All stories by Susannah Clapp on BroadwayStars

Saturday, July 6, 2013

The Old Woman; Macbeth; Bank on It – review by Susannah Clapp

Palace, Manchester; Globe; Rose Lipman Building, LondonManchester international festival has always been theatrically lively. This year's programme looks the strongest yet. It opens with a c…

SOURCE: The Guardian at 07:07PM
Monday, July 1, 2013

Charlie and the Chocolate Factory – review by Susannah Clapp

Theatre Royal Drury Lane, LondonToo static, too visually blaring, too short on tunes, too mechanical, too unimaginative. I have not disliked a whopping show so much since Chitty Chitty Bang …

SOURCE: The Guardian at 02:00AM
Saturday, June 29, 2013

If Only – review by Susannah Clapp

Minerva, Chichester Festival TheatreAccording to David Edgar, the coalition is a bit like Ikea. Yellow and blue and hard to put together. And the Tory party manifesto is done up to look like…

SOURCE: The Guardian at 07:06PM
Saturday, June 22, 2013

The Cripple of Inishmaan; The Night Alive; Open Court – review by Susannah Clapp

Noël Coward; Donmar; Royal Court, LondonThe Michael Grandage plan is working. Stars and cheap tickets are bringing new audiences to his West End season, with 25% of the tickets going to fir…

SOURCE: The Guardian at 07:04PM

Five ways to make theatre-going more enjoyable by Susannah Clapp

It's high time we dragged theatres into the 21st century by introducing some long-overdue changesLast week, I suffered an unwelcome theatrical first. In 16 years as the Observer's theatre cr…

SOURCE: The Guardian at 07:01PM
Saturday, June 15, 2013

Let the Right One In; The Amen Corner; Sweet Bird of Youth – review by Susannah Clapp

Dundee Rep; Olivier; Old Vic, LondonIt's hard to believe that the National Theatre of Scotland has been going only seven years. In an age of free-floating, out-of-building theatres, this com…

SOURCE: The Guardian at 07:05PM
Saturday, June 8, 2013

Strange Interlude; A Midsummer Night's Dream; Trash Cuisine – review by Susannah Clapp

Lyttelton; Globe; Young Vic, LondonThe postcodes at the top of this column tell a theatrical story. The South Bank is the new West End. Over the past 10 years this strip has become essential…

SOURCE: The Guardian at 07:05PM
Saturday, June 1, 2013

Chimerica; Race – review by Susannah Clapp

Almeida; Hampstead, LondonRupert Goold doesn't take over as artistic director until August, but already there is a glimmer of him at the Almeida in this joint production with his Headlong co…

SOURCE: The Guardian at 07:06PM
Saturday, May 18, 2013

Public Enemy; These Shining Lives; The Hothouse – review by Susannah Clapp

Young Vic; Park theatre; Trafalgar Studios, LondonIn the past year the Young Vic has staged a whirling Doll's House and a Three Sisters that danced to Nirvana's Smells Like Teen Spirit. Now …

SOURCE: The Guardian at 07:07PM
Saturday, May 11, 2013

Brighton festival – review by Susannah Clapp

Directed by Michael Rosen, this year's Brighton festival captures the spirit of the city, from militant circus to missing relativesThis is the year the Brighton festival took off. The shows …

SOURCE: The Guardian at 07:07PM
Saturday, May 4, 2013

The Tempest; The Pajama Game; The Weir – review by Susannah Clapp

Globe, London; Minerva, Chichester; Donmar, LondonColin Morgan from Merlin is Ariel, bringing his smooth magic to the South Bank. Limber, honey-voiced, swinging from a lintel, he is eerily s…

SOURCE: The Guardian at 07:05PM
Saturday, April 27, 2013

Othello – review by Susannah Clapp

Olivier, LondonThese days it's becoming hard to write about the theatre without praising Nicholas Hytner. Can't he do something wrong so that we critics can start looking less like courtiers…

SOURCE: The Guardian at 07:07PM

Orpheus – review by Susannah Clapp

Battersea Arts Centre, LondonLittle Bulb is the cause of big joy. The larky, lyrical company, most of whom graduated from the University of Kent only five years ago, have taken over BAC with…

SOURCE: The Guardian at 07:05PM
Saturday, April 20, 2013

Table; Children of the Sun – review by Susannah Clapp

The Shed; Lyttelton, LondonNicholas Hytner's departure is not the only change under way at the National. By the time a new artistic director arrives in 2015, large swaths of the once controv…

SOURCE: The Guardian at 07:08PM

The Seagull – review by Susannah Clapp

Nuffield, SouthamptonWe're living in an era of strong and radical Chekhov productions. We've had them from Benedict Andrews at the Young Vic, Russell Bolam at Southwark, Andrew Hilton a…

SOURCE: The Guardian at 07:05PM
Saturday, April 13, 2013

Narrative; Cannibals; Once – review by Susannah Clapp

Royal Court, London; Royal Exchange, Manchester; Phoenix, LondonIt's a tribute to Nicholas Hytner's mighty reign at the National that the news of his standing down outshone, or outdarkened, …

SOURCE: The Guardian at 07:06PM
Saturday, March 30, 2013

Peter and Alice; The Low Road – review by Susannah Clapp

Noël Coward; Royal Court, LondonJudi Dench begins tight as an oyster, encrusted with age and depression and disappointment. She opens and lightens and unstiffens as she remembers the dance …

SOURCE: The Guardian at 08:05PM
Saturday, March 23, 2013

British arts and theatre: women's time in the spotlight has arrived by Susannah Clapp

Women are finally getting the chance to make a massive impact in the arts, argues the Observer's theatre criticThis is the difference that a woman at the top of an arts organisation can make…

SOURCE: The Guardian at 08:06PM
Saturday, March 9, 2013

The Audience – review by Susannah Clapp

Gielgud, LondonWell, I didn't believe in it but I was seduced by it. At least for a while. The Audience – the first surefire, unstoppable hit of the year – has been created to disarm all…

SOURCE: The Guardian at 07:06PM

De Gabay – review by Susannah Clapp

Butetown, Cardiff"People think we're pirates but we're actually poets." Welsh Somalians living in Cardiff's Butetown – the docks area once known as Tiger Bay – wanted to show the truth o…

SOURCE: The Guardian at 07:05PM
Saturday, March 2, 2013

Fences; Trelawny of the Wells; Richard III – review by Susannah Clapp

Theatre Royal, Bath; Donmar Warehouse, London; Tobacco Factory, BristolLet's forget AA. Let's not put African American in front of August Wilson's name. Instead let's acknowledge that he was…

SOURCE: The Guardian at 07:05PM
Saturday, February 16, 2013

Rutherford & Son; Glasgow Girls; Playing Cards 1: Spades – review by Susannah Clapp

Viaduct, Halifax; Stratford East; Roundhouse, LondonShe wrote under initials so that no one would know she was a woman. She died thinking her playwriting career was a failure. In New York sh…

SOURCE: The Guardian at 07:06PM
Saturday, February 9, 2013

Feast; In the Beginning Was the End; The Turn of the Screw – review by Susannah Clapp

Young Vic; Somerset House; Almeida, LondonFeast: yes. But fast, too. I've rarely seen anything so bursting with visual ideas, so thrumming with interesting sounds and rhythms and so skinnily…

SOURCE: The Guardian at 07:05PM
Saturday, February 2, 2013

Old Times – review by Susannah Clapp

Harold Pinter theatre, LondonIt looks like a wheeze at first, a publicist's gamble to get people to pay twice for the same evening. Yet the double casting of Kristin Scott Thomas and Lia Wil…

SOURCE: The Guardian at 07:07PM

Port – review by Susannah Clapp

Lyttelton, LondonA new version of A Doll's House, an updating of Ubu Roi, a triumphant, West End-bound adaptation of The Curious Incident of the Dog in the Night-Time. Before that: wild swer…

SOURCE: The Guardian at 07:04PM

Quartermaine's Terms – review by Susannah Clapp

Wyndham's, LondonAt first the casting of Rowan Atkinson looks perverse. In fact it's inspired. The truly startling stroke in Simon Gray's 1981 play is that it makes its main character a void…

SOURCE: The Guardian at 07:03PM
Saturday, January 26, 2013

The Accrington Pals; Di and Viv and Rose; One Monkey Don't Stop No Show – review by Susannah Clapp

Royal Exchange, Manchester; Hampstead; Tricycle, LondonWith what varied meanings the word "pals" winds through Peter Whelan's 1982 play. This is a drama full of warmth between both women and…

SOURCE: The Guardian at 07:06PM

The 10 best theatrical dynasties by Susannah Clapp

From the Foxes to the Redgraves, the Observer's theatre critic Susannah Clapp chooses the most celebrated acting familiesSusannah Clapp

SOURCE: The Guardian at 09:00AM
Saturday, January 19, 2013

No Quarter; The Silence of the Sea; Not Until We Are Lost – review by Susannah Clapp

Royal Court; Trafalgar Studios; Platform; LondonPolly Stenham's feral families are at the heart of Dominic Cooke's Royal Court. First, in 2007, the bullying child and alcoholic mother of Tha…

SOURCE: The Guardian at 07:06PM
Saturday, December 29, 2012

The House Where Winter Lives; Hansel and Gretel; Pinocchio – review by Susannah Clapp

Discover Children's Story Centre; Cottesloe; Little Angel; LondonLong before the Olympics there was drama in London's Stratford. It was here in the 50s and 60s that Joan Littlewood and her e…

SOURCE: The Guardian at 07:06PM
Saturday, December 22, 2012

My Fair Lady; The Dance of Death; Midnight's Pumpkin – review by Susannah Clapp

Crucible, Sheffield; Trafalgar Studios; Battersea Arts Centre, LondonI thought my resistance to My Fair Lady had hardened. I don't like plays sentimentalised by melody, or cockneys singing w…

SOURCE: The Guardian at 07:09PM