All stories by Susannah Clapp on BroadwayStars

Saturday, February 15, 2014

1984; Oh What a Lovely War – review by Susannah Clapp

Almeida; Theatre Royal Stratford East, LondonOrwell's 1984 comes to tremendous, hellish life. And Joan Littlewood's satire still bitesIt is hugely ambitious to put this dystopia on stage. Ha…

SOURCE: The Guardian at 03:04PM
Sunday, February 9, 2014

The Mistress Contract; Happy Days; The Cement Garden – review by Susannah Clapp

Royal Court; Young Vic; Vaults, LondonFeminism and its absence play a part in Abi Morgan's latest, one of Beckett's best and Ian McEwan's Cement GardenSamuel Butler said it was very good of …

SOURCE: The Guardian at 05:30AM
Sunday, February 2, 2014

Blindsided; The Pass; The Body of an American – review by Susannah Clapp

Royal Exchange, Manchester; Royal Court; Gate, LondonThieving lovers of the Thatcher era, football homophobia and a haunting war photograph make for a trio of striking new dramasSimon Stephe…

SOURCE: The Guardian at 03:05AM
Sunday, January 26, 2014

King Lear; Blurred Lines – review by Susannah Clapp

Olivier; Shed, LondonSimon Russell Beale is magnetic as Lear in Sam Mendes's production, which traces 'an unravelling that is political, cosmic and personal'It would be worth it for the stor…

SOURCE: The Guardian at 03:00AM
Saturday, January 18, 2014

The Duchess of Malfi; Not I/Footfalls/Rockaby – review by Susannah Clapp

Sam Wanamaker Playhouse; Royal Court, LondonThe Globe's new indoor stage is the ideal setting for Webster's macabre tragedy, while Beckett engenders awe not shockUsually Gemma Arterton …

SOURCE: The Guardian at 07:07PM
Saturday, January 11, 2014

Wolf Hall; Bring Up the Bodies – review by Susannah Clapp

Swan, Stratford-upon-AvonBen Miles as Thomas Cromwell leads the way in compelling stage versions of Hilary Mantel's great Tudor novelsThese are near-perfect adaptations. That's to say, imper…

SOURCE: The Guardian at 07:07PM
Saturday, December 28, 2013

Moominland Midwinter; The Good Neighbour; The Night Before Christmas – review by Susannah Clapp

Egg, Bath; BAC, Little Angel, LondonTove Jansson's lovably eccentric characters make their UK stage debut. And there's more magic down the corridors at BACThey are onstage at last. My heroes…

SOURCE: The Guardian at 07:05PM
Saturday, December 21, 2013

Coriolanus; Stephen Ward; Oliver! – review by Susannah Clapp

Donmar; Aldwych, London; Crucible, SheffieldTom Hiddleston's Coriolanus is blazing but bleak, and there's as little love in a 60s sex scandal as there was in Dickens's LondonThe first time I…

SOURCE: The Guardian at 07:07PM

The best theatre of 2013: Susannah Clapp's choice by Susannah Clapp

Shakespeare, Ibsen and Pinter were among the highlights in a year notable for rediscovery and reinventionRead the Observer critics' reviews of the year in full hereThis was a pivotal theatri…

SOURCE: The Guardian at 07:05PM
Tuesday, December 17, 2013

Why I resigned as an Evening Standard theatre awards judge by Susannah Clapp

Changes in the voting system and a lack of open debate left judges feeling like children, and irrevocably damaged the awardsI have been a judge for the Evening Standard Theatre awards for 14…

SOURCE: The Guardian at 06:55AM
Saturday, December 14, 2013

American Psycho; From Morning to Midnight; The Little Mermaid – review by Susannah Clapp

Almeida, Lyttelton, London; Bristol Old VicMatt Smith brings a deadly vacancy to Easton Ellis's antihero in a musical with sharp instincts and a hollow heartAmerican Psycho will be a big hit…

SOURCE: The Guardian at 07:07PM
Saturday, December 7, 2013

Let the Right One In; Henry V; Emil and the Detectives – review by Susannah Clapp

Royal Court; Noel Coward; Olivier, LondonA National Theatre of Scotland tour de force comes south in full-blooded fashion. And Jude Law means business as Henry VThis June I came away from Du…

SOURCE: The Guardian at 07:07PM
Saturday, November 30, 2013

In the Next Room (or the vibrator play); Gastronauts; Once Upon a Christmas – review by Susannah Clapp

St James; Royal Court; Covent Garden, LondonPeople are whooping at Sarah Ruhl's play. Well, of course: at the centre of the plot is a vibrator. Set in New York in the 1880s, In the Next Room…

SOURCE: The Guardian at 07:06PM
Saturday, November 23, 2013

Theatre Uncut; Strangers on a Train – review by Susannah Clapp

Young Vic; Gielgud, LondonTheatre Uncut's visionary series of political plays appeal as much for the ideas as the drama. And Strangers on a Train runs out of steamWhat began as a hand grenad…

SOURCE: The Guardian at 07:06PM
Saturday, November 16, 2013

Mojo; King Lear; Jeeves and Wooster – review by Susannah Clapp

Harold Pinter, London; Minerva, Chichester; Duke of York's, LondonJez Butterworth's Mojo returns in style, King Lear has never been less mad, and Jeeves and Wooster fizz in the West EndBefor…

SOURCE: The Guardian at 07:07PM
Saturday, November 9, 2013

Nut; Keeler – review by Susannah Clapp

Shed; Charing Cross theatre, LondonDebbie Tucker Green captures the pain and poetry of everyday speech in her powerful new playIt's a long time since I've seen such ecstatic smoking on stage…

SOURCE: The Guardian at 07:06PM
Saturday, October 26, 2013

The Djinns of Eidgah; The Events; From Here to Eternity – review by Susannah Clapp

Royal Court; Young Vic; Shaftesbury, LondonThe terrors of war-torn Kashmir are brought to spirited life, while an intriguing musical explores the Anders Breivik killingsMuch has been said a…

SOURCE: The Guardian at 07:07PM
Saturday, October 19, 2013

Richard II; Macbeth – review by Susannah Clapp

Royal Shakespeare theatre, Stratford-upon-Avon; Little Angel, LondonDavid Tennant isn't the only reason to rush to Greg Doran's exceptional production of Richard IIIt has been promoted as Da…

SOURCE: The Guardian at 07:09PM

Susannah Clapp: what the National Theatre means to me by Susannah Clapp

The National Theatre showcases what is going on – and what should be going on – in theatres across the countrySusannah Clapp is the Observer's theatre critic.The National is the answer t…

SOURCE: The Guardian at 07:05PM
Saturday, October 12, 2013

Roots; The Light Princess; Charlie Peace – review by Susannah Clapp

Donmar Warehouse; Lyttelton, London; Nottingham PlayhouseJessica Raine and Linda Bassett captivate in an essential Wesker revival. And The Light Princess needs to be darkerJames Macdonald's …

SOURCE: The Guardian at 07:06PM
Saturday, October 5, 2013

Ghosts; The Lyons; Perfect Match; Virgin – review by Susannah Clapp

Almeida, London; Watford Palace; Menier, LondonRichard Eyre's powerfully intimate version of Ibsen's Ghosts is a triumph. And can you still make real drama out of the internet?Richard Eyre's…

SOURCE: The Guardian at 07:07PM
Saturday, September 28, 2013

Routes; Storm in a Flower Vase; The Last Yankee – review by Susannah Clapp

Royal Court; Arts; Print Room, LondonRachel De-lahay returns with spiky tales of immigration and exile, while society florist Constance Spry blossoms anewIt's two years since Rachel De-lahay…

SOURCE: The Guardian at 07:05PM
Saturday, September 21, 2013

Much Ado About Nothing; A Midsummer Night's Dream; The Herd – review by Susannah Clapp

Old Vic; Noël Coward; Bush, LondonMark Rylance's Much Ado About Nothing positively creaks, while Rory Kinnear makes a promising debut as a playwrightIt's hard to believe that Mark Rylance d…

SOURCE: The Guardian at 07:07PM
Saturday, September 14, 2013

The Ritual Slaughter of Gorge Mastromas; Hysteria; A Boy and His Soul – review by Susannah Clapp

Royal Court; Hampstead; Tricycle, London There's a surprising start for Vicky Featherstone's first season at the Royal CourtVicky Featherstone has started her reign as artistic director of t…

SOURCE: The Guardian at 07:06PM
Saturday, August 24, 2013

The Pride; A Little Hotel on the Side – review by Susannah Clapp

Trafalgar Studios, London; Theatre Royal, BathA drama about sexual liberation since the 50s leaves theatregoers giggling and wriggling"To Russia with Love", say the placards carried by the c…

SOURCE: The Guardian at 07:06PM
Saturday, August 17, 2013

Leaving Planet Earth; Hamlet; Metamorphosis – review by Susannah Clapp

International Climbing Arena, Ratho; Royal Lyceum; King's, EdinburghTechnology has been the watchword at Edinburgh, with varying fortunes for a large-scale sci-fi adventure, a hi-t…

SOURCE: The Guardian at 07:05PM
Saturday, August 10, 2013

The Same Deep Water As Me; Liolà; The Sound of Music – review by Susannah Clapp

Donmar; Lyttelton; Regent's Park Open Air, LondonNick Payne's insurance-fraud drama doesn't quite add up. And Pirandello in Irish guise can't compete with al fresco Von TrappsIs this the sta…

SOURCE: The Guardian at 07:07PM
Saturday, August 3, 2013

King Lear; Titanic; The Strange Undoing of Prudencia Hart – review by Susannah Clapp

Theatre Royal, Bath; Southwark Playhouse; Welsh Centre, LondonIt does make sense. It doesn't make enough nonsense. Lucy Bailey's production of King Lear, set mostly in the 1960s – cocktail…

SOURCE: The Guardian at 07:05PM
Saturday, July 20, 2013

The Drowned Man: A Hollywood Fable; The Machine; The Masque of Anarchy – review by Susannah Clapp

Temple Studios, 31 London Street, London; Campfield Market Hall; Albert Hall, ManchesterI find it hard now to imagine the theatrical landscape without Punchdrunk. Stumbling upon The Firebird…

SOURCE: The Guardian at 07:06PM
Saturday, July 13, 2013

Macbeth; Circle Mirror Transformation; The Paper Architect – review by Susannah Clapp

St Peter's church, Manchester; Rose Lipman Building; Corner of Leytonstone library, LondonMired in mud, smeared with blood, witchily gibbering and fighting so close to the audience that spec…

SOURCE: The Guardian at 07:05PM
Saturday, July 6, 2013

The Old Woman; Macbeth; Bank on It – review by Susannah Clapp

Palace, Manchester; Globe; Rose Lipman Building, LondonManchester international festival has always been theatrically lively. This year's programme looks the strongest yet. It opens with a c…

SOURCE: The Guardian at 07:07PM