All stories by Michael Billington on BroadwayStars

Tuesday, December 1, 2015

Queen Anne review – pain and passion of a monarch's fight to rule with grace by Michael Billington

The Swan, Stratford-upon-AvonThe queen’s relationship with Sarah Churchill (an icily seductive Natascha McElhone) is central to this fascinating, topical production on the last Stuart quee…

SOURCE: The Guardian at 08:00AM
Monday, November 30, 2015

Pygmalion - review by Michael Billington

Garrick, LondonLast year in Chichester I found Philip Prowse's production of Shaw's indestructible play coarse and overstated. If it has improved, it is partly because it fits more snugly in…

SOURCE: The Guardian at 01:38PM
Sunday, November 29, 2015

Here We Go review - a chilling reminder of our own mortality by Michael Billington

Lyttleton Theatre, LondonCaryl Churchill has written a striking memento mori for an age without faith that evokes the idea that we are here for a short time and then are suddenly goneMany pl…

SOURCE: The Guardian at 06:14PM
Friday, November 27, 2015

Little Eyolf review – Richard Eyre's shockingly intense Ibsen by Michael Billington

Almeida, London A striking production, starring Lydia Leonard, vividly captures what Henry James called ‘the hard compulsion’ of this terrifying masterpieceThe Almeida is fast becoming t…

SOURCE: The Guardian at 08:34AM
Thursday, November 26, 2015

Pericles review – marine miracles on an adventure around the Med by Michael Billington

Sam Wanamaker Playhouse, LondonIt’s easy to be swept along by the humour and heroism in Dominic Dromgoole’s poignant, beautifully staged productionDominic Dromgoole’s production of Per…

SOURCE: The Guardian at 08:26AM
Wednesday, November 25, 2015

Evening at the Talk House review – Wallace Shawn throws a hell of a party by Michael Billington

Dorfman, LondonIn his blunt new play, set in a genteel private club, Shawn tackles political barbarism via showbiz bitcheryWith airstrikes in Syria being debated in the UK and a massive inve…

SOURCE: The Guardian at 08:14AM
Tuesday, November 24, 2015

The Divided Laing review – study of the psychiatrist's inner streetfighter by Michael Billington

Arcola, LondonPatrick Marmion’s ambitious play about the commune created by RD Laing in the 1960s leaves the audience deeply dividedIt was possible to have double vision while watching Pat…

SOURCE: The Guardian at 07:58AM
Monday, November 23, 2015

The Homecoming review – startling insights illuminate Pinter's domestic warfare classic by Michael Billington

Trafalgar Studios, LondonAn unexpected family reunion retains its power to shock and haunt in Jamie Lloyd’s bold, impeccably acted and psychologically astute revival Fifty years after its …

SOURCE: The Guardian at 06:56PM

Flowering Cherry review – a good play overshadowed by a great one by Michael Billington

Finborough, LondonRobert Bolt’s 1957 play highlights the domestic tensions of a man at loggerheads with his family – and the echoes of Death of a Salesman are deafening Robert Bolt wrote…

SOURCE: The Guardian at 09:41AM
Friday, November 20, 2015

The Warrior Women of Yang review – a blazing, breathtaking spectacle by Michael Billington

Sadler’s Wells, LondonChina National Peking Opera’s female revenge tale blends music, acrobatics and invisible horses in a riot of colour and imagination Related: Somersaults in six-inch…

SOURCE: The Guardian at 07:00AM
Tuesday, November 17, 2015

The Illusionists review – chainsaws, crossbows, origami … that's magic! by Michael Billington

Shaftesbury theatre, LondonSkilful money-making from Britain’s Got Talent’s Jamie Raven and forensic mind-reading from Colin Cloud add charm to this gaudy, showbiz affair Astonishingly, …

SOURCE: The Guardian at 07:40AM
Saturday, November 14, 2015

Theatre review: Visiting Mr Green / Trafalgar Studios, London by Michael Billington

Trafalgar Studios, LondonHaving put a girdle round the Earth, Jeff Baron's 1996 American play finally gets a West End showing. But, for all its global popularity, it strikes me as a thin-tex…

SOURCE: The Guardian at 09:10AM
Thursday, November 12, 2015

King Lear review – incontinence and egg-smashing from Belarus Free Theatre by Michael Billington

Young Vic, London A spirit of jaunty anarchy, violent incontinence and a prankster king belie this deeply political tale of what it’s like to live under an irrational dictatorship Anyone f…

SOURCE: The Guardian at 08:22AM
Wednesday, November 11, 2015

Theatre: Waste, Almeida, London by Michael Billington

Lovers of good drama and politics junkies should flock to Samuel West's superb revival of Harley Granville Barker's play. Written in 1907 and revised in 1926, it takes its time (just over th…

SOURCE: The Guardian at 10:56AM

Waste review – a remarkable dissection of English malaise by Michael Billington

Lyttelton theatre, LondonMorals, sexual politics and hypocrisy are the big themes in this tragic psychological portrait of a man for whom ideals matter more than individuals Harley Granville…

SOURCE: The Guardian at 10:00AM
Tuesday, November 10, 2015

Medea review – domestic drama seen through children's frightened eyes by Michael Billington

Gate, LondonKate Mulvany and Anne-Louise Sarks’s radical update of Euripides’ tragedy shows events from the perspective of the heroine’s two sonsEuripides’ Medea has achieved such my…

SOURCE: The Guardian at 07:26AM
Sunday, November 8, 2015

Harlequinade/All on Her Own review – Branagh and co send up vanished theatrical world by Michael Billington

Garrick, LondonZoë Wanamaker is in soul-baring form in Rattigan double-bill depicting the actor-manager tradition the Branagh season is designed to subvertIronically, co-directors Rob Ashfo…

SOURCE: The Guardian at 08:50AM

The Winter's Tale review – Kenneth Branagh and Judi Dench offer intriguing touches by Michael Billington

Garrick, LondonIn a production unafraid to hint at the darker elements of Shakespeare’s fable, Branagh and Dench are surrounded by a first-rate teamThe image of the West End suddenly brigh…

SOURCE: The Guardian at 08:50AM
Friday, November 6, 2015

Elf the Musical review – don't come, all ye faithful by Michael Billington

Dominion, LondonBen Forster sleighs them as Buddy, the Christmas-loving Laplander set down in Manhattan with Girls Aloud’s Kimberley Walsh, but this show doesn’t so much invoke the festi…

SOURCE: The Guardian at 08:34AM
Thursday, November 5, 2015

Love for Love review – sex and scandal in Congreve's mad world by Michael Billington

The Swan, Stratford-upon-AvonDirector Selina Cadell gives a fine cast room to breathe in this delightful RSC revival of the sharp-witted restoration comedyWhy is William Congreve’s great 1…

SOURCE: The Guardian at 08:09AM
Wednesday, November 4, 2015

As You Like It review – love gets lost in a forest of chairs at the National by Michael Billington

Olivier, LondonRosalie Craig gives us an eminently sane Rosalind in director Polly Findlay’s richly textured version, where Lizzie Clachan’s set is the starOur march towards a Germanic d…

SOURCE: The Guardian at 08:20AM
Tuesday, November 3, 2015

Tomcat review – paternal love lends heart to a genetic dilemma by Michael Billington

Southwark Playhouse, London The tender bond between a girl and her carer illuminates the debate about the ethics of genetic screening in James Rushbrooke’s intelligent debut The annual Pap…

SOURCE: The Guardian at 09:48AM
Sunday, November 1, 2015

Alan Bennett: a quiet radical by Michael Billington

A critic once described Alan Bennett as 'England's cultural teddy bear'. As his new play, People, prepares to open in London, Michael Billington argues that he is a more complicated –…

SOURCE: The Guardian at 11:08AM
Friday, October 30, 2015

The Moderate Soprano review – sex and the sublime in Hare's moving Glyndebourne play by Michael Billington

Hampstead theatre, LondonSexual passion, art, Englishness and the creativity of refugees blend in David Hare’s enjoyably complex story of the foundation of Glyndebourne opera houseIt initi…

SOURCE: The Guardian at 09:10AM
Thursday, October 29, 2015

The Hairy Ape review – an expressionist spectacle of caged humanity by Michael Billington

Old Vic, LondonBertie Carvel lends his extraordinary physicality to Eugene O’Neill’s play that reminds us how much 1920s American drama owed to German artEugene O’Neill’s 1922 play i…

SOURCE: The Guardian at 07:27PM
Wednesday, October 28, 2015

Husbands and Sons review – Anne-Marie Duff shines through violation of DH Lawrence by Michael Billington

Dorfman, London The performance impress, but Ben Power and Marianne Elliott falter when they try to weave three singular DH Lawrence plays into an ill-conceived wholeThe autumn season is awa…

SOURCE: The Guardian at 08:51AM
Monday, October 26, 2015

The Magna Carta Plays review – Brenton and friends riff on ancient democracy by Michael Billington

Salisbury Playhouse Four short plays set corrupt Russians, a African president and free-market dystopia against our rights, suggesting Magna Carta may be due an update“Does Magna Carta mea…

SOURCE: The Guardian at 09:07AM
Saturday, October 24, 2015

Billy Elliot, Victoria Palace, London by Michael Billington

Victoria Palace, LondonTurning small-scale movies into big musicals is a treacherous business. It failed with The Full Monty, which lost all of its gritty truth when musicalised. But Billy E…

SOURCE: The Guardian at 12:28AM
Friday, October 23, 2015

Theatre review: The Lord of the Rings / Theatre Royal, Drury Lane, London by Michael Billington

Theatre Royal, Drury Lane, LondonI suppose there are two ways to approach this mega-musical: either as a paid-up Tolkien aficionado or as a wide-eyed newcomer. Having dipped only briefly int…

SOURCE: The Guardian at 11:42AM

Treasure review – Fiddler on the Roof with a satirical bite by Michael Billington

Finborough theatre, LondonThis inventive production of a Yiddish classic takes potshots at the corrupting power of moneyThis astonishing theatre’s latest discovery is a Yiddish classic by …

SOURCE: The Guardian at 08:22AM
Thursday, October 22, 2015

Plaques and Tangles review – Alzheimer's play appeals more to head than heart by Michael Billington

Royal Court Theatre Upstairs, London Nicola Wilson’s debut drama gives affecting snapshots of one woman at different points in her mental decline, but too many facts stifle the emotional i…

SOURCE: The Guardian at 07:40AM

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