All stories by Susan Galbraith on BroadwayStars

Tuesday, July 21, 2015

Justice Ruth Bader Ginsburg’s ‘On Opera and the Law’ at Glimmerglass Festival by Susan Galbraith

Two giants were in fulsome display at Glimmerglass Festival on Saturday, both alike in dignity: the notorious RBG (Supreme Court Justice Ruth Bader Ginsburg) and Roman Republic’s own Cato …

SOURCE: DC Theatre Scene at 08:57PM
Tuesday, July 14, 2015

Scalia/Ginsburg opera debuts at Castleton Festival by Susan Galbraith

With Scalia/Ginsburg, Derrick Wang’s delightful mash of an opera, the composer shamelessly steals from almost every major composer and switches styles with alacrity, even setting some …

SOURCE: DC Theatre Scene at 11:55AM

Justice Ruth Bader Ginsburg a highlight at Castleton Festival by Susan Galbraith

The highly anticipated first entrance of Justice Ruth Bader Ginsburg to deliver what has become her signature off-the-bench talk, “Law in Opera,” begins off-stage left where a slight, fr…

SOURCE: DC Theatre Scene at 11:55AM
Monday, July 13, 2015

Falling Slowly and totally for Once at The Kennedy Center (review) by Susan Galbraith

Once has been more than once a phenomenon, first as a runaway independent film then as an unlikely Broadway hit winning eight of eleven nominated Tony Awards, including Best Musical. I’ll …

SOURCE: DC Theatre Scene at 12:37PM
Saturday, July 11, 2015

Death and the Mermaid at Capital Fringe by Susan Galbraith

It appears that director Carol Spring, Artistic Director Elizabeth Dapo, and the Half Mad Theatre Company have garnered some very positive attention locally, so it beats me why this show lef…

SOURCE: DC Theatre Scene at 06:33PM
Friday, July 10, 2015

Twelfth Night: A Musical Remix at Capital Fringe by Susan Galbraith

Wanderlust Company serves up Shakespeare with a whole lot of spirit and energy, and so fast and furious the effect is like riding a high-speed roller coaster on acid. Pairing down cast and s…

SOURCE: DC Theatre Scene at 11:20AM
Thursday, July 9, 2015

The Little Crane and The Long Journey by Susan Galbraith

“Some birds can’t see beyond the tips of their bills!” That line got the audience giggling at three bullying ducklings with attitude – Flap, Waddle and Ducky. It nailed the essence o…

SOURCE: DC Theatre Scene at 11:21PM
Wednesday, June 3, 2015

Dispatch from the Prague Fringe Festival, 2015. by Susan Galbraith

–  Alliance for New-Music Theater was invited to bring Kafka’s Metamorphosis to this year’s Prague Fringe Festival. Susan Galbraith takes us there as a Fringe goer and pro…

SOURCE: DC Theatre Scene at 10:14AM
Tuesday, May 12, 2015

Rossini’s Cinderella at The Kennedy Center (review) by Susan Galbraith

Gioachino Rossini’s comic opera, La Cenerentola, here titled Cinderella, is full of vibrantly-colored costumes, wild wigs, a thrilling gallop of a score, charming voices, and delightfully …

SOURCE: DC Theatre Scene at 10:35AM
Monday, April 20, 2015

Studio’s rock musical Murder Ballad: surprising, compelling (review) by Susan Galbraith

Theatre is constantly reinventing itself. Playwrights and directors are pushing for the “total surround experience” as a refresh of old ideas and to attract new and younger audiences. Th…

SOURCE: DC Theatre Scene at 09:51AM
Wednesday, March 11, 2015

Eric Owens is magnificent in WNO’s Flying Dutchman by Susan Galbraith

When I think of Wagnerian opera I think big – big sets, big ideas, and big voices – but in the production of The Flying Dutchman that just opened at Washington National Opera, only the v…

SOURCE: DC Theatre Scene at 11:58AM
Friday, March 6, 2015

A bold, dramatic new season coming for Washington National Opera by Susan Galbraith

Walking into the John F. Kennedy Center for the Performing Arts on Tuesday morning, I was greeted by the hell-bent-for leather sounds of the famous “Ride of the Valkyries” from Wagner’…

SOURCE: DC Theatre Scene at 11:26AM
Monday, February 23, 2015

A chilling Dialogues of the Carmelites from Washington National Opera by Susan Galbraith

A Meditation on Fear and Mass Hysteria How the twist of a current event can bring a work alive. Far from being an opera about how faith put to the ultimate test offers a path to redemption, …

SOURCE: DC Theatre Scene at 09:24AM
Wednesday, January 28, 2015

Penny’s short run reveals promising new opera by Susan Galbraith

The best thing about Washington National Opera’s world premiere of Penny in the Terrace Theatre is that in a rare “tuning of the spheres” another new opera was commissioned and given a…

SOURCE: DC Theatre Scene at 07:37AM
Monday, January 5, 2015

Mozart’s opera for kids Bastian and Bastianna at Source by Susan Galbraith

Presenting opera for children seems like an idea that’s going hotter than hotcakes. Kids and their parents are eating this stuff up. In December the Washington National Opera presented its…

SOURCE: DC Theatre Scene at 11:10AM
Monday, December 22, 2014

Washington National Opera’s The Little Prince by Susan Galbraith

Hitching a ride through the galaxy with The Little Prince last week, the audience discovered magical delights in the opera and such truths that grown-ups never are capable of telling, perhap…

SOURCE: DC Theatre Scene at 09:36AM
Monday, December 1, 2014

The holidays not funny enough? Matthew R. Wilson’s back to help with The Great One-Man Commedia Epic by Susan Galbraith

 If you are looking for entertaining theatre this holiday and begin to yawn at the thought of enduring one more Christmas Carol, head down to the Capitol Hill Arts Workshop (CHAW) for Matth…

SOURCE: DC Theatre Scene at 11:15AM
Monday, November 24, 2014

Little Dancer at The Kennedy Center by Susan Galbraith

The long-anticipated musical, The Little Dancer, made its official world premiere at the Kennedy Center last week, and its star dazzled the opening night audience whose applause, at several …

SOURCE: DC Theatre Scene at 11:30AM
Friday, November 21, 2014

What makes an opera sing? by Susan Galbraith

Two different casts, two different audiences, two different experiences for La bohème What makes an opera sing? There are so many elements that must come together in this art form. Even wit…

SOURCE: DC Theatre Scene at 11:48AM
Thursday, October 30, 2014

He’s deeply in love with its score. Director Peter Kazaras talks about La boheme by Susan Galbraith

We are sitting in the chic white leather Russian Room at The Kennedy Center during a rehearsal break. Director Peter Kazaras has brought his bound score and throughout our conversation pours…

SOURCE: DC Theatre Scene at 10:50AM
Wednesday, October 8, 2014

Les Fêtes de l’Hymen et de l’Amour, ou Les Dieux d’Égypte by Susan Galbraith

If you thought opera was an art form dedicated to the “park and bark” supersized, you would have your assumptions happily blasted away at Opera Lafayette’s celebratory dance mash with …

SOURCE: DC Theatre Scene at 09:47AM
Monday, September 22, 2014

Florencia in the Amazon by Susan Galbraith

Washington National Opera’s new production of Florencia in the Amazon carries us through many auditory and visual delights taking us on a trip up the Amazon with hints of magic as it “ba…

SOURCE: DC Theatre Scene at 11:10AM
Friday, July 25, 2014

Justice Ruth Bader Ginsburg holds court at Glimmerglass by Susan Galbraith

Contracts, like agreements, are often broken in opera as well as life, giving grist for good plotlines. And Grand Operas, like our constitution, are rightly to be re-interpreted with an elas…

SOURCE: DC Theatre Scene at 09:59AM

Ariadne in Naxos at Glimmerglass by Susan Galbraith

It takes a confident and mature company like Glimmerglass to poke fun both at itself and the very form of opera. Ariadne in Naxos was, in many ways, both a celebration and a self-referential…

SOURCE: DC Theatre Scene at 09:32AM
Tuesday, July 22, 2014

Madame Butterfly at Glimmerglass by Susan Galbraith

I will wager, folks, that this year’s Glimmerglass production is the most dramatically sound, compellingly truthful, and emotionally wrenching Madame Butterfly that you will ever see. For …

SOURCE: DC Theatre Scene at 01:27PM
Sunday, July 13, 2014

The Road to High Street by Susan Galbraith

For a little home-brewed, laid-back conversational, and oh-so compelling storyteller’s journey as a street performer, Andrew Potter juggles the art of sharing home movies or what we used t…

SOURCE: DC Theatre Scene at 12:57PM
Saturday, July 12, 2014

Lucretia Bortia by Susan Galbraith

There’s so much THERE there in Capital Fringe, what’s a reviewer to do? And when events move between opera, drama, comedy, dance or amalgams of performance, as Lucretia Borgia does, the …

SOURCE: DC Theatre Scene at 01:39PM
Friday, July 11, 2014

A Fire in Water by Susan Galbraith

At Fringe, expect the unexpected, and I certainly did not expect a full-blown opera complete with classical Greek heroes and goddesses. A Fire in Water is a work that forges it all together.…

SOURCE: DC Theatre Scene at 02:43PM

Coosje by Susan Galbraith

Written collectively by the tight ensemble No. 11 Productions from New York, Coosje combines words, music, an art installation, and projections to tell the story of the romantic relationship…

SOURCE: DC Theatre Scene at 09:33AM
Tuesday, July 8, 2014

Don Giovanni at Castleton Festival by Susan Galbraith

Don Giovanni lives! – unrepentant and unleashed – at Castleton Festival. The Festival has delivered the story of the world’s most famous reprobate with a terrific company, whose member…

SOURCE: DC Theatre Scene at 11:20AM
Tuesday, July 1, 2014

Madama Butterfly at Castleton Festival opening weekend by Susan Galbraith

Opening the 2014 season, with Lorin Maazel scheduled to conduct, word came down from il Maestro himself that this production of Madama Butterfly was the “real thing.” The place was packe…

SOURCE: DC Theatre Scene at 11:23AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime