All stories by Michael Billington on BroadwayStars

Tuesday, November 8, 2011

Written on the Heart – review by Michael Billington

The Swan, Stratford-upon-AvonNo one could accuse the British theatre of ignoring the 400th anniversary of the King James Bible. And David Edgar has come up with a learned, information-p…

SOURCE: The Guardian at 01:40PM
Sunday, November 6, 2011

Sweet Smell of Success – review by Michael Billington

Arts Educational, LondonThis musical version of a famously dark 1957 movie died a slow death on Broadway in 2002. Now it gets its British premiere in a production featuring third-y…

SOURCE: The Guardian at 01:45PM
Thursday, November 3, 2011

Three Days in May – review by Michael Billington

Trafalgar Studios, LondonBen Brown is British theatre's history man. Last year, he wrote a riveting play, The Promise, about the Balfour Declaration of 1917, supporting "a home for the Jewis…

SOURCE: The Guardian at 01:51PM
Tuesday, November 1, 2011

Collaborators - review by Michael Billington

Cottesloe, LondonJohn Hodge is an honest man. He admits his new play about the relationship between Josef Stalin and the writer Mikhail Bulgakov derives from a film which was never made. But…

SOURCE: The Guardian at 08:53PM

Blind Date/27 Wagons Full of Cotton – review by Michael Billington

Riverside Studios, LondonDouble bills require a tricky balancing act: you want plays that echo, rather than simply repeat each other. This pairing of little-known pieces by Horton Foote and …

SOURCE: The Guardian at 02:35PM
Sunday, October 30, 2011

Michael Billington on 13 and The Faith Machine by Michael Billington

Not everyone liked 13 and The Faith Machine – but if drama isn't for airing big ideas, then what is it for?What does a critic do when he finds himself out of step with majority opinion? I&…

SOURCE: The Guardian at 06:45PM
Wednesday, October 26, 2011

The Last of the Duchess – review by Michael Billington

Hampstead Theatre, LondonWallis Simpson is, mysteriously, back in fashion. But Nicholas Wright's new play is not, as Madonna's new film reportedly is, a glowing personal portrait. Instead it…

SOURCE: The Guardian at 08:09PM
Tuesday, October 25, 2011

13 – review by Michael Billington

Olivier theatre, LondonMike Bartlett has moved from writing minimalist dramas to maximalist epics without any intervening stage of development. Having tackled climate change in Earthquakes i…

SOURCE: The Guardian at 07:30PM
Monday, October 24, 2011

Death and the Maiden – review by Michael Billington

Harold Pinter theatre, LondonIt is highly appropriate that Ariel Dorfman's 1990 moral thriller is the first play to be presented in this newly-named theatre. Not only is Harold Pinter one of…

SOURCE: The Guardian at 08:39PM
Sunday, October 23, 2011

Britannicus - review by Michael Billington

Wilton's Music Hall, LondonOnce shunned by the British theatre, Racine is edging back into fashion. It is well worth the detour to London's East End to catch Irina Brown's modern-dress reviv…

SOURCE: The Guardian at 12:36PM
Thursday, October 20, 2011

Marat/Sade – review by Michael Billington

Royal Shakespeare, Stratford-upon-AvonThe Sixties are back with a vengeance. After Bond's Saved and Osborne's Inadmissible Evidence we now have an RSC revival of Peter Weiss's 1964 dialectic…

SOURCE: The Guardian at 08:23PM

Sheila Allen by Michael Billington

Actor who excelled at playing women of strength, wit and charmSheila Allen, who has died aged 78, was an actor of extraordinary range and power, and a delightful, independent-minde…

SOURCE: The Guardian at 09:49AM

Jumpy – review by Michael Billington

Royal Court, LondonApril de Angelis has written a funny, generous play about a woman – a left-leaning feminist who once protested at Greenham Common – facing a crisis at the age of 50. B…

SOURCE: The Guardian at 07:11AM
Tuesday, October 18, 2011

Inadmissible Evidence - review by Michael Billington

Donmar Warehouse, LondonJohn Osborne and Samuel Beckett are always seen as opposites. But, just as Beckett was the poet of terminal stages, so Osborne's 1964 near-monodrama is a powerful stu…

SOURCE: The Guardian at 07:44PM

A Walk in the Woods – review by Michael Billington

Tricycle, LondonAs a prelude to next year's season on the nuclear bomb, the Tricycle revives Lee Blessing's play based on an unofficial encounter between US and Soviet arms negotiators that …

SOURCE: The Guardian at 01:59PM
Monday, October 17, 2011

The RSC – who should take over? by Michael Billington

There are three strong contenders to fill Michael Boyd's shoes: Gregory Doran, Rupert Goold and David Farr. Or could a Shakespearean twist see the job going to a maverick outsider?Everyone i…

SOURCE: The Guardian at 11:10AM
Sunday, October 16, 2011

Sixty-Six Books – review by Michael Billington

Bush, LondonI confess that this is a partial response to the vast enterprise with which Josie Rourke has chosen to christen the spaciously handsome new Bush theatre. The event consists …

SOURCE: The Guardian at 01:00PM
Thursday, October 13, 2011

Saved – review by Michael Billington

Lyric Hammersmith, LondonBecause we see it so rarely, we forget that Edward Bond's Saved is a play rather than a cause celebre. And watching Sean Holmes's powerful production, the first majo…

SOURCE: The Guardian at 07:53PM

Il Deserto – review by Michael Billington

St Pancras Church, LondonLast winter in Athens I discovered the work of a major Greek director, Theodoros Terzopoulos. The piece I saw, based on the letters of Elizabeth I and Mary Quee…

SOURCE: The Guardian at 01:17PM

Edward Bond, by Michael Billington – quiz by Michael Billington

Test your knowledge of the man behind the play that shocked Britain in 1965, Saved, and which is now enjoying a revival at London's Lyric HammersmithMichael Billington

SOURCE: The Guardian at 11:51AM
Wednesday, October 12, 2011

Family Business – review by Michael Billington

Palace, WatfordAs a playwright, Julian Mitchell is part of a vanishing breed: the fastidious craftsman who knows how to explore ideas while generating suspense. And I certainly enjoyed Mitch…

SOURCE: The Guardian at 02:42PM
Monday, October 10, 2011

Mixed Marriage – review by Michael Billington

Finborough, LondonNo Irish play in recent months has given me more pleasure than this revival of a forgotten piece by St John Ervine. Written in 1911, long before the Belfast-born Ervine bec…

SOURCE: The Guardian at 02:00PM

Never say never: why theatre critics should keep an open mind by Michael Billington

Reviewers who refuse to cover certain kinds of theatre are doing the art a disservice. And I should knowJohn Gielgud once said he sympathised with critics. It must be awful, he felt, to cons…

SOURCE: The Guardian at 09:08AM
Sunday, October 9, 2011

The Killing of Sister George – review by Michael Billington

Arts Theatre, LondonThe BBC faces cutbacks; audience ratings are examined with microscopic precision; the axing of a popular soap star provokes national headlines – in some respects Frank …

SOURCE: The Guardian at 10:58AM
Friday, October 7, 2011

Sweeney Todd – review by Michael Billington

Chichester Festival theatreProductions of Sondheim's dark masterpiece tend to oscillate between a quasi-industrial vastness and a psychologically revealing intimacy. The great quality of Jon…

SOURCE: The Guardian at 02:15PM
Wednesday, October 5, 2011

Driving Miss Daisy – review by Michael Billington

Wyndhams Theatre, LondonI think now, as I did when I first saw it in 1988, that Alfred Uhry's Pulitzer prize-winning play is not much more than a pleasing anecdote about the growing amity be…

SOURCE: The Guardian at 07:17PM

The Veil – review by Michael Billington

Lyttelton, LondonConor McPherson has in the past shown a genius for investing the melancholy of modern Irish life with a sinister undertow. Now he has thrown caution to the winds by setting …

SOURCE: The Guardian at 06:08AM
Tuesday, October 4, 2011

War Horse: why has it been such a hit? by Michael Billington

After four years, the adaptation of Michael Morpurgo's book is still going strong, and providing the RSC with vital income. But why do people love it so much?In racing parlance, War Horse is…

SOURCE: The Guardian at 02:59PM
Monday, October 3, 2011

Cool Hand Luke – review by Michael Billington

Aldwych, LondonEveryone remembers the 1967 movie in which Paul Newman got to eat 50 eggs. But this stage version by Emma Reeves goes back to the Donn Pearce novel on which the film was based…

SOURCE: The Guardian at 08:29PM
Friday, September 30, 2011

Terrible Advice – review by Michael Billington

Menier Chocolate Factory, LondonIf you were being charitable, you might say that Saul Rubinek, an experienced Canadian actor, has written a satire on male manipulativeness in the manner of N…

SOURCE: The Guardian at 01:27PM
Wednesday, September 28, 2011

The Playboy of the Western World – review by Michael Billington

Old Vic, LondonRecent London revivals of Synge's 1907 play have tended to treat it as a dark rural tragedy. Refreshingly, John Crowley's new production, which includes a band of itinerant mu…

SOURCE: The Guardian at 02:00PM