All stories by Matt Trueman on BroadwayStars

Wednesday, September 10, 2014

Roundelay, Stephen Joseph Theatre, review: 'variety trumps vision' by Matt Trueman

Alan Ayckbourn's latest work is less than the sum of its parts, says Matt Trueman

SOURCE: The Telegraph at 11:54AM
Wednesday, August 27, 2014

Mum's the word: Helen McCrory and Diana Rigg on playing Medea by Matt Trueman

Euripides's tragedy demands a killer central performance as the woman who murders her children to avenge her betrayal. Helen McCrory and Diana Rigg, who played the role 20 years apart, expla…

SOURCE: The Guardian at 03:00AM
Monday, August 18, 2014

Sketchy situations: when comedy troupes split up by Matt Trueman

Breaking up is hard to do if you're part of a comedy group where the numbers no longer add up. Pappy's and the Birthday Girls relive the horrors of rejigging their lineups Continue reading...

SOURCE: The Guardian at 11:08AM
Tuesday, July 22, 2014

Royal Court play explores virtual online world of paedophile fantasy by Matt Trueman

In Jennifer Haley's play, adults adopt child avatars to enact fantasies of illicit sex raising issues around freedom of expression and the pernicious influence of explicit materialIn Jennif…

SOURCE: The Guardian at 07:18AM
Friday, July 18, 2014

This Was a Man, Finborough Theatre, review: 'not remotely salacious' by Matt Trueman

Noel Coward's once-banned play about adulterous aristocrats is spoiled by an abrupt ending, says Matt Trueman

SOURCE: The Telegraph at 08:36AM
Friday, July 11, 2014

Perseverance Drive, Bush Theatre, review: 'profound' by Matt Trueman

Robert Soans's religious drama is worth persevering with, says Matt Trueman

SOURCE: The Telegraph at 07:36AM
Wednesday, July 9, 2014

The walk-through whale making waves in a Hackney warehouse by Matt Trueman

It has giant inflatables, rubber-clad aerialists and a walk-through whale's stomach Living Structures' immersive homage to Moby-Dick, Leviathan, looks set to make a splashWhen Orson Welles …

SOURCE: The Guardian at 10:20AM
Friday, July 4, 2014

The Art of Dying, Royal Court Theatre, review: 'processed pain' by Matt Trueman

Nick Payne's one-man play gives us death through an Instagram filter, says Matt Trueman

SOURCE: The Telegraph at 11:55AM

Tag wrestling in three languages: The Events stages a radical coup de theatre by Matt Trueman

The play inspired by the Anders Breivik mass shooting is mixing British, Norwegian and Austrian actors on stage to explore the forces of multicultural collision. Director Ramin Gray explains…

SOURCE: The Guardian at 06:23AM
Friday, June 27, 2014

New play stages 'temporary lives' on zero-hours contracts by Matt Trueman

Alexander Zeldin's devised piece Beyond Caring explores the precarious existence of cleaners at a meat factoryYou've seen the stats: 2.7m jobs, 600,000 workers, on zero-hours contracts. Some…

SOURCE: The Guardian at 01:59AM
Thursday, June 19, 2014

Billy Liar, Royal Exchange, Manchester, review: missing the anger by Matt Trueman

This production lets Keith Waterhouse's iconic anti-hero, Billy Fisher, off the hook, says Matt Trueman

SOURCE: The Telegraph at 07:42AM

Theatre goes walkabout: these shows really move audiences by Matt Trueman

Promenade theatre often means little more than a shuffle, but a wave of walking-based productions are taking audiences, on foot, into unknown territoryWhen theatregoers get to their feet, it…

SOURCE: The Guardian at 06:37AM
Wednesday, June 18, 2014

Angel Meadow, HOME, Manchester: 'a direct accusation' by Matt Trueman

This production inside a dilapidated Manchester pub is too fierce to dismis, says Matt Trueman

SOURCE: The Telegraph at 09:31AM
Thursday, June 5, 2014

Testament, Barbican Centre, review by Matt Trueman

This German production about inheritance and the demands of old age is tender but it veers towards sentimentality, says Matt Trueman

SOURCE: The Telegraph at 11:32AM
Thursday, May 29, 2014

Khandan (Family), Birmingham Repertory Theatre, review: 'universal' by Matt Trueman

Leaving past controversies behind, Gupreet Kaur Bhatti's latest play is a beautifully nuanced, Indian family drama, says Matt Trueman

SOURCE: The Telegraph at 06:24AM
Sunday, May 25, 2014

Enjoy, West Yorkshire Playhouse, Leeds, review: 'needs sticking with' by Matt Trueman

James Brining's production of Alan Bennett's Enjoy is a mongrel play, stitched together like Frankenstein's monster, but is smart too, says Matt Trueman

SOURCE: The Telegraph at 08:47AM
Thursday, May 22, 2014

Symphony of a Missing Room, Royal Academy of Arts, review: 'ticklish trickery' by Matt Trueman

Symphony of a Missing Room takes you on an immersive fairytale quest is impressive, but its meaning is too banal for Matt Trueman

SOURCE: The Telegraph at 08:31AM
Tuesday, May 20, 2014

Johnny Got His Gun: adapting the 'unstageable' anti-war novel by Matt Trueman

Director David Mercatali and actor Jack Holden explain how Dalton Trumbo's blistering diatribe has been brought to the stageAfter being hit by a shell towards the end of the first world war,…

SOURCE: The Guardian at 04:13AM
Friday, May 16, 2014

Waiting for Godot, Arcola Theatre, review: 'larky' by Matt Trueman

This version of Beckett's classic is good fun but lacks any deep sense of despair, says Matt Trueman

SOURCE: The Telegraph at 06:44AM
Tuesday, May 13, 2014

Spring Awakening, Richmond Theatre, London, review: 'urgent and thrilling' by Matt Trueman

Anya Reiss's contemporary version of Spring Awakening is a treatise on adolescence

SOURCE: The Telegraph at 07:46AM
Monday, May 5, 2014

Brighton Festival, opening weekend, review: "visionary" by Matt Trueman

Dmitry Krymov got the Brighton Festival off to a super start with his take on art's duty during atrocities, says Matt Trueman

SOURCE: The Telegraph at 12:18PM

Foreplay, King's Head Theatre, London: review by Matt Trueman

Foreplay, at the King's Head Theatre, is basically a country house mystery with a highbrow slant and a dusting of salacious gossip

SOURCE: The Telegraph at 04:25AM
Tuesday, April 29, 2014

New play by Carl Djerassi, inventor of the pill, explores philosophers' sex lives by Matt Trueman

The 90-year-old writer takes on big ideas about science, sex and storytelling in Foreplay, written for readers as well as audiencesTheatre often makes grandiose claims about changing the wor…

SOURCE: The Guardian at 11:58AM
Saturday, April 26, 2014

Alistair McDowall: 'There are no rules in theatre you can do anything' by Matt Trueman

As his play about single-father superhero Captain Amazing takes flight in London, Alistair McDowall talks about Lycra and lonersAlistair McDowall's debut play, Brilliant Adventures, looked l…

SOURCE: The Guardian at 04:00AM
Friday, April 25, 2014

Uncle Vanya / Three Sisters, Wyndham's Theatre, review: 'deadening' by Matt Trueman

This Russian-language import misses Chekov's humour, says Matt Trueman

SOURCE: The Telegraph at 08:43AM
Tuesday, April 22, 2014

Why British theatre is no longer skipping schools by Matt Trueman

The RSC and the Royal Court are introducing schoolchildren to a different class of educational theatre with plays that are at the heart of their programmesMichael Fentiman can remember the …

SOURCE: The Guardian at 03:05AM
Monday, April 21, 2014

Simon Stephens: Birdland, Franz Ferdinand, Carmen and me by Matt Trueman

His first play was based on a Tom Waits song and his latest work was inspired by Thom Yorke. Simon Stephens tells Matt Trueman why he just can't write without music Listen to Simon Stephens'…

SOURCE: The Guardian at 11:54AM
Thursday, April 17, 2014

Oh My Sweet Land, Young Vic, Review by Matt Trueman

Oh My Sweet Land is steeped in melancholy, but teeters dangerously close to indulgence, says Matt Trueman

SOURCE: The Telegraph at 07:17AM
Friday, April 4, 2014

Banksy: The Room in the Elephant how art lost one man his home by Matt Trueman

When the story broke that a Banksy artwork had rendered a vagrant street performer homeless, it was in danger of turning the evictee into a commodity himself. But isn't a play detailing the …

SOURCE: The Guardian at 09:47AM

Eldorado, Arcola Theatre review by Matt Trueman

Simon Dormandy's production is more cryptic than it needs to be    

SOURCE: The Telegraph at 09:38AM
Tuesday, April 1, 2014

Kes, review: 'makes your heart soar' by Matt Trueman

This new dance-theatre adaptation of the film is a terrific crowd-pleaser    

SOURCE: The Telegraph at 07:44AM