All stories by Susannah Clapp on BroadwayStars

Sunday, February 15, 2015

The Life and Times of Fanny Hill review – satisfying mix of raunch and melancholy by Susannah Clapp

John Cleland’s 18th-century erotic romp is given a well-judged modern edgeExcellent. The 18th century is sweeping over Bristol’s theatres. In April the Tobacco Factory puts on The School…

SOURCE: The Guardian at 02:00AM
Sunday, February 8, 2015

The Last of the De Mullins review – comic and fervent by Susannah Clapp

Jermyn Street, LondonA headstrong heroine scarpers from the family pile with a baby in tow in St John Hankin’s prophetic 1908 play, now staged for the first time in public Continue reading…

SOURCE: The Guardian at 03:01AM

Hello/Goodbye review – a flat romance by Susannah Clapp

Hampstead theatre, LondonTV’s young Inspector Morse is the only good thing about this predictable love story Continue reading...

SOURCE: The Guardian at 03:00AM

The Ruling Class review – James McAvoy saves the show by Susannah Clapp

The star dazzles in this madcap revival of Peter Barnes’s blunt 1968 satire Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, February 1, 2015

The Hard Problem review – Tom Stoppard dodges the big question by Susannah Clapp

Dorfman theatre, LondonConsciousness is the subject of Stoppard’s first full-length work in nine years but the play lacks his usual intellectual rigourYou could measure out a theatre-going…

SOURCE: The Guardian at 02:00AM
Sunday, January 25, 2015

Bull review – a riveting and uncomfortable 55 minutes by Susannah Clapp

Young Vic, LondonMike Bartlett’s follow-up to Cock is a masterclass in the workings of collusionSusannah Clapp reviews the ChangelingSusannah Clapp reviews Fever Continue reading...

SOURCE: The Guardian at 03:00AM

The Fever review – an evening of wine, chocolates and guilt by Susannah Clapp

May Fair hotel, LondonWallace Shawn’s denunciation of capitalism hits home – up to a pointSusannah Clapp reviews The ChangelingSusannah Clapp reviews Bull Continue reading...

SOURCE: The Guardian at 03:00AM

The Changeling review – Middleton and Rowley’s tragedy has never been so acutely funny by Susannah Clapp

Sam Wanamaker Playhouse, London Gore, humour and Hattie Morahan cut to the quick in Dominic Dromgoole’s whip-sharp production of The ChangelingSusannah Clapp reviews Bull at the Young VicS…

SOURCE: The Guardian at 03:00AM
Sunday, January 18, 2015

Women on the Verge of a Nervous Breakdown review – elegant and edgy but lacks Pedro power by Susannah Clapp

Playhouse, LondonDespite some terrific performances, this musical adaptation struggles to capture the spirit of Almodóvar’s movieWomen on the Verge, the musical: in pictures Almodóvar sa…

SOURCE: The Guardian at 03:05AM

Tree review – twinkles from one comic exchange to another by Susannah Clapp

Old Vic, LondonDaniel Kitson’s play has quirky charm – and deep theatrical rootsThe first marvel in Daniel Kitson’s Tree is the tree itself, a fine structure built by Take 1 Scenic Ser…

SOURCE: The Guardian at 03:03AM

Donkey Heart review – dialogue with darts of wildness by Susannah Clapp

Trafalgar Studios, London Moses Raine’s play, set in a Moscow flat, makes the strange seem close at hand Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, January 11, 2015

The Grand Tour review – a sideways glance at a big subject by Susannah Clapp

Finborough, LondonThis pocket-sized production works wonders with Jerry Herman’s musical about fleeing the Nazis Continue reading...

SOURCE: The Guardian at 03:03AM

Village Wooing/How He Lied to Her Husband review – short, sharp Shaw by Susannah Clapp

Tristan Bates, LondonTwo of Bernard Shaw’s lesser-known works, one satirising one of his biggest successes, are snappily effective on a tiny stage Continue reading...

SOURCE: The Guardian at 03:00AM
Sunday, December 28, 2014

Antarctica review – lo-tech storytelling, high-grade music by Susannah Clapp

Battersea Arts Centre, London Bach, Verdi and Dvorák provide the soundtrack for this jaunty polar adventure for children starring the irresistible Owlabear Continue reading...

SOURCE: The Guardian at 03:00AM

Cats review – none of it is very catlike by Susannah Clapp

Andrew Lloyd Webber’s resurrected musical features terrific dancing and some truly hideous moggies Continue reading...

SOURCE: The Guardian at 03:00AM

Jabberwocky review – uncanny and enchanting by Susannah Clapp

Little Angel, London Lewis Carroll’s nonsense poem makes perfect sense in Peter O’Rourke’s spellbinding puppet show Continue reading...

SOURCE: The Guardian at 03:00AM
Saturday, December 27, 2014

15 things to look forward to in 2015 by Robin McKie, Alice Fisher, Rowan Moore, Kitty Empire, Tristram Hunt, Andrew Brown, Susannah Clapp, Emma Graham-Harrison, Robert McCrum, Eddie Butler, Ryan Gilbey, Ben Preston, Stuart Dredge and Peter Preston

Benedict Cumberbatch’s Hamlet, smartwatches, the return of the Large Hadron Collider, the rugby World Cup in Britain, a flood of classic drama on TV and a critical climate summit – some …

SOURCE: The Guardian at 05:59PM
Sunday, December 21, 2014

Golem review – a glimmering evening by Susannah Clapp

Young Vic, London The ingenious 1927 mingle live performance, animation and film to disconcerting effect in this anti-technology tale Continue reading...

SOURCE: The Guardian at 03:03AM

The Merchant of Venice review – significance steams through by Susannah Clapp

The close confines of the Almeida are perfect for this updating of Rupert Goold’s extraordinary production set in 21st-century Las Vegas Continue reading...

SOURCE: The Guardian at 03:00AM

City of Angels review – it smoulders, slinks and sizzles by Susannah Clapp

Donmar, LondonJosie Rourke’s first musical at the Donmar is a sexy, jazzy homage to noirStage and screen were all over each other last week. And to good effect. Josie Rourke’s production…

SOURCE: The Guardian at 03:00AM
Sunday, December 14, 2014

Anything Goes review – Cole’s corker rules the waves by Susannah Clapp

Crucible, SheffieldDirector Daniel Evans continues his run of Christmas musical magic in Sheffield with a glorious Anything Goes Continue reading...

SOURCE: The Guardian at 03:05AM

Treasure Island review – astonishing spectacle by Susannah Clapp

Olivier, LondonPatsy Ferran dazzles as a female Jim in the National’s remarkable take on Robert Louis Stevenson’s classicPolly Findlay’s production of Treasure Island is astonishing, i…

SOURCE: The Guardian at 03:03AM

The Christmas Truce review – beautifully staged, but where's the bite? by Susannah Clapp

Swan, Stratford-on-AvonDespite its visual power and accomplished performances, this familiar first world war tale feels oddly sketchyIt’s a pity that there is not more come and go between …

SOURCE: The Guardian at 03:00AM
Sunday, December 7, 2014

Susannah Clapp: the 10 standout theatrical performances of 2014 by Susannah Clapp

From a great female Falstaff to Gillian Anderson’s unforgettable Blanche Dubois, the Observer’s theatre critic picks her favourite performances of the yearLaura Cumming: the 10 best art …

SOURCE: The Guardian at 04:15AM
Saturday, December 6, 2014

Assassins review – a killer staging of Sondheim’s musical by Susannah Clapp

Menier Chocolate Factory, LondonPresident-shooters are on song in Jamie Lloyd’s brilliant production Continue reading...

SOURCE: The Guardian at 07:05PM

3 Winters review – generous, surprising and extremely powerful by Susannah Clapp

Lyttelton, National theatre, LondonThe struggles of one Croatian family mirror the strife of a whole country in Tena Stivičić’s intricate new playEvery now and then someone announces tha…

SOURCE: The Guardian at 07:05PM

Hope review – a well-meaning but dull austerity play by Susannah Clapp

Royal Court, LondonThe team behind Let the Right One In fail to quicken the blood with a play about a Labour council facing budget cuts Continue reading...

SOURCE: The Guardian at 07:03PM
Saturday, November 22, 2014

Behind the Beautiful Forevers review – important stories forcefully told by Susannah Clapp

Olivier, LondonDavid Hare’s adaptation of Katherine Boo’s acclaimed study of a Mumbai slum breaks new ground for the National Continue reading...

SOURCE: The Guardian at 07:08PM

Pomona review – fierce dystopian drama with terrific comic edge by Susannah Clapp

Orange Tree, Richmond Ned Bennett’s production of Alistair McDowall’s unsettling drama is a winner Continue reading...

SOURCE: The Guardian at 07:07PM

Accolade review – a topical but dated revival by Susannah Clapp

St James, London The period trappings of Emlyn Williams’s scandalous 1950 play do it no favours Continue reading...

SOURCE: The Guardian at 07:06PM
Saturday, November 8, 2014

Made in Dagenham review the feast of the show is visual rather than aural by Susannah Clapp

Adelphi, LondonGemma Arterton effortlessly leads the way in a joyful, garish musical rejig of the hit filmFord fiesta: Made in Dagenham the musical opens in the West End in pictures Continu…

SOURCE: The Guardian at 07:08PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime