All stories by Susannah Clapp on BroadwayStars

Saturday, November 8, 2014

Made in Dagenham review the feast of the show is visual rather than aural by Susannah Clapp

Adelphi, LondonGemma Arterton effortlessly leads the way in a joyful, garish musical rejig of the hit filmFord fiesta: Made in Dagenham the musical opens in the West End in pictures Continu…

SOURCE: The Guardian at 07:08PM
Saturday, October 25, 2014

Our Town review cracker-barrel wisdom and quizzical narration by Susannah Clapp

Almeida, LondonThornton Wilders 1938 portrayal of small-town life could hardly be bettered even if it keeps its subjects at arms length Continue reading...

SOURCE: The Guardian at 07:07PM

The Cherry Orchard review swift, invigorating and outspoken by Susannah Clapp

Young Vic, LondonKatie Mitchells new production of Chekhovs classic is full of ominous shadows and refreshing shocks Continue reading...

SOURCE: The Guardian at 07:06PM

The Father review obsessiveness and loss subtly conjured by Susannah Clapp

Ustinov Studio, Theatre Royal Bath Pinter, Kafka and King Lear are called to mind by Florian Zellers powerful portrayal of incipient dementia in bourgeois surroundings Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, October 18, 2014

Here Lies Love; The Infidel the Musical; Gypsy review by Susannah Clapp

Dorfman; Theatre Royal Stratford East, London; Festival, ChicesterImelda Marcos takes to the dance floor, David Baddiel takes real risks and Imelda Staunton takes no prisoners in a good week…

SOURCE: The Guardian at 07:05PM

Eileen Atkins: Even today theres a resentment of old people by Susannah Clapp

The actor on getting older, her working-class roots as a child performer and what fun it was to work with Woody Allen Continue reading...

SOURCE: The Guardian at 02:00PM
Saturday, October 11, 2014

Henry IV review Harriet Walters kingly power by Susannah Clapp

Donmar Warehouse, LondonPhyllida Lloyds second all-female Shakespeare production defies expectations on more fronts than just gender Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, October 4, 2014

Dublin theatre festival review taut tales of the Fair City by Susannah Clapp

Various venues, DublinFrom the site-specific Monto Cycle to Aoife Duffins brilliant turn in A Girl Is a Half-Formed Thing, Dublins theatre festival boasts wonders aplenty Continue reading...

SOURCE: The Guardian at 07:06PM

Electra review Kristin Scott Thomas breaks new ground with mixed results by Susannah Clapp

Old Vic, London Kristin Scott Thomas has a powerful presence as Sophocless avenging heroine, but her gesturing is a little over the top Kristin Scott Thomas as Electra in pictures Michael B…

SOURCE: The Guardian at 07:05PM

Electra review – Kristin Scott Thomas breaks new ground with mixed results by Susannah Clapp

Old Vic, London Kristin Scott Thomas is caught between fervour and languor as Sophocles’s avenging heroine• Kristin Scott Thomas as Electra – in pictures• Michael Billington’s revi…

SOURCE: The Guardian at 07:05PM
Saturday, September 27, 2014

The Angry Brigade; Teh Internet Is Serious Business review more sound than fury by Susannah Clapp

The Drum, Theatre Royal, Plymouth; Royal Court, LondonThe Angry Brigade and the birth of hacktivism inspire contrasting new plays about rebellion from James Graham and Tim Price Continue rea…

SOURCE: The Guardian at 07:10PM
Saturday, September 20, 2014

Hamlet review Maxine Peake is a delicately ferocious Prince of Denmark by Susannah Clapp

Royal Exchange, ManchesterThe gender switches in Sarah Frankcoms Hamlet may unsettle for a moment but they do not distort the play At her Peake: a stage career in pictures Michael Billington…

SOURCE: The Guardian at 07:08PM

The Wolf from the Door review an apocalyptic yet overfamiliar vision of England by Susannah Clapp

Royal Court, LondonRory Mullarkeys land of oddballs and Elgar benefits from a smart production Continue reading...

SOURCE: The Guardian at 07:07PM

Ballyturk review frenzied, incessant, sententious by Susannah Clapp

Lyttelton, LondonSome great performances cant save Enda Walshs over-hectic, over-written production Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, September 13, 2014

The Widowing of Mrs Holroyd review DH Lawrence at the kitchen sink by Susannah Clapp

Orange Tree, RichmondDH Lawrences 1914 play is a bracing battle of the sexes Continue reading...

SOURCE: The Guardian at 07:08PM

Rudys Rare Records review gusts of goodwill greet Lenny Henry on his home patch by Susannah Clapp

Birmingham RepA stage version of the Radio 4 comedy is bit like Steptoe and Son with musical interludes Continue reading...

SOURCE: The Guardian at 07:07PM

Fully Committed review nonstop hilarity; much eyebrow work by Susannah Clapp

Menier Chocolate FactoryThis revival of Becky Modes frenetic one-man show is a gift for Kevin Bishop Continue reading...

SOURCE: The Guardian at 07:06PM
Saturday, September 6, 2014

Little Revolution review Hackney riots from the sidelines by Susannah Clapp

Almeida, LondonAlecky Blythe's terrific account of the 2011 London riots, using her trademark verbatim dialogue, puts bystanders centre stage Continue reading...

SOURCE: The Guardian at 07:09PM

Regeneration review full of interest, full of warnings by Susannah Clapp

Royal & Derngate, NorthamptonThis adaptation of Pat Barker's first world war novel is ambitious and vibrant but loses some of the book's crucial texture Continue reading...

SOURCE: The Guardian at 07:06PM
Saturday, August 16, 2014

The James Plays review Rona Munro's timely game of thrones by Susannah Clapp

This historic Anglo-Scottish co-production delivers epic sweep but insufficient psychological depth Continue reading...

SOURCE: The Guardian at 07:06PM
Saturday, August 9, 2014

The White Devil review splashy rather than searing by Susannah Clapp

The Swan, Stratford-upon-AvonMaria Aberg's feminist take on Webster's lurid play is undermined by anxious updating Continue reading...

SOURCE: The Guardian at 07:09PM

My Night With Reg review never ceases to scintillate by Susannah Clapp

Donmar Warehouse, London Vivacity is fringed with loss in Robert Hastie's 'new-minted' revival of Kevin Elyot's drama about five gay men in the 80s Continue reading...

SOURCE: The Guardian at 07:08PM

Porgy and Bess review woe, rage and desire resound by Susannah Clapp

Regent's Park Open Air theatre, London Nicola Hughes and Rufus Bond make a powerful leading couple in this glorious version of Gershwin's classic Continue reading...

SOURCE: The Guardian at 07:07PM
Sunday, August 3, 2014

A Streetcar Named Desire review Gillian Anderson is utterly compelling by Susannah Clapp

Young Vic, LondonBenedict Andrews's revival of the Tennessee Williams classic steams off the revolving set of the Young Vic Continue reading...

SOURCE: The Guardian at 03:30AM
Saturday, July 26, 2014

Amadeus review Rupert Everett impresses as the seething Salieri by Susannah Clapp

Chichester Festival theatre, West SussexA vivid revival of Peter Shaffer's Amadeus christens a newly refashioned Chichester Festival theatre Continue reading...

SOURCE: The Guardian at 07:05PM

Shakespeare in Love review one fine lead and a too-tangled plot by Susannah Clapp

Noel Coward, LondonLucy Briggs-Owen is a revelation in Lee Hall's clever but sometimes confusing version of the hit Tom Stoppard screenplay Continue reading...

SOURCE: The Guardian at 07:05PM

Medea review clenched and forceful by Susannah Clapp

Helen McCrory delivers a majestic performance as the vengeful protagonist in Ben Power's new version of Euripides' play Continue reading...

SOURCE: The Guardian at 07:05PM
Saturday, July 19, 2014

Giffords Circus: The Thunders review not death-defying but life-enhancing by Susannah Clapp

Oxford University Parks, and touringJuggling slapstick and Greek myths works a treatGiffords Circus packs big ambitions into a little top. Not so much death-defying as life-enhancing, it's a…

SOURCE: The Guardian at 07:09PM

Perseverance Drive review few surprises, but beautiful hymns by Susannah Clapp

Bush, LondonFaith drives a family apart in Robin Soans's new dramaIt is not hard to make out the direction of Robin Soans's new play. That is the bad news. The good news is that it has a dec…

SOURCE: The Guardian at 07:07PM

The Trials of Oscar Wilde review bons mots and barefaced lies by Susannah Clapp

St James, LondonJohn Gorick is a beguiling Wilde in a smart play that reveals the establishment at its worstSt James had a sell-out success with its week-long (lunchtime and evening) season …

SOURCE: The Guardian at 07:07PM
Saturday, July 12, 2014

Richard III review Martin Freeman is a contained and cautious king by Susannah Clapp

Trafalgar Studios, LondonThe long reach of the play's wildness is diminished in its 1979 office settingThe warnings about Richard III were misleading. The only sonic disturbance I was aware …

SOURCE: The Guardian at 07:09PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime