All stories by Scotty Zacher on BroadwayStars

Wednesday, September 17, 2014

Review: The Whaleship Essex (Shattered Globe Theatre) by Scotty Zacher

Joe Forbrich's The Whaleship Essex ably straddles genres. It is at once a first-rate adventure story, a survivalist thriller and a meditation on depravity spawned by abject terror and the ab…

SOURCE: Chicago Theater Beat at 09:47PM
Monday, September 15, 2014

Review: Shakespeare’s Antony and Cleopatra – UNDONE (Skyline Stageworks) by Scotty Zacher

John Arthur Lewis' staging, which relies on Bill Gordon's dogged narrative to supply the missing scenes, gives full focus to the center-stage protagonists, whether they deserve them or not. …

SOURCE: Chicago Theater Beat at 09:16PM
Sunday, September 14, 2014

Review: Women Beware Women (Two Pence Theatre) by Scotty Zacher

As far as anyone knows, no one’s ever mounted Thomas Middleton’s Women Beware Women in Chicago before. For anyone a little tired of Shakespeare and in need of some fresh Jacobean tragedy…

SOURCE: Chicago Theater Beat at 05:34PM
Saturday, September 13, 2014

Review: Richard III (The Empty Theatre) by Scotty Zacher

Richard III represents a tremendous undertaking for a fledgling theatre company, so their efforts deserve some applause. But even though Richard Traub’s engaging portrayal of the main char…

SOURCE: Chicago Theater Beat at 07:52PM

Review: Reasons to Be Happy (Profiles Theatre) by Scotty Zacher

The comedy-drama Reasons to Be Happy revisits four characters from his Tony-nominated play *reasons to be pretty* three years later, and while it’s not as robust a play as its predecessor,…

SOURCE: Chicago Theater Beat at 12:59PM
Wednesday, September 10, 2014

Review: Endgame (The Right Brain Project) by Scotty Zacher

The Right Brain Project once again stays true to its mission to “defy preconceived notions and challenge the contemporary theatre experience” in this unique production of Beckett’s mas…

SOURCE: Chicago Theater Beat at 04:10PM
Tuesday, September 9, 2014

Review: Since I Suppose (one step at a time like this & Chicago Shakespeare) by Scotty Zacher

Based on Shakespeare's Measure for Measure, Since I Suppose is a masterpiece in experiential story telling, taking individuals on the multimedia journey through downtown Chicago that brillia…

SOURCE: Chicago Theater Beat at 11:14PM
Sunday, September 7, 2014

Review: Who Is Tyler Durden? (Bare Knuckle Productions) by Scotty Zacher

Given the cult fascination with the film Fight Club, there’s bound to be some interest in a theatrical adaptation. Who is Tyler Durden? might do well to go further from its source material…

SOURCE: Chicago Theater Beat at 03:04PM
Thursday, September 4, 2014

Review: References to Salvador Dalí Make Me Hot (Something Incredibly Marvelous Happens) by Scotty Zacher

With a little work, the script's weaknesses could be overcome, if the affection between the characters, and the characters behind the words were fleshed out and developed. This group has the…

SOURCE: Chicago Theater Beat at 08:08PM
Sunday, August 31, 2014

Review: My Name Is Asher Lev (TimeLine Theatre) by Scotty Zacher

Chaim Potok’s 1972 novel, so far as I can tell, has never been produced as an audio book. This stage adaptation by Aaron Posner, at least as it’s performed here, doesn’t get much beyon…

SOURCE: Chicago Theater Beat at 05:18PM
Thursday, August 28, 2014

Review: Methtacular! (About Face Theatre) by Scotty Zacher

The Chicago premiere of Steven Strafford’s one-man show Methtacular! is like no drug-addiction story I’ve ever seen. Through comedy, music and storytelling, Strafford deftly paints a pic…

SOURCE: Chicago Theater Beat at 09:49PM

Review: The Arsonists (Strawdog Theatre) by Scotty Zacher

Even updated, The Arsonists is unabashedly old-fashioned, with its Greek-style chorus of firemen and symbolism as blatant as any horror movie. Alistair Beaton’s update under Matt Hawkins�…

SOURCE: Chicago Theater Beat at 05:25PM
Wednesday, August 27, 2014

Review: Churchill (Greenhouse Theater and SoloChicago) by Scotty Zacher

In this co-production by newly-formed SoloChicago and Greenhouse Theater, Ronald Keaton, the adaptor and sole actor in Churchill, manages to breathe life into a history lesson that many peop…

SOURCE: Chicago Theater Beat at 06:34PM
Tuesday, August 26, 2014

Review: Ecstasy (Cole Theatre) by Scotty Zacher

Though it runs quite long for a small dramedy, ultimately Ecstasy is well worth the two hour run time. Director Shade Murray and the newly formed Equity company Cole Theatre have the knowled…

SOURCE: Chicago Theater Beat at 08:16PM
Monday, August 25, 2014

Review: Stupid Fucking Bird (Sideshow Theatre) by Scotty Zacher

The entire cast is dead-on, with impeccable chemistry and outstanding performances that hold up through the final scene. Aaron Posner’s script, a spoof on Chekhov's The Seagull, is - simpl…

SOURCE: Chicago Theater Beat at 11:48PM

Review: The Yellow Wallpaper (The Mill Theatre) by Scotty Zacher

Semi-autobiographical, The Yellow Wallpaper was based on Gilman’s own experiences with helplessness in the Victorian age. Though this adaptation doesn't live up to its hype, this is still …

SOURCE: Chicago Theater Beat at 08:21PM

Review: Some Men (Pride Films and Plays) by Scotty Zacher

Times have changed for the LGBTQ community. Terrence McNally's Some Men is an entertaining, if slight, look at at gay life from the 1920s to present, and how we get where we are today. (rea…

SOURCE: Chicago Theater Beat at 06:19PM
Sunday, August 24, 2014

Review: Clemente – The Legend of 21 (NightBlue Performing Arts and ArtoCarpus) by Scotty Zacher

Luis Caballero’s play-with-music, with the help of his talented and immensely likeable cast, connects us with the Clemente behind the batting statistics. Despite a number of inspired momen…

SOURCE: Chicago Theater Beat at 05:28PM
Saturday, August 23, 2014

Review: The Importance of Being Earnest (American Players Theatre) by Scotty Zacher

The Importance of Being Earnest will have you laughing until you weep, and then confounded with awe at the singular, subversive genius of Oscar Wilde. Highly Recommended. (read Catey Sulli…

SOURCE: Chicago Theater Beat at 12:53PM
Thursday, August 21, 2014

Review: On the Town (Marriott Theatre) by Scotty Zacher

Everything clicks in Marriott Theatre's exuberant revival. And highlighting it all is Alex Sanchez’ eye-popping, mind-blowing, heart-stopping choreography. The young and proven ensemble ar…

SOURCE: Chicago Theater Beat at 06:00PM

Review: Witch Slap! (Babes With Blades) by Scotty Zacher

               Witch Slap! Written by Jeff Goode    Directed by Delia Ford Raven Theatre West Stage, 6157 N. C…

SOURCE: Chicago Theater Beat at 12:43AM
Wednesday, August 20, 2014

Review: The Boxer (Pursuit Productions) by Scotty Zacher

Pursuit Productions and Director Kacie Smith have created a multimedia production that’s truly unique and enjoyable; see it before the boxing bell rings! (read Keith Glab's entire review..…

SOURCE: Chicago Theater Beat at 03:41PM

Review: The Most Ado: A Party Play (Nothing Special Productions) by Scotty Zacher

Yeah, it’s a little gimmicky at times, but this can be forgiven because the fun becomes contagious. William Shakespeare could be a rude crude dude, and in this age of political correctness…

SOURCE: Chicago Theater Beat at 12:35AM
Tuesday, August 19, 2014

Review: Musas (Water People Theater) by Scotty Zacher

Even with its flaws, the show still manages to be entertaining, as the cast is excellent and the energy stays high. Live guitar accompaniment by Samuel Ocean adds a nice touch. If you are fa…

SOURCE: Chicago Theater Beat at 03:21PM
Monday, August 18, 2014

Review: Hank Williams, Lost Highway (American Blues Theater, 2014) by Scotty Zacher

Directed by Damon Kiely, the story of a skinny, dirt-poor kid from the outskirts of nowheresville, Alabama is at once sad, funny, and rich with the raw, gorgeously unpolished, true country s…

SOURCE: Chicago Theater Beat at 09:33PM
Sunday, August 17, 2014

Review: One Day When We Are All Robots (Chicago Slam Works) by Scotty Zacher

The ten poetry/drama performers in Chicago Slam Works’ latest incarnation deliver a very disciplined warning of the perils of being over-connected and the dangers of seeking phony cyber de…

SOURCE: Chicago Theater Beat at 08:48PM

Review: Home of the Gentry (On the Spot Theatre) by Scotty Zacher

Ivan Turgenev’s 1858 novel “Home of the Gentry” is a cautionary, bittersweet tale about a Russian emigre’s inability to find happiness when he returns home. Seen in a final preview, …

SOURCE: Chicago Theater Beat at 12:01AM
Saturday, August 16, 2014

Review: Coraline (Black Button Eyes Productions) by Scotty Zacher

               Coraline By Stephen Merritt and David Greenspan   Directed by Ed Rutherford at City Lit Theater, 102…

SOURCE: Chicago Theater Beat at 12:04PM
Friday, August 15, 2014

Review: Medea (Dream Theatre Company) by Scotty Zacher

In Jeremy Menekseoglu’s creative re-imagining of the Euripides tale of a woman scorned, the classic tragedy is made more complex with the addition of personal and marital issues of our age…

SOURCE: Chicago Theater Beat at 08:41PM

Review: First Look 2014 – “Hushabye” “Ironbound” “Okay, Bye” (Steppenwolf Theatre) by Scotty Zacher

               First Look 2014 Written by Tanya Saracho, Martyna Majok,     and Joshua Conkel Directed by Yase…

SOURCE: Chicago Theater Beat at 03:58PM
Wednesday, August 13, 2014

Review – 10-4: The Truck Stop Plays (Chemically Imbalanced Comedy) by Scotty Zacher

Having four playwrights who attend school in rural Ohio gives these often absurdist pieces an aura of authenticity. A Chicago audience can get on board with these larger-than-life character…

SOURCE: Chicago Theater Beat at 08:00PM