All stories by Suzy Evans on BroadwayStars

Wednesday, February 15, 2012

Study Charts Actor Diversity on New York Stages by Suzy Evans

The Asian American Performers Action Coalition and Fordham University presented RepresentAsian on Monday night.

SOURCE: Backstage at 05:33AM[SHARE]
Friday, February 10, 2012

NY Review: 'Leave the Balcony Open' by Suzy Evans

Maya Macdonald has crafted a heartbreakingly real examination of the quarter-life crisis, when escape—through substances, jokes, silence—feels like the only option.

SOURCE: Backstage at 05:32AM[SHARE]
Thursday, February 9, 2012

LoveSick or Things That Don't Happen by Suzy Evans

Punctuated by generic pop songs by Tony Biancosino, Lia Romeo's evening of short plays feels like a romantic fling. It's fun for a while, but when it's over you're left feeling empty.

SOURCE: Backstage at 07:30AM[SHARE]
Thursday, February 2, 2012

NYC Acting Schools Produce Off- and Off-Off-Broadway Shows by Suzy Evans

Mikaela Feely-Lehmann has her acting school to thank for her first professional job, her Equity card, and her agent.

SOURCE: Backstage at 01:50AM[SHARE]
Wednesday, February 1, 2012

Created Equal by Suzy Evans

For a show centered on equality, "Created Equal" relies on a lot of polarizing stereotypes, but at least everyone receives the same harsh treatment.

SOURCE: Backstage at 06:34AM[SHARE]
Monday, January 30, 2012

Kate Wetherhead and Andrew Keenan-Bolger Parody Casting Process With 'Submissions Only' by Suzy Evans

The dynamic duo behind the web series "Submissions Only," which takes a loveable look behind the scenes of the New York theater scene, turn their audition room mishaps into comedy.

SOURCE: Backstage at 07:11AM[SHARE]
Tuesday, January 24, 2012

Menders by Suzy Evans

Erin Browne’s drama takes its cue from other futuristic stories such as “Brave New World” and “1984,” but her commentary, though relevant, is too familiar.

SOURCE: Backstage at 10:26AM[SHARE]

TEDxBroadway Ushers In the Next Generation of Talent by Suzy Evans

Fostering creativity was one of many topics at the event, which brought together theater movers and shakers to present on a multitude of issues from audience development to ticketing at Ne…

SOURCE: Backstage at 08:20AM[SHARE]
Wednesday, January 18, 2012

The Fall to Earth by Suzy Evans

Deborah Hedwall steals Joel Drake Johnson's generally intriguing play in a powerhouse performance as a mentally unstable woman coping with loss.

SOURCE: Backstage at 08:30AM[SHARE]
Sunday, January 15, 2012

Leo by Suzy Evans

In this mind-twist of a one-man show, performer Tobias Wegner does not actually fly through the air. Nevertheless, his coupling of video and a minimalistic set creates the ultimate onstage …

SOURCE: Backstage at 08:04AM[SHARE]
Thursday, January 12, 2012

Dedalus Lounge by Suzy Evans

Gary Duggan's musical three-hander successfully fuses campy, dark, dramatic, and experimental elements. But do those really go together well?

SOURCE: Backstage at 08:00AM[SHARE]
Monday, January 9, 2012

Bridesburg by Suzy Evans

Victor Kaufold's family drama features unsympathetic characters, and though the actors attempt to fill out the roles, the choppy plot lacks believable motivation and ultimately falls flat.

SOURCE: Backstage at 07:00AM[SHARE]

It's Always Right Now, Until It's Later by Suzy Evans

Daniel Kitson's impeccably self-aware and comic telling of two intersecting tales seems quotidian yet represents a radical paradigm shift in how we view life itself.

SOURCE: Backstage at 03:55AM[SHARE]
Wednesday, December 14, 2011

Broadway Producers Are Looking to America's Heartland for the Next Megahit by Suzy Evans

Regional theater has always been a breeding ground for Broadway hits, especially in recent years, and this season shows such as "Chinglish" and "Hugh Jackman: Back on Broadway" started out…

SOURCE: Backstage at 04:05AM[SHARE]
Tuesday, December 6, 2011

Post Office by Suzy Evans

David Jenkins' play's message doesn't get beyond the decline of the American mail service, and director Josie Whittlesey relies on too much shouting.

SOURCE: Backstage at 08:00AM[SHARE]
Monday, December 5, 2011

The Canterbury Tales Remixed by Suzy Evans

Baba Brinkman presents a study of how language has evolved from middle English to gangster rap while maintaining the essence of Chaucer's stories in a fresh way.

SOURCE: Backstage at 03:52AM[SHARE]
Wednesday, November 30, 2011

NY Review: 'The Door' by Suzy Evans

Tony Earnshaw's concise drama features standout performances from its two actors and accomplishes everything that a play should in under an hour.

SOURCE: Backstage at 05:35AM[SHARE]
Monday, November 21, 2011

The Good Morning America Johnny Johnson Dream Show by Suzy Evans

John Strasberg's didactic but muddled play fails to focus on any issue, and though he employs many actors, it's hard to discern who is capable amidst the disorganization.

SOURCE: Backstage at 12:24PM[SHARE]
Friday, November 11, 2011

Chris Perfetti Makes His N.Y. Stage Debut in 'Sons of the Prophet' by Suzy Evans

Chris Perfetti, who graduated from SUNY Purchase in May, is making his New York and professional stage debut in Roundabout Theatre Company's critically acclaimed Off-Broadway production of…

SOURCE: Backstage at 02:13AM[SHARE]
Thursday, November 10, 2011

Iron Curtain by Suzy Evans

Cara Reichel has meticulously helmed this hilarious throwback to the Golden Age of musicals, and the production and the work give hope for the fate of the American tuner.

SOURCE: Backstage at 08:00AM[SHARE]
Monday, November 7, 2011

Perfect Catch: A Throw-Mantic Comedy by Suzy Evans

Michael Karas and Jen Slaw wrote and perform this light and fun 60-minute juggling act about an innocent office romance, which is a delight for attendees of all ages.

SOURCE: Backstage at 03:28AM[SHARE]

Bunny by Suzy Evans

Rosie Wyatt makes a smashing professional and New York debut in Jack Thorne's edgy, frank one-person drama about racism, classism, and sexuality in contemporary British society.

SOURCE: Backstage at 03:25AM[SHARE]
Friday, November 4, 2011

A Charity Case by Suzy Evans

Alison Fraser is a beacon of light in Wendy Beckett's uneven adoption drama, which circles around a clichéd situation and never comes to a satisfying resolution.

SOURCE: Backstage at 05:07AM[SHARE]

Aliens With Extraordinary Skills by Suzy Evans

Playwright Saviana Stanescu paints real problems facing immigrants in New York, but her personal beliefs sometimes get in the way of her play's effect.

SOURCE: Backstage at 05:04AM[SHARE]
Monday, October 31, 2011

Angels of Swedenborg by Suzy Evans

This artistic juxtaposition of the angelic and demonic realms has many beautiful moments, but though Ping Chong's choreography is intriguing, the production's continuity falters.

SOURCE: Backstage at 06:12AM[SHARE]

Pangs of the Messiah by Suzy Evans

Edward Einhorn's misguided direction of Motti Lerner's political family drama skews the piece's timing and makes many moments feel forced.

SOURCE: Backstage at 06:09AM[SHARE]
Thursday, October 27, 2011

Tom Oppenheim Discusses the Stella Adler Studio's Off-Broadway Debut by Suzy Evans

The studio's artistic director Tom Oppenheim, Adler's grandson, took over the school 15 years ago with a mission to bring vibrant, professional-level theater to the studio.

SOURCE: Backstage at 08:10AM[SHARE]
Tuesday, October 25, 2011

Little Shop of Horrors by Suzy Evans

Director Joe Barros stages Howard Ashman and Alan Menken's musical adaptation of Roger Corman's 1961 film faithfully, and a crafty design team and talented cast round out a hauntingly good…

SOURCE: Backstage at 02:37AM[SHARE]
Monday, October 24, 2011

NY Review: 'Sistas: The Musical' by Suzy Evans

This tasting platter of African-American music from blues to gospel to hip-hop reduces black female history to an educational lecture and fails to achieve a heartfelt personal message.

SOURCE: Backstage at 05:32AM[SHARE]
Monday, October 17, 2011

NY Review: 'The Agony and the Ecstacy of Steve Jobs' by Suzy Evans

Mike Daisey's accidental eulogy to the late Apple CEO fuses personal narrative and journalistic storytelling to create a captivating and relevant evening of theater.

SOURCE: Backstage at 08:00AM[SHARE]
Saturday, October 15, 2011

Tut by Suzy Evans

Marcus Hummon's generic musical feels like a bad concept album onstage. Every song sounds like the one before it, and the repetitive lyrics disguise any hint of a compelling story.

SOURCE: Backstage at 12:00PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off