All stories by Michael Billington on BroadwayStars

Thursday, October 22, 2015

Plaques and Tangles review – Alzheimer's play appeals more to head than heart by Michael Billington

Royal Court Theatre Upstairs, London Nicola Wilson’s debut drama gives affecting snapshots of one woman at different points in her mental decline, but too many facts stifle the emotional i…

SOURCE: The Guardian at 07:40AM
Sunday, October 18, 2015

N is for national theatres by Michael Billington

The dream of a national theatre has happily come to pass, not only in England but in Wales and Scotland, too. But is regional theatre under threat as a result?I was very struck by something …

SOURCE: The Guardian at 09:26PM

Young Chekhov: The Birth of a Genius review – masterly depiction of drama's evolution by Michael Billington

Chichester Festival theatreSeeing Platonov, Ivanov and The Seagull in a single day unforgettably charts Chekhov’s progress from farce to melodrama to a new symphonic realism Sir David Hare…

SOURCE: The Guardian at 11:22AM

French Without Tears review – lively revival of Rattigan's sexual battleground by Michael Billington

Orange Tree, RichmondPaul Miller’s impressively cast production throws more light on nervous British masculinity than even the playwright may have intendedTerence Rattigan’s 1936 hit has…

SOURCE: The Guardian at 09:16AM
Thursday, October 15, 2015

A Wolf in Snakeskin Shoes review – high-energy, hot-gospelling Molière by Michael Billington

Tricycle, London Tartuffe transplanted to the deep south is full of jet-fuelled prose and raucous hilarity but the original play’s target – blind faith – emerges unscathedHaving reloca…

SOURCE: The Guardian at 09:26AM
Wednesday, October 14, 2015

Anita and Me review – Meera Syal’s culture-clash comedy touches familiar nerves by Michael Billington

Birmingham Rep theatreTanika Gupta’s lively adaptation, with music by Ben and Max Ringham, retains the novel’s resonance and zestMeera Syal is, in some ways, the victim of her own succes…

SOURCE: The Guardian at 08:08AM
Monday, October 12, 2015

The First Man review – the ego cometh in Eugene O'Neill's early drama by Michael Billington

Jermyn Street theatre, LondonThe American playwright’s 1922 drama, given its UK premiere, suffers from its sentimentality and characters driven by rage and rancourI’ve often quoted a dic…

SOURCE: The Guardian at 08:54AM
Friday, October 9, 2015

Measure for Measure review – sex, decay and an astonishing Romola Garai by Michael Billington

Young Vic, LondonStrong performances power Joe Hill-Gibbins’ inventive production as it brilliantly captures the eternal conflict between flesh and spiritThere are no half measures in Joe …

SOURCE: The Guardian at 06:20AM
Thursday, October 8, 2015

Teddy Ferrara review – fierce tale of homophobia on campus by Michael Billington

Donmar Warehouse, LondonDirected with flair by Dominic Cooke, Christopher Shinn’s polemical play demolishes the myth that we live in a cosy world of sexual toleranceChristopher Shinn’s f…

SOURCE: The Guardian at 09:22AM

Kenneth Branagh: can he succeed where Olivier failed? by Michael Billington

He has always been compared to Laurence Olivier. But, as his star-laden season opens at the Garrick, can he now outdo him as actor-manager – and save the West End? One thing I know about K…

SOURCE: The Guardian at 03:04AM
Tuesday, October 6, 2015

The Father review – ingenious Alzheimer’s drama with echoes of Lear by Michael Billington

Wyndham’s theatre, LondonKenneth Cranham and Claire Skinner are superb in Florian Zeller’s moving play that takes you inside the mind of a man with dementiaFlorian Zeller’s play has en…

SOURCE: The Guardian at 07:57AM
Sunday, October 4, 2015

The Wars of the Roses review – Trevor Nunn's courageous remount of cycle is thrilling theatre by Michael Billington

Rose theatre, KingstonMemories of Peter Hall and John Barton’s original 1963 conflation are banished in refashioned plays for our own divided ageI am old and lucky enough to have seen the …

SOURCE: The Guardian at 11:17AM
Friday, October 2, 2015

Medea review – Rupert Goold directs a ferocious Kate Fleetwood by Michael Billington

Almeida, London Rachel Cusk’s updated version of Euripides’s tragedy is wild and witty but dilutes the tragedy by eschewing the violenceReimagining the classics is fine. There is, howeve…

SOURCE: The Guardian at 08:25AM

Brian Friel: Ireland's great theatrical explorer by Michael Billington

Friel, whose death has been announced, was never a writer to be pigeonholed. He leaves a vast variety of personal and political plays, as well as beautiful translationsBrian Friel, who has d…

SOURCE: The Guardian at 07:19AM
Thursday, October 1, 2015

The Odyssey: Missing Presumed Dead review – Simon Armitage plunders Homer for political drama by Michael Billington

Everyman, LiverpoolThis timely adaptation has a Europhobic prime minister, Odysseus as a politician turned migrant – and a dead pig jokeLast year, Simon Armitage boldly gave us a version o…

SOURCE: The Guardian at 06:07AM
Wednesday, September 30, 2015

Horniman's Choice review – luminous quartet of Manchester plays by Michael Billington

Finborough, LondonFrom a soldier grappling with shellshock to a study of miners’ wives, this selection of northern dramas brings the early 20th century aliveBetween 1908 and 1917, Annie Ho…

SOURCE: The Guardian at 08:16AM
Tuesday, September 29, 2015

Tipping the Velvet review – Sarah Waters' novel staged with wit and style by Michael Billington

Lyric Hammersmith, LondonPerformed by a fine ensemble, this adaptation of the picaresque novel is a good night out and a rousing tribute to feminist principlesLaura Wade’s adaptation of Sa…

SOURCE: The Guardian at 06:14AM
Monday, September 28, 2015

Eventide review – new play captures the still, sad music of humanity by Michael Billington

Arcola, LondonBarney Norris’s poetic, character-driven portrait of a changing Hampshire seizes your interest and never lets goAll good dramatists carve out their own territory. After an aw…

SOURCE: The Guardian at 10:21AM
Friday, September 25, 2015

Hecuba review – a radically different take on a familiar story by Michael Billington

The Swan, Stratford-upon-AvonMarina Carr showcases her fascination with outsiders in this emotional and intelligent take on a classic – with contradictory consequencesMarina Carr, in plays…

SOURCE: The Guardian at 08:38AM
Thursday, September 24, 2015

The Cocktail Party review – TS Eliot's personal demons laid bare by Michael Billington

Print Room at the Coronet, LondonEliot’s baroque drawing-room drama presents a couple’s faltering relationship as a spiritual trial, echoing his own troubled marriageOnce a popular West …

SOURCE: The Guardian at 09:53AM
Wednesday, September 23, 2015

Henry V review – Alex Hassell catches the conscience of the king by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonGregory Doran’s imaginative production, in which the action is played out on a largely bare stage, allows the words to weave their spellShakes…

SOURCE: The Guardian at 07:03AM
Tuesday, September 22, 2015

Dinner With Saddam review – farce and fart jokes with a sombre political point by Michael Billington

Menier Chocolate Factory, LondonSteven Berkoff plays the Iraqi dictator with virtuosic menace in Anthony Horowitz’s admirable yet troubling comedyCan you have a comedy about tyranny? Chapl…

SOURCE: The Guardian at 07:13PM

Mr Foote's Other Leg review – Simon Russell Beale at his supreme best by Michael Billington

Hampstead theatre, LondonRussell Beale is as coyly flirtatious as ever in a merry, if overstuffed, tale of a trailblazing Georgian comedianIan Kelly’s play, based on his biography of the s…

SOURCE: The Guardian at 06:58AM
Monday, September 21, 2015

Hangmen review – Martin McDonagh returns with a savagely black comedy by Michael Billington

Royal Court, LondonDavid Morrissey and Reece Shearsmith give pitch-perfect performances in the theatrical maverick’s first London premiere in 12 years Related: Martin McDonagh interview: �…

SOURCE: The Guardian at 06:09AM
Friday, September 18, 2015

Jane Eyre review – new staging is abridged too far by Michael Billington

Lyttelton, LondonA shortened version of the acclaimed Bristol Old Vic production has much to admire, but inevitably loses the fine detail of the great novelAcclaimed last year at the Bristol…

SOURCE: The Guardian at 07:10AM
Thursday, September 17, 2015

Old Times - review by Michael Billington

Harold Pinter Theatre, LondonKristin Scott Thomas and Lia Williams are currently alternating the two female roles in Harold Pinter's 1971 play with Rufus Sewell as the man in the middle. The…

SOURCE: The Guardian at 11:38PM

F*ck the Polar Bears review – drilling into the climate debate by Michael Billington

Bush, LondonTanya Ronder’s play probes the clash between corporate career and private conscience via one conflicted familyYou can’t accuse the British theatre of ignoring climate change:…

SOURCE: The Guardian at 10:10AM
Tuesday, September 15, 2015

Kinky Boots review – glamorously rebooted musical never drags by Michael Billington

Adelphi, LondonFrom Cyndi Lauper’s score to impressive lead performances, this winsome men-in-frocks show puts its best foot forwardThis theatre seems to be specialising in factory-set mus…

SOURCE: The Guardian at 06:15PM

Infidelity, vodka and gloom: Chekhov's stories lurch onto the stage by Michael Billington

Watching dramatisations of Chekhov’s early short stories, Michael Billington finds the writer sketching out his caustic portrait of the Russian character – complete with drunken fisherme…

SOURCE: The Guardian at 09:45AM
Monday, September 14, 2015

Photograph 51 review – Nicole Kidman in the ecstasy of scientific discovery by Michael Billington

Noël Coward theatre, London Anna Ziegler’s new play asserts the contribution of 1950s chemist Rosalind Franklin to the discovery of DNA and asks: is science still sexist?You could hardly …

SOURCE: The Guardian at 05:44PM

Sweet Bird of Youth – review by Michael Billington

Old Vic, LondonEverything that art can do to boost this revival of Tennessee Williams's 1959 play has been done. Marianne Elliott's production is first-rate. The cast, led by Kim Cattrall, i…

SOURCE: The Guardian at 02:12PM

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