All stories by Stephen Holden on BroadwayStars

Thursday, January 17, 2013

Music Review: Still Flying Beyond Gravity’s Pull by Stephen Holden

Idina Menzel performed at Carnegie Hall on Sunday night, accompanied by the Orchestra of St. Lukes under the direction of Rod Mounsey.

SOURCE: The New York Times Subscription at 09:04AM
Sunday, January 13, 2013

Music Review: ‘W. S. Gilbert and Broadway He Inspired’ at 92nd Street Y by Stephen Holden

For the first time in its four-decade existence the 92nd Street Y’s Lyrics & Lyricists series devoted a program to W. S. Gilbert.

SOURCE: The New York Times Subscription at 04:05PM
Wednesday, January 9, 2013

Music Review: Linda Lavin at 54 Below by Stephen Holden

Linda Lavin, the actress and singer, demonstrated passion, vigor and versatility in her show at 54 Below.

SOURCE: The New York Times Subscription at 06:10PM
Friday, January 4, 2013

Music Review: ‘Chorus Line’ Cassie, Where She Left Off by Stephen Holden

Donna McKechnie’s new cabaret show extends the story of her “Chorus Line” character, Cassie, into the present.

SOURCE: The New York Times Subscription at 01:12PM
Thursday, January 3, 2013

Music Review: Donna McKechnie in ‘Same Place: Another Time,’ at 54 Below by Stephen Holden

Donna McKechnie’s new cabaret show extends the story of her “Chorus Line” character, Cassie, into the present.

SOURCE: The New York Times Subscription at 04:17PM
Tuesday, December 25, 2012

Music Review: Sun Pokes Through the Rage by Stephen Holden

Justin Vivian Bond mixes pessimism with optimism in a show at 54 Below.

SOURCE: The New York Times Subscription at 11:19AM
Friday, November 30, 2012

Music Review: Singing All the Way to Blasé by Stephen Holden

The singer Steve Tyrell, in his cabaret show at the Café Carlyle, resurrected the gold age of the swinger.

SOURCE: The New York Times Subscription at 06:05AM
Friday, November 9, 2012

Movie Review | 'Coming Up Roses': Tarnished New Beginnings by Stephen Holden

In Lisa Albright’s turgid family drama, Bernadette Peters plays a faded Broadway diva with two daughters who starts life over in a rented, graffiti-scarred shack in Nashua, N.H.

SOURCE: movies.nytimes.com at 06:04AM

Music Review: Peopling the Stage With the Characters He Sings by Stephen Holden

Brian Stokes Mitchell, performing at Alice Tully Hall for an Actors Fund benefit, makes songs into detailed character studies of carnival barkers and knights.

SOURCE: The New York Times Subscription at 06:02AM
Wednesday, October 17, 2012

Music Review: Sherie Rene Scott at 54 Below by Stephen Holden

The age-old struggle between humanity’s higher and lower impulses is the subject of Sherie Rene Scott’s very personal show, “Piece of Meat.”

SOURCE: The New York Times Subscription at 05:42PM

Music Review: Sad Songs, at Their Wit’s End by Stephen Holden

Eric Comstock and Barbara Fasano, performing at the Metropolitan Room, combine midnight reveries and lighter numbers with mixed success.

SOURCE: The New York Times Subscription at 05:53AM
Wednesday, October 10, 2012

Music Review: This Time It’s the Women Giving the Business by Stephen Holden

Betty Buckley’s new show at Feinstein’s at Loews Regency is rich in musical theater lore and spicy autobiographical tidbits.

SOURCE: The New York Times Subscription at 12:59PM

A Cheerful Self-Help Program, Delivered in Song by Stephen Holden

The singer Andrea Marcovicci, long a fixture at the Oak Room, appeared to be invigorated by her new surroundings at the Café Carlyle.

SOURCE: The New York Times Subscription at 12:56PM
Friday, October 5, 2012

Music Review: A Polite Crooner Capable of Boogie-Woogie Fire by Stephen Holden

In “Making Love Songs” Tony DeSare brings his original tunes and some standards to 54 Below.

SOURCE: The New York Times Subscription at 03:41PM
Thursday, September 13, 2012

Music Review: Jason Robert Brown at 54 Below by Stephen Holden

The singer-songwriter-playwright Jason Robert Brown performed a set of his songs that are just short of being cabaret staples at 54 Below.

SOURCE: The New York Times Subscription at 05:56PM
Thursday, September 6, 2012

Music Review: Marin Mazzie’s Cabaret Show at 54 Below by Stephen Holden

Marin Mazzie, in her show at 54 Below, uses cabaret as a time machine to revisit her musical past.

SOURCE: The New York Times Subscription at 05:48PM

Music Review: Two Veterans Give a Nod to a Talented Youngster by Stephen Holden

Michael Feinstein and Marilyn Maye, delivering pop and jazz standards at Feinstein’s, are a perfect show-business fit.

SOURCE: The New York Times Subscription at 12:45PM

Movie Review: Cocaine and Alcohol Fuel a Trip Down the Aisle by Stephen Holden

“Bachelorette,” the film version of Leslye Headland’s play, comes at you with the crackling intensity of machine-gun fire.

SOURCE: movies.nytimes.com at 12:43PM

Movie Review: ‘Bachelorette’ by Leslye Headland, With Kirsten Dunst by Stephen Holden

“Bachelorette,” the film version of Leslye Headland’s play, comes at you with the crackling intensity of machine-gun fire.

SOURCE: movies.nytimes.com at 12:11PM
Friday, August 24, 2012

Music Review: Singing for Siri, and Others, With Humor by Stephen Holden

Raissa Katona Bennett brings new songs and standards to Feinstein’s at Loews Regency for her show there, “Another Kind of Light.”

SOURCE: The New York Times Subscription at 01:02PM
Thursday, August 23, 2012

Music Review: Two Vestiges of Vaudeville by Stephen Holden

“The Prince and the Show Boy,” at 54 Below, features Faith Prince and Jason Graae.

SOURCE: The New York Times Subscription at 01:20PM
Wednesday, August 22, 2012

Music Review: ‘The Prince and the Show Boy’ at 54 Below by Stephen Holden

“The Prince and the Show Boy,” at 54 Below, features Faith Prince and Jason Graae.

SOURCE: The New York Times Subscription at 10:23PM
Saturday, August 18, 2012

Music Review: Adding Stevie Nicks and Paul Simon, Then Setting the Songbook to Shuffle by Stephen Holden

Hilary Kole mixes cabaret, jazz and pop, and sings originals and works by Elvis Costello, Stevie Nicks and George Michael, in a set at 54 Below.

SOURCE: The New York Times Subscription at 01:47PM
Friday, August 17, 2012

Music Review: It’s ‘Amore,’ Her Father’s Way by Stephen Holden

Deana Martin, a daughter of Dean Martin, brings her show “Deana Sings Dino” to Feinstein’s at Loews Regency.

SOURCE: The New York Times Subscription at 12:16PM
Tuesday, August 7, 2012

ArtsBeat: Marvin Hamlisch, the Pro's Pro by Stephen Holden

The composer was often overlooked because he put solid work ahead of personal self-expression.

SOURCE: The New York Times Subscription at 04:57PM

Music Review: In the Light and Dark Corners of Poetry and Blues by Stephen Holden

Norbert Leo Butz, a complex musical personality with the soul of a bluesman, performed songs by Van Morrison, Tom Waits and others in a show at 54 Below.

SOURCE: The New York Times Subscription at 01:07PM
Monday, August 6, 2012

Music Review: Norbert Leo Butz in Cabaret at 54 Below by Stephen Holden

Norbert Leo Butz, a complex musical personality with the soul of a bluesman, performed songs by Van Morrison, Tom Waits and others in a show at 54 Below.

SOURCE: The New York Times Subscription at 09:37PM
Thursday, August 2, 2012

Music Review: Channeling Judy Garland, Serenely by Stephen Holden

In her new show at Feinstein’s, Rebecca Kilgore finds her way into the essence of Garland signature hits.

SOURCE: The New York Times Subscription at 09:24AM
Wednesday, August 1, 2012

Music Review: Notes of Optimism, Aloft in Song by Stephen Holden

Liz Callaway led “Even Stephen,” a program of music composed by Broadway’s three Stephens — Flaherty, Schwartz and Sondheim.

SOURCE: The New York Times Subscription at 08:49AM
Tuesday, July 31, 2012

Music Review: Liz Callaway in ‘Even Stephen’ at Town Hall by Stephen Holden

Liz Callaway led “Even Stephen,” a program of music composed by Broadway’s three Stephens — Flaherty, Schwartz and Sondheim.

SOURCE: The New York Times Subscription at 04:27PM
Wednesday, July 25, 2012

Movie Review: She’s Everything He Wants, and Therein Lies the Problem by Stephen Holden

“Ruby Sparks,” written by and starring Zoe Kazan, is a variation of the Pygmalion myth, featuring Paul Dano as a struggling novelist.

SOURCE: movies.nytimes.com at 11:24AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic