Dorfman theatre, LondonConsciousness is the subject of Stoppard's first full-length work in nine years but the play lacks his usual intellectual rigourYou could measure out a theatre-going life in Tom Stoppard innovations. His best plays are evolutionary staging posts. In 1966 Rosencrantz and Guildenstern Are Dead brought characters from the wings to the centre of the stage, and heralded a new idea of history. The Re…
SOURCE: The Guardian at 02:00AM on February 1, 2015