All stories by Susannah Clapp on BroadwayStars

Sunday, December 14, 2014

Anything Goes review – Cole’s corker rules the waves by Susannah Clapp

Crucible, SheffieldDirector Daniel Evans continues his run of Christmas musical magic in Sheffield with a glorious Anything Goes Continue reading...

SOURCE: The Guardian at 03:05AM

Treasure Island review – astonishing spectacle by Susannah Clapp

Olivier, LondonPatsy Ferran dazzles as a female Jim in the National’s remarkable take on Robert Louis Stevenson’s classicPolly Findlay’s production of Treasure Island is astonishing, i…

SOURCE: The Guardian at 03:03AM

The Christmas Truce review – beautifully staged, but where's the bite? by Susannah Clapp

Swan, Stratford-on-AvonDespite its visual power and accomplished performances, this familiar first world war tale feels oddly sketchyIt’s a pity that there is not more come and go between …

SOURCE: The Guardian at 03:00AM
Sunday, December 7, 2014

Susannah Clapp: the 10 standout theatrical performances of 2014 by Susannah Clapp

From a great female Falstaff to Gillian Anderson’s unforgettable Blanche Dubois, the Observer’s theatre critic picks her favourite performances of the yearLaura Cumming: the 10 best art …

SOURCE: The Guardian at 04:15AM
Saturday, December 6, 2014

Assassins review – a killer staging of Sondheim’s musical by Susannah Clapp

Menier Chocolate Factory, LondonPresident-shooters are on song in Jamie Lloyd’s brilliant production Continue reading...

SOURCE: The Guardian at 07:05PM

3 Winters review – generous, surprising and extremely powerful by Susannah Clapp

Lyttelton, National theatre, LondonThe struggles of one Croatian family mirror the strife of a whole country in Tena Stivičić’s intricate new playEvery now and then someone announces tha…

SOURCE: The Guardian at 07:05PM

Hope review – a well-meaning but dull austerity play by Susannah Clapp

Royal Court, LondonThe team behind Let the Right One In fail to quicken the blood with a play about a Labour council facing budget cuts Continue reading...

SOURCE: The Guardian at 07:03PM
Saturday, November 22, 2014

Behind the Beautiful Forevers review – important stories forcefully told by Susannah Clapp

Olivier, LondonDavid Hare’s adaptation of Katherine Boo’s acclaimed study of a Mumbai slum breaks new ground for the National Continue reading...

SOURCE: The Guardian at 07:08PM

Pomona review – fierce dystopian drama with terrific comic edge by Susannah Clapp

Orange Tree, Richmond Ned Bennett’s production of Alistair McDowall’s unsettling drama is a winner Continue reading...

SOURCE: The Guardian at 07:07PM

Accolade review – a topical but dated revival by Susannah Clapp

St James, London The period trappings of Emlyn Williams’s scandalous 1950 play do it no favours Continue reading...

SOURCE: The Guardian at 07:06PM
Saturday, November 8, 2014

Made in Dagenham review the feast of the show is visual rather than aural by Susannah Clapp

Adelphi, LondonGemma Arterton effortlessly leads the way in a joyful, garish musical rejig of the hit filmFord fiesta: Made in Dagenham the musical opens in the West End in pictures Continu…

SOURCE: The Guardian at 07:08PM
Saturday, October 25, 2014

Our Town review cracker-barrel wisdom and quizzical narration by Susannah Clapp

Almeida, LondonThornton Wilders 1938 portrayal of small-town life could hardly be bettered even if it keeps its subjects at arms length Continue reading...

SOURCE: The Guardian at 07:07PM

The Cherry Orchard review swift, invigorating and outspoken by Susannah Clapp

Young Vic, LondonKatie Mitchells new production of Chekhovs classic is full of ominous shadows and refreshing shocks Continue reading...

SOURCE: The Guardian at 07:06PM

The Father review obsessiveness and loss subtly conjured by Susannah Clapp

Ustinov Studio, Theatre Royal Bath Pinter, Kafka and King Lear are called to mind by Florian Zellers powerful portrayal of incipient dementia in bourgeois surroundings Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, October 18, 2014

Here Lies Love; The Infidel the Musical; Gypsy review by Susannah Clapp

Dorfman; Theatre Royal Stratford East, London; Festival, ChicesterImelda Marcos takes to the dance floor, David Baddiel takes real risks and Imelda Staunton takes no prisoners in a good week…

SOURCE: The Guardian at 07:05PM

Eileen Atkins: Even today theres a resentment of old people by Susannah Clapp

The actor on getting older, her working-class roots as a child performer and what fun it was to work with Woody Allen Continue reading...

SOURCE: The Guardian at 02:00PM
Saturday, October 11, 2014

Henry IV review Harriet Walters kingly power by Susannah Clapp

Donmar Warehouse, LondonPhyllida Lloyds second all-female Shakespeare production defies expectations on more fronts than just gender Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, October 4, 2014

Dublin theatre festival review taut tales of the Fair City by Susannah Clapp

Various venues, DublinFrom the site-specific Monto Cycle to Aoife Duffins brilliant turn in A Girl Is a Half-Formed Thing, Dublins theatre festival boasts wonders aplenty Continue reading...

SOURCE: The Guardian at 07:06PM

Electra review Kristin Scott Thomas breaks new ground with mixed results by Susannah Clapp

Old Vic, London Kristin Scott Thomas has a powerful presence as Sophocless avenging heroine, but her gesturing is a little over the top Kristin Scott Thomas as Electra in pictures Michael B…

SOURCE: The Guardian at 07:05PM

Electra review – Kristin Scott Thomas breaks new ground with mixed results by Susannah Clapp

Old Vic, London Kristin Scott Thomas is caught between fervour and languor as Sophocles’s avenging heroine• Kristin Scott Thomas as Electra – in pictures• Michael Billington’s revi…

SOURCE: The Guardian at 07:05PM
Saturday, September 27, 2014

The Angry Brigade; Teh Internet Is Serious Business review more sound than fury by Susannah Clapp

The Drum, Theatre Royal, Plymouth; Royal Court, LondonThe Angry Brigade and the birth of hacktivism inspire contrasting new plays about rebellion from James Graham and Tim Price Continue rea…

SOURCE: The Guardian at 07:10PM
Saturday, September 20, 2014

Hamlet review Maxine Peake is a delicately ferocious Prince of Denmark by Susannah Clapp

Royal Exchange, ManchesterThe gender switches in Sarah Frankcoms Hamlet may unsettle for a moment but they do not distort the play At her Peake: a stage career in pictures Michael Billington…

SOURCE: The Guardian at 07:08PM

The Wolf from the Door review an apocalyptic yet overfamiliar vision of England by Susannah Clapp

Royal Court, LondonRory Mullarkeys land of oddballs and Elgar benefits from a smart production Continue reading...

SOURCE: The Guardian at 07:07PM

Ballyturk review frenzied, incessant, sententious by Susannah Clapp

Lyttelton, LondonSome great performances cant save Enda Walshs over-hectic, over-written production Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, September 13, 2014

The Widowing of Mrs Holroyd review DH Lawrence at the kitchen sink by Susannah Clapp

Orange Tree, RichmondDH Lawrences 1914 play is a bracing battle of the sexes Continue reading...

SOURCE: The Guardian at 07:08PM

Rudys Rare Records review gusts of goodwill greet Lenny Henry on his home patch by Susannah Clapp

Birmingham RepA stage version of the Radio 4 comedy is bit like Steptoe and Son with musical interludes Continue reading...

SOURCE: The Guardian at 07:07PM

Fully Committed review nonstop hilarity; much eyebrow work by Susannah Clapp

Menier Chocolate FactoryThis revival of Becky Modes frenetic one-man show is a gift for Kevin Bishop Continue reading...

SOURCE: The Guardian at 07:06PM
Saturday, September 6, 2014

Little Revolution review Hackney riots from the sidelines by Susannah Clapp

Almeida, LondonAlecky Blythe's terrific account of the 2011 London riots, using her trademark verbatim dialogue, puts bystanders centre stage Continue reading...

SOURCE: The Guardian at 07:09PM

Regeneration review full of interest, full of warnings by Susannah Clapp

Royal & Derngate, NorthamptonThis adaptation of Pat Barker's first world war novel is ambitious and vibrant but loses some of the book's crucial texture Continue reading...

SOURCE: The Guardian at 07:06PM
Saturday, August 16, 2014

The James Plays review Rona Munro's timely game of thrones by Susannah Clapp

This historic Anglo-Scottish co-production delivers epic sweep but insufficient psychological depth Continue reading...

SOURCE: The Guardian at 07:06PM
Saturday, August 9, 2014

The White Devil review splashy rather than searing by Susannah Clapp

The Swan, Stratford-upon-AvonMaria Aberg's feminist take on Webster's lurid play is undermined by anxious updating Continue reading...

SOURCE: The Guardian at 07:09PM