All stories by Susannah Clapp on BroadwayStars

Sunday, October 2, 2016

Father Comes Home from the Wars review – epic tales of slavery by Susannah Clapp

Royal Court, LondonSuzan Lori-Parks’s ambitious trilogy marries black history to a classical structure but suffers from static stagingThe London stage has always been a very white place. T…

SOURCE: The Guardian at 03:51AM

Imogen review – a golden girl in Adidas by Susannah Clapp

Shakespeare’s Globe, London EastEnders’s Maddy Hill stars in Matthew Dunster’s taut, intelligent reimagining of Cymbeline in an urban gangland settingAnyone who takes on the Globe gets…

SOURCE: The Guardian at 03:51AM

The Libertine review – Dominic Cooper's rake is charmless to a fault by Susannah Clapp

Theatre Royal Haymarket, LondonTerry Johnson gives Stephen Jeffreys’s 1994 tale of Restoration depravity the full rumpy-pumpy, but Cooper’s Rochester is stuck in surly modeOn stage, ever…

SOURCE: The Guardian at 03:51AM
Sunday, September 25, 2016

Torn review – charged family drama by Susannah Clapp

Jerwood Theatre Upstairs at the Royal Court theatreForm mirrors content in this fraught play full of tension, secrets and fractured dialogueEverything is shredded in Nathaniel Martello-White…

SOURCE: The Guardian at 03:28AM

No Man’s Land review – a wan take on Pinter’s classic by Susannah Clapp

Wyndham’s theatre, LondonOnly Ian McKellen flourishes in a lacklustre production of this beloved, strange and rich playThe legacy of No Man’s Land is overwhelming. In 1975, John Gielgud …

SOURCE: The Guardian at 03:28AM

Good Canary review – the real star is Malkovich's direction by Susannah Clapp

Rose theatre, Kingston upon ThamesFreya Mavor excels in Zach Helm’s compelling tale of a woman trapped in addiction The Rose at Kingston has suddenly bloomed. John Malkovich’s production…

SOURCE: The Guardian at 03:28AM
Sunday, September 18, 2016

Labyrinth review – financial crisis strikes again by Susannah Clapp

Hampstead theatre, LondonBeth Steel’s play aims to underline the cyclical nature of crash and austerity, but compares poorly to similarly themed worksWe have been here before it seems. Swa…

SOURCE: The Guardian at 03:36AM

A Streetcar Named Desire review – Maxine Peake stalks to the heart of Blanche DuBois by Susannah Clapp

Royal Exchange, ManchesterMaxine Peake’s creative partnership with the Royal Exchange hits another high in Tennessee Williams’s classicMaxine Peake and the Manchester Royal Exchange. The…

SOURCE: The Guardian at 03:36AM

The Emperor review – Kathryn Hunter's shape-shifting brilliance by Susannah Clapp

Young Vic Studio, LondonColin Teevan’s adaptation of an account of Haile Selassie’s reign by Polish journalist Ryszard Kapuściński maintains a devastatingly light touch The Young Vic i…

SOURCE: The Guardian at 03:36AM
Sunday, September 11, 2016

Britten in Brooklyn review – bohemian travesty by Susannah Clapp

Wilton’s Music Hall, LondonSadie Frost as Gypsy Rose Lee fails to enliven Zoe Lewis’s play about a wartime gathering of Britten, Auden and McCullersThere is always an excitement at being…

SOURCE: The Guardian at 04:07AM

Burning Doors review – dark stories from eastern Europe by Susannah Clapp

Soho theatre, LondonDespite some magnetic moments – and a Pussy Rioter – Belarus Free Theatre fails to catch fireIn their home country, the founder members of Belarus Free Theatre face d…

SOURCE: The Guardian at 04:07AM

King Lear review – more engaging than raging by Susannah Clapp

Royal Shakespeare theatre, Stratford-upon-AvonAntony Sher is a shade too controlled as the maddened king in Gregory Doran’s fluent productionThe play that Dr Johnson thought too painful to…

SOURCE: The Guardian at 03:16AM
Sunday, September 4, 2016

Unfaithful review – fourway pleasure through pain by Susannah Clapp

Found 111, LondonOwen McCafferty’s sharp drama of sexual entanglement features a crackling performance from Niamh Cusack“We are still ourselves when we lie.” Unfaithful is made up of …

SOURCE: The Guardian at 03:30AM

The Entertainer review – an off-key swan song by Susannah Clapp

Garrick, LondonJohn Osborne’s venomous 1957 play lends itself well to the Brexit era, but Kenneth Branagh’s farewell Garrick production fails to igniteIt seemed, John Osborne said, “as…

SOURCE: The Guardian at 03:30AM
Sunday, August 21, 2016

Groundhog Day review – less harmony and more anarchy please by Susannah Clapp

Old Vic, LondonMatilda maestro Tim Minchin and team have ingenious fun with his new musical adaptation of the movie classic – but would you want to see it more than once?Groundhog Day has …

SOURCE: The Guardian at 04:07AM

946: The Amazing Story of Adolphus Tips review – carnival and tragedy by Susannah Clapp

Shakespeare’s Globe, LondonThere’s method in the puppet mayhem of Emma Rice’s Kneehigh musical adaptation of Michael Morpurgo’s D-day taleAt the Globe, artistic director Emma Rice an…

SOURCE: The Guardian at 04:07AM
Sunday, August 7, 2016

Yerma five-star review – Billie Piper is earth-quaking as Lorca's heroine by Susannah Clapp

Young Vic, LondonPiper makes a shattering Yerma in Simon Stone’s inspired present-day reworking of Lorca’s tragic study of childlessnessIn one fell – but felicitous – swoop, Simon St…

SOURCE: The Guardian at 04:20AM

The Plough and the Stars review – women rise highest in O’Casey’s Easter Rising drama by Susannah Clapp

Lyttelton, LondonHis powerful female characters redeem this handsome but hackneyed revival of Seán O’Casey’s great 1926 playThe Plough and the Stars is now most famous for causing a rio…

SOURCE: The Guardian at 03:13AM

Extravaganza Macabre review – how to light up an audience by Susannah Clapp

Battersea Arts Centre, London A spoof on Victorian melodrama from the Little Bulb troupe makes a perfect debut for BAC’s new outdoor arenaBattersea Arts Centre is the only theatre in Londo…

SOURCE: The Guardian at 03:13AM
Sunday, July 31, 2016

Pigs and Dogs review – a quick shot at homophobia by Susannah Clapp

Royal Court, LondonCaryl Churchill takes just 15 minutes to skewer intolerance in Africa with a challenge to both prejudice and the conventions of political theatreOnce again Caryl Churchill…

SOURCE: The Guardian at 04:01AM

Harry Potter and the Cursed Child review – this spell-binding play is utterly theatrical by Susannah Clapp

Palace theatre, LondonEmotional punch, rich suspense and dazzling effects make for all-round magic in the latest twist in Harry Potter’s taleOK, I’ll keep the secrets. After all, I’m w…

SOURCE: The Guardian at 02:54AM
Sunday, July 24, 2016

Wot? No Fish!! review – a beautiful hour and a half of memory and speculation by Susannah Clapp

Battersea Arts Centre, LondonDanny Braverman conjures magic from a shoebox in his affectionate, unsparing portrait of a Jewish family in 20th-century east LondonIn Wot? No Fish!! at Batterse…

SOURCE: The Guardian at 03:49AM

Fracked! review – Alistair Beaton’s nimble eco-comedy hits home, up to a point by Susannah Clapp

Minerva, ChichesterAnne Reid stars as a reluctant activist, but the plum role goes to the fracking company’s ‘horribly recognisable’ PR manOutside the Minerva, a woman from the Chiches…

SOURCE: The Guardian at 03:49AM
Sunday, July 10, 2016

Boys Will Be Boys review – cross-dressed scoffing by Susannah Clapp

Bush Hall, LondonDespite a lovely lead performance, this all-female satire of women’s struggle to survive in a man’s world is feebleThere is a neglected theatrical treasure in Boys Will …

SOURCE: The Guardian at 03:27AM

Queens of Syria review – the most urgent work on the London stage by Susannah Clapp

Young Vic, LondonThirteen Syrian women bring Euripides up to date with unforgettable personal testimoniesIt is not only irrelevant but impudent to give a star rating to Queens of Syria. This…

SOURCE: The Guardian at 03:27AM

The Flying Lovers of Vitebsk review – a breathless soaring by Susannah Clapp

Sam Wanamaker Playhouse, LondonKneehigh’s captivating production is both playful and sombre as it conjures up the Chagalls’ intense relationshipMandolin, accordion, trumpet. Washes of ma…

SOURCE: The Guardian at 03:27AM
Sunday, July 3, 2016

Henry V review – if Shakespeare had done Brexit by Susannah Clapp

Open Air theatre, Regent’s Park, LondonMichelle Terry shines in Rob Hastie’s muted productionThe important thing in cross-gender casting is not just the tremendous leads but the default …

SOURCE: The Guardian at 03:28AM

Faith Healer review – Brian Friel’s masterly test of faith by Susannah Clapp

Donmar Warehouse, London Stephen Dillane, Gina McKee and Ron Cook excel in Lyndsey Turner’s tremendous revival of Brian Friel’s 1979 playBrian Friel makes it look like the most natural t…

SOURCE: The Guardian at 03:28AM

King Lear review – newly and bitingly prophetic by Susannah Clapp

Bristol Old Vic‘Albion comes to great confusion’ as Timothy West’s thoughtful Lear presides over a nation dividedA map of the British Isles cracks into pieces. In front of it two tribe…

SOURCE: The Guardian at 03:28AM
Sunday, June 26, 2016

Wild review – the erosion of identity by Susannah Clapp

Hampstead theatre, London NW3This edgy tale of a Snowden-type whistleblower is over-reliant on its stagey finaleMike Bartlett is one of our most protean playwrights. On telly: Doctor Foster;…

SOURCE: The Guardian at 04:16AM

Quills review – De Sade the surrealist by Susannah Clapp

Les Nuits de Fourvière, LyonRobert Lepage pulls no punches as he revisits the notorious marquis in the asylumRobert Lepage is the Marquis de Sade. In pigtailed perruque and high heels, turn…

SOURCE: The Guardian at 04:16AM