All stories by Susannah Clapp on BroadwayStars

Monday, May 30, 2016

Sunset Boulevard review – sandblasting panache from Glenn Close by Susannah Clapp

Coliseum, LondonA glittering Glenn Close is ready once again for her close-up as Norma DesmondIt is more than 20 years since Glenn Close first starred in Andrew Lloyd Webber’s Sunset Boule…

SOURCE: The Guardian at 10:45AM
Sunday, May 29, 2016

The Night Watch review – the swish of the blackout curtain by Susannah Clapp

Royal Exchange, ManchesterHattie Naylor’s beautifully deft adaptation springs Sarah Waters’s bestseller on to the stage in a pitch-perfect productionWhat a haunting, unusual thing Hattie…

SOURCE: The Guardian at 03:46AM

Romeo and Juliet review – Branagh’s star-crossed lovers fail to soar by Susannah Clapp

Garrick, LondonLily James and Richard Madden certainly look the part, but are doomed by their dictionIt’s easy to think the famous golden lines, the swift, sad arc of Romeo and Juliet will…

SOURCE: The Guardian at 03:46AM
Wednesday, May 25, 2016

A Streetcar Named Desire review – Gillian Anderson is utterly compelling by Susannah Clapp

Young Vic, LondonBenedict Andrews's revival of the Tennessee Williams classic steams off the revolving set of the Young Vic• Gillian Anderson in Streetcar – in pictures• From Anderson …

SOURCE: The Guardian at 02:14AM
Sunday, May 22, 2016

The Philanderer review – tribute to the modern woman by Susannah Clapp

Orange Tree, LondonGeorge Bernard Shaw’s satirical attack on the divorce laws (and the medical profession) rather outstays its welcomeThe Philanderer, written in 1893, is a prescient play.…

SOURCE: The Guardian at 03:21AM

The Machine Stops review – EM Forster’s chilling vision by Susannah Clapp

York Theatre RoyalThis adaptation of the novelist’s prescient 1909 short story is impressively nimbleA woman looks into a screen showing the face of her faraway son. Electronic music ping …

SOURCE: The Guardian at 03:21AM
Wednesday, May 18, 2016

Amadeus review – Rupert Everett impresses as the seething Salieri by Susannah Clapp

Chichester Festival theatre, West SussexA vivid revival of Peter Shaffer's Amadeus christens a newly refashioned Chichester Festival theatreChichester Festival theatre reopens this summer, n…

SOURCE: The Guardian at 12:56AM
Sunday, May 15, 2016

Theatre review: Jerusalem / Royal Court, London by Susannah Clapp

Royal Court, LondonAbout half a mile down from the Little Chef on the A14, a giant chats about building Stonehenge. In a Wiltshire glade at dawn, teenage girls tumble bug-eyed and doped-up f…

SOURCE: The Guardian at 01:21AM
Friday, May 13, 2016

Cats review – none of it is very catlike by Susannah Clapp

Andrew Lloyd Webber’s resurrected musical features terrific dancing and some truly hideous moggiesThere is nothing subdued and nothing rough about Cats. Nor is there much that looks theatr…

SOURCE: The Guardian at 01:10PM
Sunday, May 8, 2016

An Enemy of the People review – all society on a stage by Susannah Clapp

Chichester Festival theatreHugh Bonneville as a whistleblower driven by sibling rivalry shows how Ibsen’s play switches emphasis with every stagingHere is Hugh Bonneville, the amiably stuf…

SOURCE: The Guardian at 03:44AM

A Midsummer Night’s Dream review – the wildest of dreams by Susannah Clapp

Shakespeare’s Globe, LondonEmma Rice’s first production as artistic director at Shakespeare’s Globe is a glittering, unnerving comic triumphA sitar player sends music pulsing through t…

SOURCE: The Guardian at 03:44AM
Sunday, May 1, 2016

Doctor Faustus review – where’s the soul? by Susannah Clapp

Duke of York’s, London Kit Harington gets his kit off and Jenna Russell sings Bat out of Hell… but no one profits from this deal with the devilEveryone applauds Jamie Lloyd’s determina…

SOURCE: The Guardian at 03:15AM

Elegy review – a fine dilemma by Susannah Clapp

Donmar, London Zoë Wanamaker must choose whether to lose her life or her lover in Nick Payne’s thought-provoking follow-up to ConstellationsFour years ago Nick Payne shone new light on th…

SOURCE: The Guardian at 03:15AM

Kings of War review – Shakespeare to the power of three by Susannah Clapp

Barbican, LondonIvo van Hove takes Henry V, Henry VI and Richard II and mashes them up into a wonderful study of the modern ruling classThe most immediately surprising feature of Kings of Wa…

SOURCE: The Guardian at 03:15AM
Sunday, April 24, 2016

The Flick; Another World: Losing Our Children to Islamic State; The Suicide – review by Susannah Clapp

Dorfman; Temporary theatre; Lyttelton; all LondonRufus Norris’s National Theatre is in rude health, with Annie Baker’s remarkable The Flick and a verbatim drama about why children join I…

SOURCE: The Guardian at 02:25AM
Sunday, April 17, 2016

Boy review – see the city in a different light by Susannah Clapp

Almeida, LondonLeo Butler’s fine new play brings teeming London on to the stage, with help from a set design that’s practically installation artLondon in 2016 has made it on to the stage…

SOURCE: The Guardian at 03:14AM

Cyprus Avenue review – bigotry laid absurdly bare by Susannah Clapp

Royal Court theatre, LondonDavid Ireland’s shocking new play balances humour and horror, with Stephen Rea superb as an Ulster loyalist suspicious of his ‘Fenian’ baby granddaughterSome…

SOURCE: The Guardian at 03:14AM

Appreciation: Arnold Wesker, 1932-2016 by Susannah Clapp

The Observer’s theatre critic remembers one of Britain’s most influential playwrights of the postwar yearsArnold Wesker, who died on 12 April at the age of 83, was one of the male playwr…

SOURCE: The Guardian at 03:14AM
Sunday, April 10, 2016

Sunset Boulevard review – ready again for her close-up by Susannah Clapp

Coliseum, LondonGlenn Close plays Norma Desmond with as much panache as she did more than 20 years agoIt is more than 20 years since Glenn Close first starred in Andrew Lloyd Webber’s Suns…

SOURCE: The Guardian at 03:58AM

The Caretaker review – star turns but no terror by Susannah Clapp

Old Vic, LondonCompelling performances from Timothy Spall, Daniel Mays and George MacKay fail to elevate Matthew Warchus’s production of the Pinter classicHere is an idea about The Caretak…

SOURCE: The Guardian at 03:58AM

X review – a jittery dystopia by Susannah Clapp

Royal Court, LondonJessica Raine proves herself a stage natural in Alistair McDowall’s ingenious but taxing tale of future humanity adrift in despairX is another of Alistair McDowall’s d…

SOURCE: The Guardian at 03:58AM
Sunday, April 3, 2016

Bug review – horror and despair at close quarters by Susannah Clapp

Found111, LondonKate Fleetwood’s magnetic performance in this paranoia play continues this tiny pop-up space’s run of terrific performancesEvery now and then a particular theatre turns i…

SOURCE: The Guardian at 03:33AM

Les Blancs review – revolution so real you can smell it by Susannah Clapp

National theatre, LondonA new version of Lorraine Hansberry’s play about unrest in colonial Africa is a compelling mix of atmosphere and argumentAudiences at the National don’t often app…

SOURCE: The Guardian at 03:33AM

Long Day’s Journey Into Night review – volcanic excitement and breakneck pace by Susannah Clapp

Eugene O’Neill’s partly autobiographical play of family dysfunction careers towards its tragic outcome with terrific energyLong Day’s Journey Into Night? No. It is the speed of Richard…

SOURCE: The Guardian at 03:33AM
Sunday, March 27, 2016

The Painkiller review – a farce without force by Susannah Clapp

Garrick, LondonKenneth Branagh and Rob Brydon labour for laughs as hotel guests thrown together by circumstanceGradually the stage is picking to pieces accepted ideas about the 1960s. Martin…

SOURCE: The Guardian at 05:01AM

Hamlet review – a fresh prince makes his mark by Susannah Clapp

Royal Shakespeare theatre, Stratford-upon-Avon Paapa Essiedu paints a young and striking Hamlet, torn by indecision in an African military state, in Simon Godwin’s stirring interpretationA…

SOURCE: The Guardian at 04:03AM
Sunday, March 6, 2016

The Maids review – TV star power can’t revive Genet’s murderous romp by Susannah Clapp

Trafalgar Studios, LondonUzo Aduba, Zawe Ashton and Laura Carmichael make a striking cast, but the declamatory dialogue is heavy-handedAt Trafalgar Studios, Uzo Aduba steams and storms: a ba…

SOURCE: The Guardian at 03:31AM

Welcome Home, Captain Fox! review – breezy cold war chortles by Susannah Clapp

Donmar Warehouse, LondonJean Anouilh’s slight tale of a amnesiac soldier claimed by a host of different families gets a colourful 1950s treatmentJean Anouilh’s 1937 comedy Le voyageur sa…

SOURCE: The Guardian at 03:31AM

The Solid Life of Sugar Water review – in bed with a catastrophe by Susannah Clapp

National Theatre, LondonJack Thorne’s play about a couple struggling to come to terms with tragedy is unflinchingI can’t remember when I last saw a play that was at once so forthright an…

SOURCE: The Guardian at 03:31AM
Sunday, February 28, 2016

The Tempest review – Dromgoole bows out beautifully by Susannah Clapp

Sam Wanamaker Playhouse, LondonThe Globe director’s farewell production casts its spell in the candlelit space that crowns his time thereDominic Dromgoole says goodbye to the Globe with th…

SOURCE: The Guardian at 03:38AM

Cyrano de Bergerac review – a nose without a point by Susannah Clapp

Southwark Playhouse, LondonKathryn Hunter plays the lovelorn French nobleman in this all-female production, but nothing is gained by the gender swapWhat is the point of an all-female Cyrano …

SOURCE: The Guardian at 03:38AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime