All stories by Philip on BroadwayStars

Sunday, June 24, 2018

“Half Time” hip-hop at Paper Mill Playhouse: Never Fresher by Philip

You’ll know how “Half Time” ends about five minutes in. So what; getting there is the fun part. And “Half Time” is fun. Its premise is simple enough (even to a fault, but anyway): …

SOURCE: sceneonstage.com at 03:32PM
Monday, June 18, 2018

A Grand Ol’ (Checkhovian) Opry in New Jersey: “Songbird” by Philip

Country music has never appealed to me. I might leave it on a rental car pre-set, but would never seek it out. If, however, it was all as flavorful as Lauren Pritchard’s music and lyrics f…

SOURCE: sceneonstage.com at 05:57PM
Monday, June 11, 2018

Welcome Aboard “A View from the Bridge” in Brooklyn Harbor by Philip

Playwright Arthur Miller maintained a lasting interest in his own plays, frequently popping in to productions unannounced. (I once spotted him at a performance of “Death of a Salesman” i…

SOURCE: sceneonstage.com at 10:50AM
Monday, June 4, 2018

Theatrical Alchemy: A Henry James Novella into an Off-Broadway Dance Play by Philip

Henry James’s 1903 novella “The Beast in the Jungle” is a melancholy treatise on unrealized romance and thwarted passion that unfolds in James’s characteristically elaborate prose. T…

SOURCE: sceneonstage.com at 04:00PM
Monday, May 21, 2018

Moliere’s Comic Romp (with an edge): “Tartuffe” at Shakespeare of NJ by Philip

Last weekend I saw a play about a man who lies about pretty much everything. Despite claiming to be a stand-up guy – ardently religious even – he’d con you out of your socks given half…

SOURCE: sceneonstage.com at 06:01PM
Wednesday, May 16, 2018

Variety on Canadian Festival stages: a Preview by Philip

[This article was written for Digital First Media’s Michigan newspapers, where it ran on Sunday May 13, with reviews to follow during the summer.] Ontario’s Stratford and Shaw Festiv…

SOURCE: sceneonstage.com at 03:30PM
Monday, May 7, 2018

Tennessee Williams’ “Summer and Smoke” revived off-Broadway by Philip

Tennessee Williams’ women tend not to fare very well. Blanche Dubois is led away by kind strangers, and Amanda and Laura Wingate are stuck with each other after being twice abandoned. “S…

SOURCE: sceneonstage.com at 04:25PM
Tuesday, April 24, 2018

Five Irish sisters and a Chinese family on New Jersey stages by Philip

Playwright Bran Friel has been called “the Irish Chekhov.” (Friel died in 2015 at 86.)  Like the plays of that century-earlier Russian author, Friel’s are character-driven rather than…

SOURCE: sceneonstage.com at 02:13PM
Thursday, April 19, 2018

NJ Community group has a successful go at “Much Ado About Nothing” by Philip

When I commented to Holmdel Theatre Company’s  “Much Ado About Nothing” producer that I did not recognize any cast names (except hers) from prior community productions, she explained …

SOURCE: sceneonstage.com at 03:31PM
Thursday, April 12, 2018

Don’t get shut out at the gate: put your money on “The Sting” by Philip

What do you look for in a musical? Songs and singers that make you glad you have ears? Multi-style choreography and dancers adept at every one of them? How ‘bout a plot that freezes your a…

SOURCE: sceneonstage.com at 01:39PM
Tuesday, April 3, 2018

Some other Damon Runyon guys and dolls in “Three Wise Guys” by Philip

I am sitting in Jersey Mike’s eating a mini number seven sub when I hear that Stephanie “Stormy” Clifford is suing Donald “Grab ‘Em” Trump. That sentence is in the present tense,…

SOURCE: sceneonstage.com at 02:23PM
Monday, March 26, 2018

Escape to – or from – Margaritaville: It’s a tossup by Philip

In order to enjoy a jukebox musical, it helps to be a fan of the songbook going in, but that’s no guarantee.  ABBA-adoring fans kept “Mamma Mia” running for years on its easily replic…

SOURCE: sceneonstage.com at 04:26PM
Monday, March 19, 2018

Group Therapy off-Broadway: “Good for Otto” by Philip

Another fourth wall bites the dust in The New Group’s production of “Good for Otto,” at the Pershing Square Signature Center. David Rabe’s play, which premiered in 2015 at Chicago’…

SOURCE: sceneonstage.com at 02:09PM
Tuesday, March 6, 2018

Two plays, two women, one each. “In the Body of the World” and “Wild Horses” by Philip

It takes more than memorization to put across a solo play (although that element should not be minimized). Those sometimes deceptively crowded affairs require the establishing of unique pers…

SOURCE: sceneonstage.com at 05:36PM
Monday, February 26, 2018

A Thornton Wilder adaptation at Two River Theater is a bridge too far by Philip

A Pulitzer Prize-winning piece by Thornton Wilder opens with no curtain, no scenery. Presently an actor enters and addresses the audience. He names the play and who wrote it. He sets the loc…

SOURCE: sceneonstage.com at 04:45PM
Thursday, February 22, 2018

A night at “Jerry Springer – The Opera” (Not for the faint of heart) by Philip

My exposure to the Jerry Springer Show has been limited to an occasional YouTube clip, but I’ve seen enough to know that the following topics are representative: “My mom used to be my da…

SOURCE: sceneonstage.com at 09:58AM
Monday, February 12, 2018

‘I wanted to channel the anger’: Europe's fearless political playwrights by Daniel Boffey, Constanze Letsch, Philip Oltermann, Helena Smith and Kit Gillet

They’ve stormed the Reichstag, turned terrorism into absurd comedy and asked their audiences for answers. Meet five theatre-makers grappling with crises across the continent.By Daniel Boff…

SOURCE: The Guardian at 02:00AM
Monday, February 5, 2018

Contrasting premieres at New Jersey Regionals: “The Outsider” and “American Hero” by Philip

As if we needed a reminder about the difference between governing and politicking, along comes “The Outsider,” running through February 18 at Paper Mill Playhouse. The wide chasm tha…

SOURCE: sceneonstage.com at 12:52PM
Monday, January 22, 2018

Glorious still: “A Chorus Line” in Westchester by Philip

Here’s a list of those individuals who should see “A Chorus Line”: Anyone who has ever auditioned for a show or competed in any way for any job; anyone who has ever sung, danced and/or…

SOURCE: sceneonstage.com at 05:36PM
Monday, January 15, 2018

“El Coquí Espectacular and the Bottle of Doom” at Two River Theater: Bueno, muy bueno by Philip

Write what you know, the saying goes. Playwright Matt Barbot and director José Zayas both credit their Hispanic heritage with having inspired their collaboration on “El Coquí Espectacula…

SOURCE: sceneonstage.com at 10:42PM
Tuesday, January 9, 2018

New Jersey Repertory Company gets religion: “The Calling” world premiere by Philip

Selected by NJPAC’s Stage Exchange as one of 30 plays by New Jersey playwrights to be produced at in-state venues, Monmouth University adjunct professor of playwriting Joel Stone’s “Th…

SOURCE: sceneonstage.com at 05:12PM
Tuesday, January 2, 2018

Together off-Broadway: Ballet, Bach and…Frankenstein? by Philip

It may be a tad unfair to begin a review of Ensemble for the Romantic Century’s serious play “Mary Shelley’s Frankenstein” by recalling the most irreverent take ever on Mary’s crea…

SOURCE: sceneonstage.com at 03:52PM
Monday, December 18, 2017

Something old, something…older: Once On This Island and Twelfth Night by Philip

Re-visit with me, if you will, some of the comments I made in reviews of “Once On This Island” in Ocean Grove in 2004 (“…undistinguished, although pleasant enough”) and at Paper Mi…

SOURCE: sceneonstage.com at 09:09PM
Thursday, December 7, 2017

“The Parisian Woman” in D.C. (via B’way) and another tomorrow for “Annie” in NJ by Philip

I couldn’t find an English translation of Henry Becque’s 19th-Century farce La Parisienne, upon which Beau Willimon based “The Parisian Woman,” but it’s a safe assumption that the …

SOURCE: sceneonstage.com at 02:18PM
Tuesday, November 21, 2017

The importance of seeing “Earnest” at Two River Theater by Philip

In a modern play about Oscar Wilde, he says “I have spent my life holding language up to the light, making words shimmer.” (Wilde might well have said that.) Then his 1895 play “The Im…

SOURCE: sceneonstage.com at 03:11PM
Tuesday, November 14, 2017

Paging Dr. Seuss: Report to Red Bank for “Seussical” by Philip

An unscripted moment on opening night of Phoenix Productions’ “Seussical” revealed much about how the show was being received. Nearing the end, the Cat in the Hat addresses the audienc…

SOURCE: sceneonstage.com at 05:27PM
Thursday, November 2, 2017

Tennis, anyone? “The Last Match” off-Broadway by Philip

There’s a mind game we used to play in college built around someone finishing the sentence “Life is like a ­___” with a concept (film noir, say) or item (a coke bottle is one I recall…

SOURCE: sceneonstage.com at 08:49AM
Tuesday, October 24, 2017

Careful what you wish for: “Mutual Philanthropy” at NJ Rep by Philip

We like to think we can size up strangers in a first meeting, but we really can’t. Everyone is guarded for a while, with deep feelings and values held in check, at least until the atmosphe…

SOURCE: sceneonstage.com at 12:24AM
Monday, October 16, 2017

Improved with age: “I Love You, You’re Perfect, Now Change” by Philip

Two things to know about George Street Playhouse’s temporary home on the Cook College Campus of Rutgers University: One is that the venue is temporary only in the sense that GSP will be mo…

SOURCE: sceneonstage.com at 04:41PM
Friday, September 29, 2017

A likeable “As You Like It” off-B’way and a tasty dinner theater in the suburbs by Philip

There must be as many ways of creating the Forest of Arden onstage as there are productions of “As You Like It.” In director John Doyle’s minimalist production of Shakespeare’s roman…

SOURCE: sceneonstage.com at 09:11PM
Monday, September 18, 2017

A first-class revival of an American classic: “A Raisin in the Sun” at Two River Theater by Philip

There is little that I can add to the praise that has been heaped upon Lorraine Hansberry’s “A Raisin in the Sun,” virtually from the hour it opened on Broadway in 1959. Ms. Hansberry,…

SOURCE: sceneonstage.com at 03:29PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime