Lyttelton, LondonSimon Godwin's whirling revival of Shaw's loquacious 1903 play proves fashion wrong in emphatic styleMuch is said about the responsibility of the National Theatre to find new writers. Quite right too. But the theatre has another obligation. To look at the idea of what is fashionable. And to prove fashion wrong.Simon Godwin does this triumphantly in his whirling, modern-dress production of Man and Sup…
SOURCE: The Guardian at 02:00AM on March 1, 2015