All stories by Susan Galbraith on BroadwayStars

Monday, May 23, 2016

The Girl Who Forgot to Sing Badly (review) new magic from the Emerald Isle by Susan Galbraith

Louis Lovett is a teller of stories. From Ireland he is and he is simply grand. I have it on good authority from two smallish people and one not so smallish I met at the Kennedy Center last …

SOURCE: DC Theatre Scene at 09:26AM
Monday, May 16, 2016

Hedda Gabler, an emotional steeplechase, at Studio Theatre (review) by Susan Galbraith

Henrik Ibsen shocked the world with the psychological portrait of a female “monster of unsexed depravity” in his Hedda Gabler and cemented his reputations as the father of modern drama, …

SOURCE: DC Theatre Scene at 01:34PM
Monday, May 9, 2016

WNO’s “made in America” Ring of the Nibelung: Twilight of the Gods by Susan Galbraith

Friday morning, images across TV screens and in The Washington Post flashed pictures of wildfires burning in the oil fields of Alberta, Canada. For those of us this past week who have lived …

SOURCE: DC Theatre Scene at 01:02PM
Friday, May 6, 2016

WNO’s “made in America” Ring of the Nibelung – Part 3 Siegfried (review) by Susan Galbraith

Projections follow music and carry us from clouds to forest canopy. But how quickly the woods change to a panorama of deforestation. Magnificent trunks become denuded logs and are carried by…

SOURCE: DC Theatre Scene at 09:33AM
Wednesday, May 4, 2016

WNO’s “made in America” Ring of the Nibelung – Part 2 The Valkyrie (review) by Susan Galbraith

“Nun zäume dein Ross, reisige Maid!” (“Mount your horses, cavalry maiden!”) We’re in for a ride! Zambello’s big pre-show announcement on opening night of The Valkyrie was that C…

SOURCE: DC Theatre Scene at 11:27AM
Monday, May 2, 2016

WNO’s “made in America” Ring of the Nibelung – Part 1 The Rhinegold (review) by Susan Galbraith

In the darkened Kennedy Center Opera House, the music begins so quietly one thinks maybe it is only imagined. But that E-flat major triad rolls on and grows. On an enormous screen, from a mu…

SOURCE: DC Theatre Scene at 11:49AM
Friday, April 29, 2016

The Kennedy Center Arts Summit: a call to live life as citizen artists by Susan Galbraith

Renée Fleming walks on stage and shares confidentially that when she isn’t jetting to the glamorous capitals of the opera world or singing the great soprano roles on stage, she is making …

SOURCE: DC Theatre Scene at 11:11AM
Tuesday, April 26, 2016

Journey to the West from Constellation Theatre (review) by Susan Galbraith

  April turns out to be an “epic” month in the city. This week Washington National Opera opens its much-anticipated full “Ring Cycle” by Richard Wagner, and Constellation Theatr…

SOURCE: DC Theatre Scene at 03:22PM

Exclusive: Francesca Zambello on directing The Ring of the Nibelung at WNO by Susan Galbraith

Francesca Zambello is directing Wagner’s Ring Cycle that opens April 30th at The Kennedy Center and brings to Washington National Opera for the first time the whole four-part epic opera …

SOURCE: DC Theatre Scene at 02:15PM
Monday, March 14, 2016

The Odyssey: From Vietnam to America at The Kennedy Center (review) by Susan Galbraith

  Kennedy Center’s World Stages is what I might call a rolling festival of international works that defy easy categorizing of genres, and no show more so than The Odyssey: from Vietna…

SOURCE: DC Theatre Scene at 10:33AM
Monday, February 15, 2016

Lost in the Stars from Washington National Opera (review) by Susan Galbraith

Many people taking their seats for the first time at WNO’s Lost in the Stars may wonder at the production’s stark and formidable stockade, lit but darkly. The leader of the Chorus enters…

SOURCE: DC Theatre Scene at 11:56AM
Tuesday, January 19, 2016

Puppets rule Avant Bard’s Midsummer Night’s Dream by Susan Galbraith

Following the plinkety-plinks of a somewhat less-than-shimmering overture – after all, it is a “junk yard” gamelan – delicately carved puppets transport us through their shadow play.…

SOURCE: DC Theatre Scene at 11:00AM
Monday, January 11, 2016

Better Gods, new opera reveals Hawaii’s last queen, from WNO by Susan Galbraith

Washington National Opera’s Better Gods brings a mostly unknown chapter in Hawaiian history onto the stage at the Kennedy Center, telling the story of Queen Lili’uokalani, the isla…

SOURCE: DC Theatre Scene at 11:21AM
Thursday, December 31, 2015

Susan Galbraith’s Top 10, a celebration of Women’s Voices Theater Festival by Susan Galbraith

I continue to celebrate the voices and the productions that were heard in Washington this Fall as part of the Women’s Voices Theater Festival. Frankly, I’m also still mulling over th…

SOURCE: DC Theatre Scene at 10:48AM
Tuesday, December 1, 2015

Catone in Utica from Opera Lafayette (review) by Susan Galbraith

There’s much to learn watching a production being remounted by essentially the same team. The riches and new challenges proved fascinating in the rarity of Vivaldi’s Catone in Utica that…

SOURCE: DC Theatre Scene at 12:44PM
Friday, November 20, 2015

A magical Pericles at Folger Theatre (review) by Susan Galbraith

Flute, fiddle, and guitar sounds emanate from a corner tucked in the wings of the Folger stage setting up a kind of folk music-and-theatre production style. Suddenly the stage world grows da…

SOURCE: DC Theatre Scene at 10:07AM
Monday, November 16, 2015

Appomattox at Washington National Opera by Susan Galbraith

Philip Glass has been called by some the greatest living composer.  His new work, Appomattox, received a world premiere in its expanded and revised state by Washington National Opera on Sat…

SOURCE: DC Theatre Scene at 01:03PM
Tuesday, October 27, 2015

Duir-wyyd: The Dreamer’s Doorway (review) by Susan Galbraith

 Women’s rituals, eco-spirituality, shamanism, and Celtic wisdom are the themes in Sandra Kammann’s self-produced offering for the Women’s Voices in Theater Festival. The unabashed ce…

SOURCE: DC Theatre Scene at 10:01AM
Monday, October 19, 2015

Isango Ensemble performs a fiery South African version of Carmen by Susan Galbraith

There is a Carmen for everyone. This production of Georges Bizet’s opera is from South African townships around Capetown welded by the most spirited Isango Ensemble. They have made the wor…

SOURCE: DC Theatre Scene at 01:08PM
Thursday, October 15, 2015

Yaël Farber’s Salomé, STC at the Lansburgh Theatre by Susan Galbraith

On October 13th, we were treated to the debut of a bold new work, visually stunning and emotionally powerful. Yaël Farber has conceived, adapted and directed a fitting “crown” to the Wo…

SOURCE: DC Theatre Scene at 01:33PM
Wednesday, October 7, 2015

As One, transgender opera from UrbanArias (review) by Susan Galbraith

Pulsing music from a string quartet becomes a cinematic soundtrack to footage of green water swiftly flowing. The images change to handlebars while on stage a seated man pedals the air, the …

SOURCE: DC Theatre Scene at 11:38AM
Tuesday, September 29, 2015

Destiny of Desire by Karen Zacarias at Arena Stage (review) by Susan Galbraith

We are in full swing of the Women’s Voices in Theatre Festival with some mighty impressive entries having led out of the gate. We have Artistic Director Molly Smith in great part to thank …

SOURCE: DC Theatre Scene at 01:10PM
Tuesday, September 22, 2015

A smashing Carmen at Washington National Opera (review) by Susan Galbraith

If opera is meant to be a true synthesis, bringing together the many art forms of music, singing, dance, acting, and the visual arts, then Washington National Opera’s Carmen has created a …

SOURCE: DC Theatre Scene at 11:42AM
Sunday, September 13, 2015

Cosi fan Tutte, Mozart’s opera in the Torpedo Factory by Susan Galbraith

As the title of one of last of Mozart’s operas suggests about women, “so do they all,” indeed! How perfect then to set this young lovers’ romp in the hedonistic, cynical and self-ref…

SOURCE: DC Theatre Scene at 02:59PM
Wednesday, August 26, 2015

Kiss Me Kate from NextStop (review) by Susan Galbraith

NextStop Theatre Company presents Cole Porter’s classic American musical Kiss Me Kate as the first show in its third professional season. Already, the company has produced several poli…

SOURCE: DC Theatre Scene at 02:15PM
Friday, August 14, 2015

The Adventures of Prince Achmed with Tom Teasley (review) by Susan Galbraith

It takes only a few seconds of flickering light to find oneself anticipating the delicate magic of the early film animation of Lotte Reiniger. And then musician Tom Teasley intervenes, launc…

SOURCE: DC Theatre Scene at 02:07PM
Monday, July 27, 2015

Opera singer Eric Owens, from Glimmerglass Festival to Washington National Opera by Susan Galbraith

I interviewed Eric Owens, the world-renowned bass-baritone, in the beautiful surroundings of Glimmerglass Festival. He had just come off a performance of Verdi’s Macbeth two nights before …

SOURCE: DC Theatre Scene at 11:48AM
Thursday, July 23, 2015

Glimmerglass Festival: no better place for The Magic Flute and Candide by Susan Galbraith

On this the fortieth anniversary of the Glimmerglass Festival, Artistic Director Francesca Zambello has delivered to us two big valentines of shows: Mozart’s much beloved work The Magic Fl…

SOURCE: DC Theatre Scene at 09:19AM

A haunting Macbeth at Glimmerglass Festival by Susan Galbraith

The general understanding in theatre is that there is a curse on Shakespeare’s Scottish play. I wonder in Anne Bogart’s new operatic production at Glimmerglass Festival, despite some won…

SOURCE: DC Theatre Scene at 08:03AM
Tuesday, July 21, 2015

Stunning premiere for Vivaldi’s Cato in Utica at Glimmerglass Festival by Susan Galbraith

There is something very special about attending the premiere of a great work, where all discoveries happen in real time. Saturday evening the energy was electrifying, filled with gasps and e…

SOURCE: DC Theatre Scene at 08:57PM

Justice Ruth Bader Ginsburg’s ‘On Opera and the Law’ at Glimmerglass Festival by Susan Galbraith

Two giants were in fulsome display at Glimmerglass Festival on Saturday, both alike in dignity: the notorious RBG (Supreme Court Justice Ruth Bader Ginsburg) and Roman Republic’s own Cato …

SOURCE: DC Theatre Scene at 08:57PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime