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By Robert Hubbard. Minnesota’s favorite storyteller: Kevin Kling.
By Michael Lueger. Dr. Joseph F. Stephenson of Abilene Christian University talks about The Dutch Lady , an anonymous Restoration-era play in the holdings of the Boston Public Library that h…
By HowlRound. Join us in welcoming Stokely, the new HowlRound Fellow!
By Trevor Boffone. Trevor Boffone looks at the provocation of Native Gardens by Karen Zacarías in Houston and the conversations it’s starting about Latinx theatre.
By Café Onda, Abigail Vega. The Latinx Theatre Commons receives the Peter Zeisler Memorial Award.
By Gary English. Gary English looks at the production Other Places by the Palestinian theatre group Al Khashabi Ensemble.
By Michael Lueger. A conversation with members of the Medieval Convent Drama project, based at the University of Fribourg in Switzerland.
By Zach Fraser. Zach Fraser reveals the puppet theatre community of Montreal.
By Jonathan Garfinkel. Playwright and poet Jonathan Garfinkel on what draws him to Montreal.
By Erin Lindsay. This week on HowlRound, we look at the city of Montreal through the lens of several artists who navigate its theatre scene. This series not only explores the dynamics of Mon…
By Armando Molina. In this first installment of a three-part series, Armando Molina writes about funding for theatres in Los Angeles, California.
By Michael Lueger. Dr. Mary Chinery and Dr. Laura Rattray on Edith Wharton's little-known writing for the theatre.
By Zach Weinberg. Zach Weinberg writes about discovering his role as an adaptor, collaborator, and director.
By Thomas Dolan. Thomas Dolan discusses the need for Middle Eastern and Islamic theatre artists and decision-makers to be involved in the creation and production of work about their communit…
By Michael Lueger. James White talks about restoring the Alexandra Palace, a massive entertainment complex built in the 1870s.
By Andrew Zitcer, Liz Green. What can we learn about audience engagement and how and why audiences make meaning out of experimental theatre from a twenty-four-year performance experiment?
By Sarah Ruhl. Sarah Ruhl on The Lilly Awards, criticism, and the power of mothers.
By Alyssa White. Alyssa White writes about being an early career director in Chicago, and re-discovering her love of the work.
By Thomas Schmidt. The second in a series of articles by German theatre scholar Thomas Schmidt about the history of German theatre.
By Carol Ann Tan. Director Carol Ann Tan explores her reaction to the question of whether it's easier for her to get work because she's Asian.
By Andrea Lepcio. Calling for more female-driven musicals.
By Andrew Watkins. Director Andrew Watkins writes about getting to the heart of Strindberg's problematic classic.
By verity healey. UK contributor verity healey looks at how Doorstep Arts is bringing access to the theatre arts to Torbay.
By Robert Stanton. Robert Stanton for #FairWageOnstage considers the recent success of negotiations for salary increases for Off-Broadway actors and how theatre can support and lead the resi…
By Tom Block. Tom Block writes about how Taoist philosopher Chuang Tzu's ideas can provide inspiration for theatre artists.
By Ryan Donovan. Ryan Donovan considers the critical reception of casting an actor with a disability in the current Broadway revival of Tennessee Williams's The Glass Menagerie.
By Jonathan Mandell. Jonathan Mandell looks at the Broadway season that just ended, dividing it into escapist entertainment and socially engaged theatre, and wondering which is more needed i…
By Lauren Gunderson. Lauren Gunderson continues her series of videos asking "Why theatre?" In this class, she addresses active characters in plays, and dramatic structure.
By Sara Brookner. Sara Brookner writes about her experiences and take-aways from participating in National Arts Advocacy Day in Washington, DC, and Arts Matter Advocacy Day in Boston, MA.
By Cynthia P. Schneider. Distinguished Professor in the Practice of Diplomacy at Georgetown University, writes about the value of theatre as cultural diplomacy, and the Laboratory for Global…
By Cecilia Cackley, Gabriela Céspedes. Puppeteer Cecilia Cackley interviews Gabriela Céspedes, a leading caja lambe - lambe puppet artist based in Argentina.