Sunday, October 16, 2016
By Isaac Gomez. Isaac Gomez, Director of New Play Development at Victory Gardens, shares the engagement programs around their production of Marcus Gardley’s The House That Will Not Stand.
SOURCE: HowlRound at 10:00AMFriday, October 14, 2016
By Alli Houseworth, Jacqueline E. Lawton, Laura Jacqmin, Tory Bailey, Brad Erickson. In this piece, Triple Play project leads Tory Bailey and Brad Erickson respond to selections of a convers…
SOURCE: HowlRound at 10:28AMMonday, October 10, 2016
By Neena Arndt. Neena Arndt writes about new strategies the Goodman is testing to give audience members information about shows before they arrive at the theatre.
SOURCE: HowlRound at 09:40AMBy Michael Lueger. Michael Lueger talks with scholar and activist Jorge Huerta.
SOURCE: HowlRound at 09:35AMSunday, October 9, 2016
By Alli Houseworth. Theatre marketing consultant Alli Houseworth calls for marketing and audience engagement to come together, the first in a series of articles about Triple Play, a project …
SOURCE: HowlRound at 04:57PMBy Raphael Khouri. Raphael Khouri writes about creating a work of queer Arab theatre in secret.
SOURCE: HowlRound at 12:24PMSaturday, October 8, 2016
By Summer Banks. Summer Banks talks with Jaclyn Backhaus about bringing the story of Men On Boats to life on stage without any men.
SOURCE: HowlRound at 03:35PMBy Allison Raynor. Allison Raynor talks with other early-career theatre artists about how the narratives they grew up loving influenced their sense of self.
SOURCE: HowlRound at 11:12AMFriday, October 7, 2016
By Michael Rohd, Maureen Towey. Michael Rohd and Maureen Towey share an excerpt from their new book The Penelope Project: An Arts-Based Odyssey to Change Elder Care , writing about creating …
SOURCE: HowlRound at 04:00PMTuesday, October 4, 2016
By Amy Brady, Michael H. Arve. Amy Brady interviews Michael Arve about Dangerous Theatre , a piece he’s directing based on Hallie Flanagan’s 1938 testimony to the Special Committee to In…
SOURCE: HowlRound at 11:16AMBy Shari Caplan. Shari Caplan on Love’s Labour's Lost as performed by The Commonwealth Shakespeare Company in Boston, Massachusetts.
SOURCE: HowlRound at 10:49AMMonday, October 3, 2016
By Edward Einhorn. Edward Einhorn reflects on the failures of the current awards system for independent theatre in New York, and proposes a solution.
SOURCE: HowlRound at 10:48AMBy Michael Lueger. Michael Lueger kicks off a month of interviews about political theatre by talking with Amy Brady about the Federal Theatre Project.
SOURCE: HowlRound at 10:01AMSunday, October 2, 2016
By Emilya Cachapero, Victor Maog, Randy Reyes. Emilya Cachapero, director of artistic and international programs at TCG, talks with playwright Victor Maog and Artistic Director of Mu Perform…
SOURCE: HowlRound at 11:39AMBy Emma Wiseman. Emma Wiseman presents musings on audio storytelling and the world of radio from Cecil Baldwin, Jon Earle, and Audrey Quinn, three New York-based audiophiles.
SOURCE: HowlRound at 11:08AMSaturday, October 1, 2016
By Lavina Jadhwani. Director Lavina Jadhwani shares her experience as an Asian American director, advocating the need for more spaces and opportunities for Asian American theatre artists to …
SOURCE: HowlRound at 11:04AMBy Josh Platt. Josh Platt on The Merchant of Venice directed by Tina Packer in Lenox, Massachusetts.
SOURCE: HowlRound at 10:38AMFriday, September 30, 2016
By Julie McGarvie. In this final #IdentityWeek blog, Julie McGarvie writes about pioneering playwright Lorraine Hansberry.
SOURCE: HowlRound at 02:53PMBy Oscar Lozano. Writer and performer Oscar Lozano reports on the artistic and labor movement in France among theatre professionals and in doing so considers the public theatre, social perfo…
SOURCE: HowlRound at 09:28AMThursday, September 29, 2016
By Erica Nagel. In this #IdentityWeek blog, Erica Nagel of the McCarter Theatre discusses how, and why, they’ve made Relaxed Performances part of their equity, diversity, and inclusion wor…
SOURCE: HowlRound at 11:16AMBy Ricky Young-Howze. Ricky Young-Howze writes about Neil Simon’s influence on pop culture comedic tropes.
SOURCE: HowlRound at 10:45AMWednesday, September 28, 2016
By Basil Kreimendahl. In this #IdentityWeek blog, playwright Basil Kreimendahl discusses the representation of trans characters on stage.
SOURCE: HowlRound at 12:58PMBy Wael Qadour. Wael Qadour describes creating a piece of theatre with young people living in northern Jordan.
SOURCE: HowlRound at 10:58AMSaturday, September 3, 2016
By Amanda Prahl. Amanda Prahl analyzes the different forms and purposes of the conditional love song in historical and contemporary musicals.
SOURCE: HowlRound at 10:20AMMonday, August 22, 2016
By Michael Lueger. Michael Lueger kicks off a new Theatre History podcast series with an interview with Max Shulman, discussing drugs in American theatre at the turn of the twentieth century.
SOURCE: HowlRound at 04:13PMSunday, August 21, 2016
By Sumru Erkut, Ineke Ceder. The American Conservatory Theater with Wellesley Centers for Women present findings on a three-year study on the gender equity of leadership opportunities in the…
SOURCE: HowlRound at 11:15AMSaturday, August 20, 2016
By Mona Merhi. Lebanese journalist and advocate Mona Merhi writes about the history of censorship in Lebanon and its current state of play.
SOURCE: HowlRound at 12:31PMTuesday, July 19, 2016
By Neal Reynolds. Neal Reynolds discusses how a play's subject matter may increase the potential for an abusive production process.
SOURCE: HowlRound at 01:51PMSunday, July 17, 2016
By Amber Robinson. Chicago-based theatre practitioner, Amber Robinson, reflects on the polyphonic nature of The Goodman Theatre’s adaption of Roberto Bolaño’s novel 2666 and other multi…
SOURCE: HowlRound at 09:06AMSaturday, July 16, 2016
By Madeline Easley. Madeline Easley describes how an assignment inspired her to create a platform where people can share stories and write monologues.
SOURCE: HowlRound at 10:04AMWednesday, July 6, 2016
By Jess Pillmore. Jess Pillmore discusses different definitions of the word “sensitive,” and how understanding and embracing your own sensitivities can be beneficial to your art.
SOURCE: HowlRound at 03:48PM 
