Close Login Box
By Talleri McRae. Talleri McRae summarizes a breakout session she co-led at the 2017 Theatre Communications Group Annual Conference.
By Mike Lew, Rehana Lew Mirza. Rehana Lew Mirza and Mike Lew document their first year as parents and Playwrights-in-Residence at Ma-Yi.
By Abigail Vega. Abigail Vega writes about the process for choosing shows for the 2017 Encuentro de las Américas festival.
By MJ Kaufman. MJ Kaufman writes about the decision not to see To the End of the Land at Lincoln Center.
By Allison Raynor, Walt McGough. Allison Raynor and Walt McGough discuss how productions that provoke or play to audiences’ fears offer a shared intense experience, which can be useful to …
By Samantha Mueller. Samantha Mueller, a theatre practitioner who works with the special needs community, talks about Seesaw Theatre which creates multi-sensory work for children with autism.
By Holly Lombardo. World Fringe Day is July 11, 2017.
By Michael Lueger. Dr. Amy Hughes, Dr. Naomi Stubbs, and Dr. Scott D. Dexter discuss the diary of Harry Watkins, a 19th-century actor, playwright, and stage manager.
By Kaite O'Reilly. Kaite O’Reilly addresses how reimagining disability can open up creative possibilities on stage in content, aesthetics, and form.
By Ashleigh Worley. Director and educator Ashleigh Worley talks about process versus product, advocating for giving students opportunities to grow as artists.
By Brett Aresco. Brett Aresco looks at personal comedy theatre and recent shows by Neal Brennan and Mike Birbiglia.
By Amanda Prahl. A fairy tale for our modern age? A consideration of Anastasia by Amanda Prahl.
By Robert Hubbard. Minnesota’s favorite storyteller: Kevin Kling.
By Michael Lueger. Dr. Joseph F. Stephenson of Abilene Christian University talks about The Dutch Lady , an anonymous Restoration-era play in the holdings of the Boston Public Library that h…
By HowlRound. Join us in welcoming Stokely, the new HowlRound Fellow!
By Trevor Boffone. Trevor Boffone looks at the provocation of Native Gardens by Karen Zacarías in Houston and the conversations it’s starting about Latinx theatre.
By Café Onda, Abigail Vega. The Latinx Theatre Commons receives the Peter Zeisler Memorial Award.
By Gary English. Gary English looks at the production Other Places by the Palestinian theatre group Al Khashabi Ensemble.
By Michael Lueger. A conversation with members of the Medieval Convent Drama project, based at the University of Fribourg in Switzerland.
By Zach Fraser. Zach Fraser reveals the puppet theatre community of Montreal.
By Jonathan Garfinkel. Playwright and poet Jonathan Garfinkel on what draws him to Montreal.
By Erin Lindsay. This week on HowlRound, we look at the city of Montreal through the lens of several artists who navigate its theatre scene. This series not only explores the dynamics of Mon…
By Armando Molina. In this first installment of a three-part series, Armando Molina writes about funding for theatres in Los Angeles, California.
By Michael Lueger. Dr. Mary Chinery and Dr. Laura Rattray on Edith Wharton's little-known writing for the theatre.
By Zach Weinberg. Zach Weinberg writes about discovering his role as an adaptor, collaborator, and director.
By Thomas Dolan. Thomas Dolan discusses the need for Middle Eastern and Islamic theatre artists and decision-makers to be involved in the creation and production of work about their communit…
By Michael Lueger. James White talks about restoring the Alexandra Palace, a massive entertainment complex built in the 1870s.
By Andrew Zitcer, Liz Green. What can we learn about audience engagement and how and why audiences make meaning out of experimental theatre from a twenty-four-year performance experiment?
By Sarah Ruhl. Sarah Ruhl on The Lilly Awards, criticism, and the power of mothers.
By Alyssa White. Alyssa White writes about being an early career director in Chicago, and re-discovering her love of the work.
By Thomas Schmidt. The second in a series of articles by German theatre scholar Thomas Schmidt about the history of German theatre.