In Mike Bartlett's fine new play at the Almeida, the Windsors acquire Shakespearean depths, while the ravages of a rock-star life dazzle at the Royal CourtThe Queen is dead; Charles is about to take over. The Labour party is in power; Prince Harry is romping with a Doc Martened republican art student. Mike Bartlett's new play King Charles III begins with provocation. It continues as a lark. And develops into somethin…
SOURCE: The Guardian at 07:07PM on April 12, 2014