All stories by Susannah Clapp on BroadwayStars

Saturday, August 9, 2014

The White Devil review splashy rather than searing by Susannah Clapp

The Swan, Stratford-upon-AvonMaria Aberg's feminist take on Webster's lurid play is undermined by anxious updating Continue reading...

SOURCE: The Guardian at 07:09PM

My Night With Reg review never ceases to scintillate by Susannah Clapp

Donmar Warehouse, London Vivacity is fringed with loss in Robert Hastie's 'new-minted' revival of Kevin Elyot's drama about five gay men in the 80s Continue reading...

SOURCE: The Guardian at 07:08PM

Porgy and Bess review woe, rage and desire resound by Susannah Clapp

Regent's Park Open Air theatre, London Nicola Hughes and Rufus Bond make a powerful leading couple in this glorious version of Gershwin's classic Continue reading...

SOURCE: The Guardian at 07:07PM
Sunday, August 3, 2014

A Streetcar Named Desire review Gillian Anderson is utterly compelling by Susannah Clapp

Young Vic, LondonBenedict Andrews's revival of the Tennessee Williams classic steams off the revolving set of the Young Vic Continue reading...

SOURCE: The Guardian at 03:30AM
Saturday, July 26, 2014

Amadeus review Rupert Everett impresses as the seething Salieri by Susannah Clapp

Chichester Festival theatre, West SussexA vivid revival of Peter Shaffer's Amadeus christens a newly refashioned Chichester Festival theatre Continue reading...

SOURCE: The Guardian at 07:05PM

Shakespeare in Love review one fine lead and a too-tangled plot by Susannah Clapp

Noel Coward, LondonLucy Briggs-Owen is a revelation in Lee Hall's clever but sometimes confusing version of the hit Tom Stoppard screenplay Continue reading...

SOURCE: The Guardian at 07:05PM

Medea review clenched and forceful by Susannah Clapp

Helen McCrory delivers a majestic performance as the vengeful protagonist in Ben Power's new version of Euripides' play Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, July 19, 2014

Giffords Circus: The Thunders review not death-defying but life-enhancing by Susannah Clapp

Oxford University Parks, and touringJuggling slapstick and Greek myths works a treatGiffords Circus packs big ambitions into a little top. Not so much death-defying as life-enhancing, it's a…

SOURCE: The Guardian at 07:09PM

Perseverance Drive review few surprises, but beautiful hymns by Susannah Clapp

Bush, LondonFaith drives a family apart in Robin Soans's new dramaIt is not hard to make out the direction of Robin Soans's new play. That is the bad news. The good news is that it has a dec…

SOURCE: The Guardian at 07:07PM

The Trials of Oscar Wilde review bons mots and barefaced lies by Susannah Clapp

St James, LondonJohn Gorick is a beguiling Wilde in a smart play that reveals the establishment at its worstSt James had a sell-out success with its week-long (lunchtime and evening) season …

SOURCE: The Guardian at 07:07PM
Saturday, July 12, 2014

Richard III review Martin Freeman is a contained and cautious king by Susannah Clapp

Trafalgar Studios, LondonThe long reach of the play's wildness is diminished in its 1979 office settingThe warnings about Richard III were misleading. The only sonic disturbance I was aware …

SOURCE: The Guardian at 07:09PM

The Crucible review an engrossing, fiery evening by Susannah Clapp

Old Vic, LondonArthur Miller's play resonates without any updating in Yael Farber's powerful stagingI went to The Crucible half-expecting the director Yael Farber to have shifted the action …

SOURCE: The Guardian at 07:07PM
Saturday, July 5, 2014

Great Britain review a pleasurable sharing of scepticism and scorn by Susannah Clapp

Lyttelton, LondonBillie Piper excels in Richard Bean's hot-off-the-press satire on greedy MPs, foul-mouthed journalists and sleazy coppersThe really good thing is that it's here. Rat-a-tat s…

SOURCE: The Guardian at 07:07PM
Saturday, June 21, 2014

Skylight review: Hare revival is a Thatcherite play for today by Susannah Clapp

Wyndham's theatre, LondonRemarkable performances from Carey Mulligan and Bill Nighy imbue David Hare's 1990s-set drama with fresh resonanceFor nearly 20 years, I have been arguing with Skyli…

SOURCE: The Guardian at 07:05PM
Saturday, June 14, 2014

Mr Burns; Fathers and Sons review by Susannah Clapp

Almeida; Donmar Warehouse, LondonMr Burns fails to ignite at the Almeida, but Turgenev and Brian Friel prove a dream team at the DonmarWhen it comes to The Simpsons, I have the enthusiasm of…

SOURCE: The Guardian at 07:05PM
Saturday, June 7, 2014

Hotel; Dmitry Krymov Laboratory: Opus No 7 review by Susannah Clapp

Shed, London; Barbican, LondonPolly Stenham brings vicious violence to the Shed, while the persecution of Soviet Jewry is remembered at the Barbican Susannah Clapp gives five stars to Intima…

SOURCE: The Guardian at 07:05PM

Intimate Apparel review UK premiere of a defining piece of American drama by Susannah Clapp

Ustinov Studio, Theatre Royal, BathThe British premiere of Lynn Nottage's 2003 subtle play is marvellous, examining what intimacy really isThe Ustinov Studio is making history. Lynn Nottage …

SOURCE: The Guardian at 07:04PM
Saturday, May 24, 2014

Time to bring down the curtain on stage critics' sexism by Susannah Clapp

A week in which male reviewers provoked a storm by calling opera singer Tara Erraught 'unsightly' has provoked a much-needed debate on sexist attitudes in arts criticismBelow, women in the a…

SOURCE: The Guardian at 07:05PM

All My Sons review Miller's slow-burning classic by Susannah Clapp

Regent's Park Open Air theatre, LondonTimothy Sheader's revival of Arthur Miller's postwar shot at the American Dream struggles to recover from a sluggish first halfWith Miss Saigon playing …

SOURCE: The Guardian at 07:05PM

Miss Saigon review 'celebration masquerading as tragedy' by Susannah Clapp

Prince Edward, LondonThe hugely popular musical is back with its blaring, terrible songsNot so much a musical as an applausathon. Here is a famous duet: much clapping. Here is a swanky Ameri…

SOURCE: The Guardian at 07:04PM
Saturday, May 17, 2014

Hope Place; The Last Days of Troy review by Susannah Clapp

Everyman, Liverpool; Royal Exchange, ManchesterFour bereaved siblings wallow in the past in the terrific Hope Place, while Lily Cole is a graceful if small-voiced Helen in Simon Armitage's d…

SOURCE: The Guardian at 07:05PM
Saturday, May 10, 2014

Raw Material: Llareggub Revisited review quirky but overstuffed Dylan Thomas tribute by Susannah Clapp

Laugharne, CarmarthenshireThe small community that inspired Under Milk Wood hosts an intriguing but whimsical tribute to the wayward Welsh bardTo begin at the end. In the graveyard at Laugha…

SOURCE: The Guardian at 07:06PM
Saturday, May 3, 2014

Sunny Afternoon; Debris review by Susannah Clapp

Hampstead; Southwark Playhouse, LondonThe Kinks musical Sunny Afternoon is a triumph for Ray Davies and Joe Penhall. And orphans bring snot and fury to SouthwarkSunny Afternoon rocks Hampste…

SOURCE: The Guardian at 07:07PM
Saturday, April 26, 2014

Privacy; The Silver Tassie; An Intervention review by Susannah Clapp

Donmar Warehouse; Lyttelton, London; Watford PalaceJames Graham's electrifying new play, Privacy, could change your online lifeThere is no need to keep this a secret. Privacy is electrifying…

SOURCE: The Guardian at 07:07PM
Saturday, April 19, 2014

The Roaring Girl; Henry IV Parts I and II review by Susannah Clapp

Dekker and Middleton's Roaring Girl fails to hold her own at the RSC against two of Shakespeare's most thoroughly male dynastic dramasThe RSC is no longer alone with Shakespeare. The Globe i…

SOURCE: The Guardian at 07:07PM
Saturday, April 12, 2014

King Charles III; Birdland; A Small Family Business review by Susannah Clapp

In Mike Bartlett's fine new play at the Almeida, the Windsors acquire Shakespearean depths, while the ravages of a rock-star life dazzle at the Royal CourtThe Queen is dead; Charles is about…

SOURCE: The Guardian at 07:07PM
Saturday, April 5, 2014

Home; Kingston 14; Arcadia review by Susannah Clapp

Shed; Theatre Royal, both London; Tobacco Factory, BristolPoor lives make for rich drama at the Shed, while Goldie excels as a Jamaican gang leader at Stratford EastSome of the most striking…

SOURCE: The Guardian at 07:04PM
Saturday, March 22, 2014

Blithe Spirit review – Angela Lansbury's happy medium by Susannah Clapp

Gielgud, LondonThe Broadway veteran plays a magnificently dotty Madame Arcati in this remarkable production of Coward's glacial comedyShe strides on in plaid tweeds, and shimmies around in a…

SOURCE: The Guardian at 08:05PM
Saturday, March 15, 2014

Twelfth Night; Spring Awakening – review by Susannah Clapp

Everyman, Liverpool; West Yorkshire Playhouse, Leeds Twelfth Night doesn't quite echo the newly revamped Everyman's sense of swagger. In Leeds, Anya Reiss's updating of Wedekind is a winnerR…

SOURCE: The Guardian at 10:00AM
Saturday, March 8, 2014

Good People; Versailles; Orlando – review by Susannah Clapp

Hampstead; Donmar, London; Royal Exchange, ManchesterImelda Staunton is whip-sharp in a great new US play about class. Peter Gill roots his drama in argument. And Orlando fliesThere are no s…

SOURCE: The Guardian at 07:07PM
Saturday, February 15, 2014

1984; Oh What a Lovely War – review by Susannah Clapp

Almeida; Theatre Royal Stratford East, LondonOrwell's 1984 comes to tremendous, hellish life. And Joan Littlewood's satire still bitesIt is hugely ambitious to put this dystopia on stage. Ha…

SOURCE: The Guardian at 03:04PM