All stories by Michael Billington on BroadwayStars

Monday, August 8, 2011

Blue Surge – review by Michael Billington

Finborough, LondonRebecca Gilman is an American dramatist who writes about hot topics with unsensational honesty. Having dealt with stalking in Boy Gets Girl and racism in Spinning into Butt…

SOURCE: The Guardian at 01:40PM
Friday, August 5, 2011

A Midsummer Night's Dream – review by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonI feel slightly sorry for RSC directors of Shakespeare's most popular comedy. Every three years or so they are expected to come up with a brand-…

SOURCE: The Guardian at 04:30PM
Thursday, August 4, 2011

Harold Pinter, by Michael Billington – quiz by Michael Billington

As the RSC stage a new production of The Homecoming, find out how much you know about Pinter's play – and the restMichael Billington

SOURCE: The Guardian at 11:56AM

The Homecoming – review by Michael Billington

Swan theatre, Stratford-upon-AvonIt was the RSC that premiered Harold Pinter's play in 1965, so it seems fitting that the company should revive it as part of its 50th birthday celebrations. …

SOURCE: The Guardian at 06:54AM
Tuesday, August 2, 2011

The Syndicate – review | Michael Billington by Michael Billington

Minerva, ChichesterAs anyone who had the luck to see Saturday, Sunday, Monday or Napoli Milionaria will know, Eduardo de Filippo was one of the great figures of European theatre. But his pen…

SOURCE: The Guardian at 07:06PM

Richard Pearson obituary by Michael Billington

Distinctive actor often cast as harassed establishment figuresIt was the destiny of the actor Richard Pearson, who has died aged 93, to be remembered for his role in one of the most famous t…

SOURCE: The Guardian at 03:32PM
Monday, August 1, 2011

Canadian theatre comes into its own by Michael Billington

Returning to the Shaw and Stratford Shakespeare festivals in Ontario after 25 years was a revelation, with Jesus Christ Superstar and The President helping me to see the lightBack in the lat…

SOURCE: The Guardian at 11:35AM
Friday, July 29, 2011

How rude should theatre critics be? by Michael Billington

Legal action against a 'malicious' book review has revived an old question: can critics stay honest without giving offence?I was out of the country last week and have only just caught up wit…

SOURCE: The Guardian at 10:03AM
Thursday, July 28, 2011

Henry IV Parts One and Two – review by Michael Billington

Theatre Royal BathIt is now widely accepted that these two plays represent the twin summits of William Shakespeare's genius. Peter Hall, returning to them for the first time since he directe…

SOURCE: The Guardian at 01:03PM
Wednesday, July 27, 2011

This Happy Breed – review by Michael Billington

Theatre Royal, BathWatching this rare revival of Noël Coward's lower-middle-class comedy, I was unexpectedly reminded of Arnold Wesker's Chicken Soup With Barley. Coward's play traces …

SOURCE: The Guardian at 01:30PM
Tuesday, July 26, 2011

Rattigan's Nijinsky – review by Michael Billington

Chichester Festival TheatreIs sexual discretion the better part of aesthetic valour? To put it more bluntly, is a gay writer obliged to come out publicly or entitled to write in code? It's t…

SOURCE: The Guardian at 01:33PM

The Deep Blue Sea – review by Michael Billington

Chichester Festival TheatreIt is a well-documented fact that the play was partly inspired by the suicide of one of Rattigan's former lovers. But it transcends gender specifics to become Ratt…

SOURCE: The Guardian at 01:31PM
Tuesday, July 19, 2011

Ghost the Musical – review by Michael Billington

Piccadilly, LondonMusicals based on movies are a dime a dozen, but Ghost is the first I've seen that feels like a film. It is not just that Bruce Joel Rubin's book adheres closely to his mov…

SOURCE: The Guardian at 06:00PM
Sunday, July 17, 2011

In the Penal Colony - review by Michael Billington

Young Vic, LondonThe Palestinian theatre company ShiberHur made a big impact last year with I Am Yusuf and This Is My Brother. Now it is back with an hour-long version of Kafka's 1916 short …

SOURCE: The Guardian at 11:23AM
Wednesday, July 13, 2011

Lay Me Down Softly – review by Michael Billington

Tricycle, LondonBilly Roche made his name with the unforgettable Wexford Trilogy. But while his new play deals with a rundown roadshow in a manner reminiscent of Brian Friel's Crystal a…

SOURCE: The Guardian at 02:10PM
Monday, July 11, 2011

Pericles – review by Michael Billington

Regent's Park Open Air theatre, LondonNatalie Abrahami's production does exactly what it says on the tin. Billed as "Pericles reimagined for everyone aged six and over", what we get is a viv…

SOURCE: The Guardian at 04:45PM

A singing masterclass from the countess of cabaret by Michael Billington

Talented actor Janie Dee knows how to make cabaret come alive: by making every word countI rarely go to cabaret: not out of any high-minded principles but because the form itself, like intim…

SOURCE: The Guardian at 09:36AM
Friday, July 8, 2011

Yes, Prime Minister – review by Michael Billington

Apollo, LondonShould political comedy acknowledge current events? You can't expect nightly rewrites, but it seems odd, given that it has a protagonist named Hacker, that this piece by Antony…

SOURCE: The Guardian at 01:52PM

Is New York too sheltered for Shakespeare? | Michael Billington by Michael Billington

If a rabbit-skinning scene caused uproar, how will New York handle the underage sex and other video nasties that pepper Shakespeare's work?There are more ways than one, they say, to skin a c…

SOURCE: The Guardian at 08:18AM
Thursday, July 7, 2011

Mirror Teeth – review by Michael Billington

Finborough, LondonThis theatre's annual, unsung Vibrant festival offers a month of staged readings of new plays. One beneficiary of the process in 2009 was Nick Gill's Mirror Teeth, which no…

SOURCE: The Guardian at 06:05PM
Wednesday, July 6, 2011

Road Show – review by Michael Billington

Menier Chocolate Factory, LondonThis is the European premiere of a musical by Stephen Sondheim and John Weidman that has gone through multiple rewrites. It sta rted in 1999 as Wise Guys, was…

SOURCE: The Guardian at 01:00PM
Tuesday, July 5, 2011

Singin' in the Rain – review by Michael Billington

Chichester Festival TheatreThe title song is terrific. The brolly-brandishing Adam Cooper splashes about in the rain with infectiously childish glee. Indeed, the effect is so good that the w…

SOURCE: The Guardian at 06:00PM
Monday, July 4, 2011

Top Girls - review by Michael Billington

Minerva, ChichesterIt would be nice to think that Caryl Churchill's 1982 play, written during the rise of Thatcherism, now looks dated. In fact, it seems terrifyingly topical in its portrait…

SOURCE: The Guardian at 12:45PM
Sunday, July 3, 2011

The Village Bike – review by Michael Billington

Royal Court, LondonAs she proved in Eigengrau at the Bush, Penelope Skinner is preoccupied by sex. She writes about it with a candour that is both entertaining and fiercely erotic. But, havi…

SOURCE: The Guardian at 12:59PM
Wednesday, June 29, 2011

Richard III – review by Michael Billington

Old Vic, LondonThere are basically two ways of presenting Richard III: as the culmination of a cycle or as a standalone drama. And, although I think it only makes total sense when seen in th…

SOURCE: The Guardian at 06:00PM

The Beggar's Opera – review by Michael Billington

Regent's Park, LondonLucy Bailey has had a bold and radical idea: to stage John Gay's 1728 ballad opera in its original period. This makes sense, since the piece was both an attack on Sir Ro…

SOURCE: The Guardian at 02:22PM
Tuesday, June 28, 2011

Hundreds and Thousands – review by Michael Billington

Soho Theatre UpstairsLou Ramsden is a young writer with a message to convey: that we live in a self-obsessed society that marginalises and even exploits people with learning difficulties. Th…

SOURCE: The Guardian at 01:00PM
Monday, June 27, 2011

Why small is beautiful when it comes to festivals by Michael Billington

One of my favourite festivals is the tiny but perfectly formed Galway theatre festival – and this year's instalment promises to be as brilliant (and boozy) as everWhat makes for a good art…

SOURCE: The Guardian at 11:07AM
Sunday, June 26, 2011

Faith, Hope and Charity – review by Michael Billington

Southwark Playhouse, LondonYou can see why Odön von Horváth's savagely laconic play has been revived. Set in Munich in 1932, it deals with a world in which money is tight, jobs are scarce …

SOURCE: The Guardian at 12:31PM
Friday, June 24, 2011

Being Shakespeare – review by Michael Billington

Trafalgar Studios, LondonWe've had some fine one-man shows about Shakespeare from John Gielgud, Ian McKellen and Michael Pennington. But Simon Callow's is among the very best, partly because…

SOURCE: The Guardian at 01:38PM
Wednesday, June 22, 2011

Belongings – review by Michael Billington

Trafalgar Studio, LondonWomen are currently making the running in the new writing stakes. Confirmation comes with the transfer from Hampstead Downstairs to the West End of this play from Mor…

SOURCE: The Guardian at 02:30PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre