All stories by Michael Billington on BroadwayStars

Wednesday, September 21, 2011

Keeler – review by Michael Billington

Richmond, London"This show contains loud bangs and adult themes," warns a notice outside the theatre. In fact I detected few of either in a play, based by Gill Adams on a book by Christine K…

SOURCE: The Guardian at 02:00PM

From fray to play: can a war reporter cut it as a theatre critic? by Michael Billington

Judith Miller's switch from political correspondent to playhouse pundit has caused a stir, but surely it's not a bad thing for critics to know about the world at largeIn the early 70s there …

SOURCE: The Guardian at 12:41PM
Tuesday, September 20, 2011

Othello – review by Michael Billington

Crucible, SheffieldIt's been billed in advance as a classic encounter between two stars of The Wire, Clarke Peters and Dominic West. But what first impresses about this much-touted event is …

SOURCE: The Guardian at 07:59PM

Victoria Station/One for the Road – review by Michael Billington

Print Room, LondonThese two short Pinter plays are here presented as an almost seamless event. Both, in fact, are set in a bleak, white-walled, fluorescent-lit room that suggests an interrog…

SOURCE: The Guardian at 02:10PM
Monday, September 19, 2011

Bang Bang Bang – review by Michael Billington

Octagon, BoltonIt is always good to find dramatists widening their horizons, and Stella Feehily's new play, which deals with humanitarian workers operating in the midst of a Congolese civil …

SOURCE: The Guardian at 01:00PM
Sunday, September 18, 2011

Broken Glass by Michael Billington

Vaudeville, LondonArthur Miller's 1994 play towers over the dismal lowlands of current West End theatre like a majestic mountain peak. Part psychological detective story and part political d…

SOURCE: The Guardian at 12:48PM
Thursday, September 15, 2011

My City – review | Michael Billington by Michael Billington

Almeida Theate, LondonStephen Poliakoff is back with his first new play in 12 years. But, while I welcome his return, this piece feels like an anthology of Poliakoff's recurring preoccupatio…

SOURCE: The Guardian at 07:49PM
Wednesday, September 14, 2011

South Downs/The Browning Version – review by Michael Billington

Minerva, ChichesterIt takes a certain wild courage to write an accompaniment to an acknowledged one-act masterpiece like Terence Rattigan's The Browning Version. But David Hare has taken on …

SOURCE: The Guardian at 08:05PM

No Naughty Bits – review by Michael Billington

Hampstead theatre, LondonSteve Thompson is a very funny writer who has here chosen a tricky subject: the 1975 legal battle by members of the Monty Python team over a US network's censorious …

SOURCE: The Guardian at 07:44AM

Alan Ayckbourn, by Michael Billington – quiz by Michael Billington

As Alan Ayckbourn's 75th play, Neighbourhood Watch, opens in Scarborough, test your knowledge of Britain's most prolific and popular dramatistMichael Billington

SOURCE: The Guardian at 06:52AM
Tuesday, September 13, 2011

Neighbourhood Watch – review by Michael Billington

Stephen Joseph, ScarboroughOne of Alan Ayckbourn's least appreciated qualities is the sharpness of his social antennae. At the very moment when there is a lot of political babble about a "br…

SOURCE: The Guardian at 06:00PM
Sunday, September 11, 2011

The Belle's Stratagem – review by Michael Billington

Southwark Playhouse, LondonJessica Swale made a big impact last year with a stunning production of Sheridan's The Rivals in Southwark. Now she's back with a comedy by Hannah Cowley that Sher…

SOURCE: The Guardian at 01:15PM
Thursday, September 8, 2011

Decade - review by Michael Billington

St Katharine Docks, LondonFact or fiction? Which is the best way for the theatre to handle an event as momentous as 9/11? That is the question implicitly raised by this site-specific show, w…

SOURCE: The Guardian at 07:36PM
Wednesday, September 7, 2011

Theatre review: The Kitchen at Oliver, London | Michael Billington by Michael Billington

Oliver, LondonArnold Wesker's tremendous 1959 play expanded the frontiers of drama in that it was one of the first to seriously dramatise work. But, while it is always good to see it revived…

SOURCE: The Guardian at 06:59PM

The world of Arnold Wesker, by Michael Billington – quiz by Michael Billington

As the National Theatre serves up a revival of Arnold Wesker's 1959 play The Kitchen, we grill you about the man and his workMichael Billington

SOURCE: The Guardian at 06:21AM
Tuesday, September 6, 2011

The Tempest - review by Michael Billington

Theatre Royal HaymarketThe Tempest, as Anne Barton once pointed out, is an obliging work of art. It can be seen, among myriad other things, as anti-colonialist tract, theatrical metaphor and…

SOURCE: The Guardian at 07:32PM

truth and reconciliation – review by Michael Billington

Royal Court, LondonI would say debbie tucker green has carved out her own special niche at the Royal Court: partly through her insistence on lower-case name and titles, but more significantl…

SOURCE: The Guardian at 01:30PM
Sunday, September 4, 2011

The Conspirators – review by Michael Billington

Orange Tree, RichmondThis is the 12th Václav Havel production Sam Walters has staged in the Orange Tree's 40-year history. While such loyalty is admirable and the play itself dates from the…

SOURCE: The Guardian at 12:39PM
Wednesday, August 31, 2011

The Faith Machine – review by Michael Billington

Royal Court, LondonAlexi Kaye Campbell has previously written two impressive plays, The Pride and Apologia, about the way gay rights and feminism have lost something of their initial idealis…

SOURCE: The Guardian at 07:01PM

The Madness of George III – review by Michael Billington

Theatre Royal, BathDavid Haig rightly gets a standing ovation as the sad, dubiously mad Hanoverian Lear. But, although Alan Bennett deserves credit for putting the character on stage, I can'…

SOURCE: The Guardian at 01:00PM

RIP NF Simpson, blissfully funny and deeply English dramatist | Michael Billington by Michael Billington

The plays of NF 'Wally' Simpson, who has died aged 92, were hilariously subversive, yet masked a deeply philosophical mindThe comic dramatist NF Simpson, who has died at the ripe old age of …

SOURCE: The Guardian at 11:38AM
Tuesday, August 23, 2011

South Pacific – review by Michael Billington

Barbican, LondonThis production arrives from the Lincoln Center in the US laden with seven Tony awards. But, perhaps because only two of the original cast have made the journey, it is a litt…

SOURCE: The Guardian at 06:01PM
Monday, August 22, 2011

One Thousand and One Nights – review by Michael Billington

Royal Lyceum, EdinburghOne can divide theatre, broadly, into two categories: narrative and dramatic. The former is expansive and would include events like Peter Brook's The Mahabharata and t…

SOURCE: The Guardian at 08:34AM
Monday, August 15, 2011

Tony Kushner: 'At first I was horrified' by Michael Billington

When Tony Kushner's honorary degree was vetoed over allegations that he was anti-Israel, there was an outcry. Here he talks for the first time about the controversyThe best dramatists, …

SOURCE: The Guardian at 04:31PM

The Tempest – review by Michael Billington

King's, EdinburghIt's a pity the word "hybrid" has acquired pejorative overtones, because that's exactly what this delightful production offers. Adapted and directed by Tae-Suk for Seoul's M…

SOURCE: The Guardian at 01:30PM
Sunday, August 14, 2011

King Lear – review by Michael Billington

Royal Lyceum, EdinburghI suspect Wu Hsing-kuo is the Taiwanese answer to Orson Welles. He has not only written and directed but also performs, in Mandarin and with the aid of nine musicians,…

SOURCE: The Guardian at 01:00PM
Thursday, August 11, 2011

John Wood: an actor who made us see things anew | Michael Billington by Michael Billington

Through his piercing intellect, the late British actor John Wood redefined every role he playedI've been very lucky in my professional life. And one of my greatest strokes of good fortune wa…

SOURCE: The Guardian at 08:32AM
Wednesday, August 10, 2011

Crazy For You – review by Michael Billington

Open Air, Regent's Park, LondonIf this enjoyable 1992 musical has a slightly synthetic feel, it is hardly surprising. Ken Ludwig has rewritten the book of a 1930 Gershwin musical, Girl Crazy…

SOURCE: The Guardian at 02:00PM
Tuesday, August 9, 2011

Anna Christie – review by Michael Billington

Donmar Warehouse, LondonJude Law is the big draw in this outstanding revival of Eugene O'Neill's 1921 play. But Law's is only one in a triptych of fine performances, the others coming from R…

SOURCE: The Guardian at 06:00PM

The Mother – review by Michael Billington

The Scoop, LondonIn a concrete amphitheatre surrounded by the gleaming towers of capitalism, Phil Willmott has had the wit to stage Brecht's most explicitly communist play. And even if histo…

SOURCE: The Guardian at 02:00PM
Monday, August 8, 2011

Blue Surge – review by Michael Billington

Finborough, LondonRebecca Gilman is an American dramatist who writes about hot topics with unsensational honesty. Having dealt with stalking in Boy Gets Girl and racism in Spinning into Butt…

SOURCE: The Guardian at 01:40PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre