All stories by Matt Trueman on BroadwayStars

Saturday, May 30, 2015

Royal Shakespeare Company under fire for not casting enough Asian actors by Matt Trueman

RSC criticised for producing The Orphan of Zhao, regarded as Chinese equivalent of Hamlet, with predominantly white cast Continue reading...

SOURCE: The Guardian at 10:20PM

East Asian actors seek RSC apology over Orphan of Zhao casting by Matt Trueman

Actors calls for public debate with RSC to discuss casting concerns in production of so-called Chinese Hamlet Continue reading...

SOURCE: The Guardian at 09:16PM
Thursday, May 28, 2015

Beyoncé accused of 'stealing' dance moves in new video by Matt Trueman

Choreographer Anne Teresa De Keersmaeker claims Beyoncé borrowed her routines in the video for new single Countdown Continue reading...

SOURCE: The Guardian at 09:46AM
Wednesday, May 27, 2015

Max Stafford-Clark: ‘We’ve played to the worst houses we’ve ever had’ by Matt Trueman

With cuts in funding, safer programming, shrinking audiences, new writing is the first casualty in this vicious circle. The Out of Joint founder says something has to change Continue reading…

SOURCE: The Guardian at 03:15AM
Monday, May 25, 2015

Thank your five lucky stars for those critics who take a leap of faith by Matt Trueman

Reviewers only give five-star ratings once in a blue moon. So does this mean plays have to be 'life-changing' or 'definitive' to achieve that ultimate accolade?

SOURCE: The Guardian at 05:58PM

Royal Opera House must look at the bigger picture on social media by Matt Trueman

The London venue's hamfisted handling of a blogger highlights the need for arts companies to rethink their approach to the web

SOURCE: The Guardian at 05:58PM

Snooze and you lose: the dangers of falling asleep at the theatre by Matt Trueman

There can't be many theatregoers who haven't slumbered in the stalls. But what if a show consciously sends its audience to sleep?

SOURCE: The Guardian at 05:58PM
Tuesday, May 19, 2015

Matt Trueman: Historic performances can haunt even the best by Matt Trueman

Having celebrated theatre’s grip on our memories last time out, I want to consider the opposite. What if the past proves a

SOURCE: The Stage Registration at 01:00PM
Sunday, May 3, 2015

The Big Interview: Michael Billington by Matt Trueman

In May 1965, The Times sent a 25 year-old theatre critic to review Saint Joan at the Bristol Old Vic. Half a

SOURCE: The Stage Registration at 05:00AM
Sunday, April 26, 2015

Leo Bill: ‘I hate standing up in front of people’ by Matt Trueman

Leo Bill pulls back his sleeve. On his forearm, three weeks old and only just about healed, is a tattoo: CAZALE. “It

SOURCE: The Stage Registration at 07:00AM
Friday, April 24, 2015

Bringing back Bugsy Malone: ‘we’re going to smell of Angel Delight for months’ by Matt Trueman

The Lyric Hammersmith has reopened to the sound of singing and splurge guns. But this streetwise revival of Bugsy Malone is more than a nostalgia tripAs far back as I can remember, I always …

SOURCE: The Guardian at 03:00AM
Wednesday, April 22, 2015

No Milk for the Foxes: the beatboxing show bringing ‘council estate rage into the theatre’ by Matt Trueman

The vast majority of British theatre is by middle-class people, for middle-class people and about middle-class life. With their ‘loud’ new play about security guards on a night shift, tw…

SOURCE: The Guardian at 09:42AM
Tuesday, April 21, 2015

Matt Trueman: Why theatre leaves indelible marks on our memories by Matt Trueman

The other day, a friend mentioned Katie Mitchell’s Women of Troy. It was the first show I wrote up at length and,

SOURCE: The Stage Registration at 01:00PM
Sunday, April 19, 2015

Sean Holmes: ‘No one talks about the deep conservatism in British acting’ by Matt Trueman

When Sean Holmes took over the Lyric Hammersmith six years ago, he laid out his ambition to turn it into a kind

SOURCE: The Stage Registration at 05:00AM
Sunday, April 5, 2015

Playful Productions: ‘Most theatre is as dull as ditchwater’ by Matt Trueman

It takes all of five minutes for Nick Salmon, Matthew Byam Shaw and Nia Janis – the three directors of Playful Productions

SOURCE: The Stage Registration at 07:00AM
Saturday, March 28, 2015

Robert Hastie: ‘As a director You’re working to be invisible’ by Matt Trueman

Emerging. It sounds like a slow, gradual process, doesn’t it? Tentative. Bit by bit. Step by step. Robert Hastie makes it look like

SOURCE: The Stage Registration at 08:00AM
Tuesday, March 24, 2015

Matt Trueman: West End is the standard bearer for British Theatre by Matt Trueman

The West End is working. Thank God for that. News that Oppenheimer, Golem and Farinelli and the King have all found homes

SOURCE: The Stage Registration at 02:00PM
Sunday, March 22, 2015

Paul Robinson: ‘Our focus is the artist’ by Matt Trueman

Around a year and a half ago, Theatre503 nearly closed. An intimate, ramshackle black box space on the first floor of the

SOURCE: The Stage Registration at 08:00AM
Tuesday, March 17, 2015

'There wasn’t a blueprint before Jack Johnson': ringside at boxing drama The Royale by Matt Trueman

Marco Ramirez’s hard-hitting ‘play in six rounds’ is inspired by the first African American heavyweight champion of the world Continue reading...

SOURCE: The Guardian at 12:52PM
Saturday, March 14, 2015

The Big Interview: Robert Holman by Matt Trueman

On his very first day in London, Robert Holman went to the theatre. He had come down by bus the day before,

SOURCE: The Stage Registration at 12:00PM
Saturday, March 7, 2015

Harry Melling: ‘People think they know you’ by Matt Trueman

Harry Melling is over Harry Potter. “I kind of want to let it go,” he says. “It’s done.” The 27-year-old spent his

SOURCE: The Stage Registration at 07:00AM
Tuesday, February 17, 2015

To hum is to be human: the power of polyphonic song by Matt Trueman

Songs of Lear and Verity Standen’s MmmHmmm prove that choral compositions can be emotional, political and dizzyingly intimateA 10-strong choir – five men and five women – are stood in …

SOURCE: The Guardian at 06:30AM
Friday, January 16, 2015

Splurge guns at the ready: child actors steal the spotlight by Matt Trueman

Watch out Matilda, Billy and Charlie ... 2015 brings some striking roles for kids. But as The Nether’s director Jeremy Herrin explains, working with young stars can be a high-wire actLondo…

SOURCE: The Guardian at 02:02AM
Wednesday, January 7, 2015

Birdman: the best film about theatre ever made? by Matt Trueman

The backstage antics of Michael Keaton and his Broadway co-stars are the beating heart of this Oscar-tipped film, perfectly portraying the thrills and terrors of live theatre performanceRigg…

SOURCE: The Guardian at 02:00AM
Tuesday, November 25, 2014

Bush theatre’s knockout season to include play inspired by Jack Johnson by Matt Trueman

Madani Younis has inspired record audiences at his London venue. His new season explores central issues for the theatre’s local community – as well as a piece inspired by the US boxing c…

SOURCE: The Guardian at 07:49AM
Tuesday, November 4, 2014

I can never get that photo back: play for teens explores explicit images by Matt Trueman

The story of Amanda Todd, who at 15 killed herself after being blackmailed and harassed online, is evoked in Girls Like That at Londons Unicorn theatre Continue reading...

SOURCE: The Guardian at 02:00AM
Friday, October 31, 2014

The very pineapple of politeness!: Gemma Jones and Wendy Craig on playing Mrs Malaprop by Matt Trueman

Richard Sheridans grande dame from The Rivals is best known for her flamboyant word-mangling, but what lies behind the desperate desire to impress? Two actors whove played the role doff thei…

SOURCE: The Guardian at 11:59AM
Tuesday, October 21, 2014

Desperate jester: Joss Ackland and Ashley McGuire on playing Falstaff by Matt Trueman

Falstaff has been played as fool, villain, weakling and liar. Ashley McGuire, who is starring in the Donmars all-female Henry IV, and Joss Ackland, who has played the role twice, explain the…

SOURCE: The Guardian at 03:02AM
Wednesday, October 8, 2014

Going underground: Game of Thrones Harry Lloyd does Dostoevsky by Matt Trueman

Fresh from filming Hilary Mantels Wolf Hall for the BBC, the actor explains why hes adapted the Russian authors scuzzy existentialist novella for the stage Continue reading...

SOURCE: The Guardian at 01:59AM
Tuesday, October 7, 2014

When critics become playwrights by Matt Trueman

From George Bernard Shaw to Nicholas de Jongh, there is a tradition of reviewers penning their own scripts. So can you learn to write plays by watching them? And does being a playwright make…

SOURCE: The Guardian at 03:10AM
Wednesday, September 10, 2014

Roundelay, Stephen Joseph Theatre, review: 'variety trumps vision' by Matt Trueman

Alan Ayckbourn's latest work is less than the sum of its parts, says Matt Trueman

SOURCE: The Telegraph at 11:54AM