetcar Named Desire’ by Alexis Soloski

In the St. Ann’s Warehouse revival of the Tennessee Williams drama Mr. Foster plays Stanley Kowalski as “an ape: See. Grab. Take.”

SOURCE: The New York Times Subscription at 08:22AM
Thursday, April 28, 2016

Shuffle Along review – first jazz musical lacks enough full production numbers by Alexis Soloski

Music Box Theatre, New York This show about the creation of the first jazz musical manages to be both entertaining and informative – but unfortunately not at the same timeIf Broadway has t…

SOURCE: The Guardian at 10:31PM
Wednesday, April 27, 2016

Long Day’s Journey Into Night review – all-star cast conjure a visceral O'Neill by Alexis Soloski

American Airlines Theater, New YorkJessica Lange, Gabriel Byrne and Michael Shannon are all superb as the family tearing one another apart in a dark production of Eugene O’Neill’s finest…

SOURCE: The Guardian at 10:44PM
Tuesday, April 26, 2016

Tuck Everlasting review – sweet sip from the elixir of life by Alexis Soloski

Broadhurst Theatre, New YorkThis adaptation of the Natalie Babbitt book has flaws – the songs are repetitive and the set is chaotic – but the show’s spirit is ultimately touchingThe qu…

SOURCE: The Guardian at 10:38PM
Monday, April 25, 2016

Fully Committed review – revival of 90s foodie favourite is perfectly seasoned by Alexis Soloski

Lyceum Theatre, New YorkJesse Tyler Ferguson’s turn as a put-upon restaurant worker has more elements than El Bulli’s taster menu, and just as many surprisesOn a nondescript morning a fe…

SOURCE: The Guardian at 10:52PM

Waitress review – pie-focused musical seems half-baked by Alexis Soloski

Brooks Atkinson Theatre, New YorkBased on the 2007 film, this show about a small-town diner waitress trapped in a loveless marriage is witty and bittersweet, yet its sexual politics leave a …

SOURCE: The Guardian at 09:34AM
Thursday, April 21, 2016

American Psycho review – Patrick Bateman sings, strips and slashes by Alexis Soloski

Gerald Schoenfeld Theatre, New YorkThe Wall Street maniac rides again in a musical rich in synth pop and buff bodies, but the meaning of Bret Easton Ellis’s original novel slides off the s…

SOURCE: The Guardian at 10:57PM
Tuesday, April 19, 2016

Review: ‘I Will Look Forward to This Later’ Depicts Family Drama With a Ghostly Presence by Alexis Soloski

One character in this conventional drama, presented at the New Ohio Theater, is dead but not exactly gone.

SOURCE: The New York Times Subscription at 06:26PM

Of Booze, Brutal Honesty and Family: ‘Long Day’s Journey Into Night’ by Alexis Soloski

Jessica Lange, Gabriel Byrne, Michael Shannon and John Gallagher Jr. talk about their work for a coming Eugene O’Neill revival.

SOURCE: The New York Times Subscription at 10:38AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime