All stories by Mark Fisher on BroadwayStars

Tuesday, June 5, 2018

Summer Holiday review – Cliff Richard musical becomes bus ride in Bolton by Mark Fisher

Octagon, BoltonThe audience enjoy a Cliff singalong on the top deck as they soak up the feelgood hit of the summerSometimes the stars align and fate smiles on a production. When Elizabeth Ne…

SOURCE: The Guardian at 07:12AM
Sunday, June 3, 2018

Magical Plastic Chicken review – intriguingly arresting satire by Mark Fisher

State cinema, Leith In an atmospheric derelict venue, the Golden Trailer Collective explore anti-terror detentions in a play that could commit more to its eccentricitiesA cuckoo festival wit…

SOURCE: The Guardian at 10:12AM
Friday, June 1, 2018

Mark Fisher’s top 10 theatre of 2015 by Mark Fisher

Theatres in Scotland played host to the dazzling stagecraft of Robert Lepage, a striking Titus Andronicus and raucous but close-harmonising schoolgirls This summer, I was lucky to get two bi…

SOURCE: The Guardian at 12:24AM
Tuesday, May 29, 2018

Edinburgh international children’s festival review – raucous fun by Mark Fisher

Traverse, Edinburgh, and North Edinburgh Arts CentreBaba Yaga, a delirious take on Slavic folklore, and the masterful one-man show Stick By Me offer joyful explorations of rules and how to b…

SOURCE: The Guardian at 08:04AM
Friday, May 11, 2018

Compose yourself: The String Quartet’s Guide to Sex and Anxiety by Mark Fisher

He has blazed his way through theatre and opera. Now, the great director Calixto Bieito is reflecting on his fears in a highly personal concertThe scene is northern Spain, some time in the e…

SOURCE: The Guardian at 02:12AM
Monday, May 7, 2018

Eddie and the Slumber Sisters review – It's 2.17? Time for my nightmare by Mark Fisher

Corn Exchange, HaddingtonCharlie’s Angels meet the Andrews Sisters in this entertaining and melodic meditation on griefYes, it is aimed at the over-eights, but Eddie and the Slumber Sister…

SOURCE: The Guardian at 07:04AM
Wednesday, May 2, 2018

Creditors review – Strindberg's scintillating tale of passion and possession by Mark Fisher

Royal Lyceum, EdinburghStewart Laing directs August Strindberg’s drama about a man wheedling his way into his ex-wife’s marriageIf the men’s rights movement is looking for a spokesman,…

SOURCE: The Guardian at 03:24PM
Wednesday, April 25, 2018

Gut review – the corrupting fear of stranger danger by Mark Fisher

Traverse, EdinburghA mother’s fear that her toddler has been abused sends her into a nightmarish state of anxiety in Frances Poet’s playWhen Iago causes Othello to doubt himself, it only…

SOURCE: The Guardian at 08:42AM
Thursday, April 19, 2018

Long Day's Journey Into Night review – O'Neill's bruising classic hits home by Mark Fisher

Citizens, GlasgowGeorge Costigan is magnificent as the patriarch of the fraught Tyrone family, imprisoned in a jail of their own making The Connecticut summer house of the Tyrone family in E…

SOURCE: The Guardian at 08:36PM
Monday, February 19, 2018

The Belle's Stratagem review – a riot of feminist fun by Mark Fisher

Royal Lyceum, EdinburghTony Cownie roughs up and relocates Hannah Cowley’s 18th-century play, adding vulgar jokes and rebellious energyImagine an inverted version of Cinderella, in which t…

SOURCE: The Guardian at 06:57AM
Thursday, February 15, 2018

Mark Thomas: Showtime from the Frontline review – clowning for Palestine by Mark Fisher

Traverse theatre, EdinburghThe West Bank’s nightly curfews, checkpoints and pipe bombs make for gallows humour in this defiant comedy that gives a voice to the voicelessYour average Mark T…

SOURCE: The Guardian at 07:52AM
Friday, February 2, 2018

The War of the Worlds review – HG Wells's aliens invade the north by Mark Fisher

Northern Stage, NewcastleLaura Lindow’s adaptation of the sci-fi classic is a thrilling parable of complacency that allows a brilliant cast to shineHG Wells wrote The War of the Worlds at …

SOURCE: The Guardian at 06:39AM
Monday, January 29, 2018

Bold Girls review – Rona Munro's portrait of women under siege by Mark Fisher

Citizens, GlasgowThe tale of four Belfast women during the Troubles becomes an unflinching study of the effects of male violenceOn the face of it, Bold Girls is not a violent play. In form, …

SOURCE: The Guardian at 02:00AM
Friday, January 26, 2018

The Lover review – theatre and dance collide in cool take on Duras' novel by Mark Fisher

Royal Lyceum, EdinburghThis adaptation of Marguerite Duras’ tale turns the audience into voyeurs looking in on the recollection of an intense affairThere’s a theme in Marguerite Duras’…

SOURCE: The Guardian at 07:17AM
Monday, January 22, 2018

Jane Eyre review – gripping, good-hearted and full of gothic terror by Mark Fisher

Octagon, BoltonJessica Baglow captures the plain-speaking pragmatism of Charlotte Brontë’s heroine in a light and lucid adaptation directed by Elizabeth NewmanThe first thing that anyone …

SOURCE: The Guardian at 06:00PM
Wednesday, January 3, 2018

Alas, poor Owen Wilson, your TV ad Shakespeare quote is made up by Mark Fisher

In a festive sofa advertising campaign, the actor claims the bard once exclaimed: ‘People usually are the happiest at home.’ One problem – the oft-cited line is pure bunkumWhat was Sha…

SOURCE: The Guardian at 08:09AM
Tuesday, December 12, 2017

How to Disappear review – why the benefits system is on another planet by Mark Fisher

Traverse, EdinburghMorna Pearson’s hopeful social satire about a struggling family in troubled times takes an unexpected turn into a parallel universeImagine the dysfunctional world of Bur…

SOURCE: The Guardian at 07:06AM
Sunday, December 10, 2017

Cinderella; Sleeping Beauty; Aladdin; Chick Whittington reviews – hiss, boo – it's real panto by Mark Fisher

King’s, Edinburgh; King’s, Glasgow; Perth theatre; Macrobert, StirlingScottish audiences are flocking, as ever, to this year’s pantomimes because the stars are great, dedicated dames, …

SOURCE: The Guardian at 09:12AM
Sunday, December 3, 2017

The Arabian Nights review – Fake news? Scheherazade unleashes genies by Mark Fisher

Royal Lyceum, EdinburghThe heroine’s life isn’t at stake in this family-friendly production, but it’s a dizzying compendium that gets to the emotional heart of why we tell talesThese d…

SOURCE: The Guardian at 07:54AM
Thursday, November 30, 2017

A Christmas Carol – review by Mark Fisher

Royal Lyceum, EdinburghA great cast and plentiful carol-singing make this staging of the Dickens classic as rich as a plum pudding – and sometimes as sickly sweetWith its hardworking cast,…

SOURCE: The Guardian at 03:12AM
Tuesday, October 17, 2017

Love Song to Lavender Menace review – sparky ode to 80s LGBT booksellers by Mark Fisher

Royal Lyceum, EdinburghThe Communards punctuate the soundtrack to James Ley’s funny new play celebrating the Edinburgh bookshop that was a lifeline for the gay communityWhat 84, Charing Cr…

SOURCE: The Guardian at 01:42AM
Monday, October 9, 2017

‘You don’t understand anything about Europe’: 1947 play Cockpit blazes back by Mark Fisher

Bridget Boland’s long-lost drama about a refugee centre was ahead of its time in the way it blurred the lines between actor and audience. Now, Wils Wilson’s revival makes its depiction o…

SOURCE: The Guardian at 08:36AM
Friday, September 29, 2017

The Macbeths – Shakespeare's schemers canoodle and conspire in bedroom thriller by Mark Fisher

Citizens, GlasgowFrances Poet and Dominic Hill turn the tragedy into a relentlessly intense two-hander starring Keith Fleming and Charlene BoydThe bed could have been designed by Tracey Emin…

SOURCE: The Guardian at 07:33AM
Wednesday, September 27, 2017

Drinking and thinking: raise a glass to Glasgow's plays, pies and pints by Mark Fisher

Since 2004, a boozy lunchtime institution has launched careers, staged 40 new plays a year and changed the landscape of Scottish theatreIt defies all the rules of theatre marketing. Scarcely…

SOURCE: The Guardian at 08:48AM
Wednesday, July 5, 2017

Titus Andronicus review – tragedy becomes a kitchen nightmare by Mark Fisher

Dundee Rep, DundeeThis modern reimagining of Shakespeare’s gore-fest, set in a warehouse-style restaurant, is dynamically realised – in spite of some shaky verse-speakingWe’re seated a…

SOURCE: The Guardian at 11:06AM
Friday, June 23, 2017

Room to roam: how Scotland's vagabond national theatre broke free by Mark Fisher

It has staged shows in a barn in Perthshire, a forest in Mid Argyll and now on a Glasgow canal. This shape-shifting company puts place at the heart of its playsFor two or three centuries, na…

SOURCE: The Guardian at 10:06AM
Wednesday, May 24, 2017

Glory on Earth review – spirited portrait of Mary, Queen of Scots and her girl gang by Mark Fisher

Royal Lyceum, EdinburghRona Morison is a smart, vivacious and quick-witted queen in Linda McLean’s poetic historical drama, directed by David GreigWe’re in the court of Mary, Queen of Sc…

SOURCE: The Guardian at 08:48AM
Monday, May 22, 2017

Music Is Torture review – gig-theatre show unleashes devilish dilemmas by Mark Fisher

Tron, GlasgowMoral questions about our complicity in war are muddied in this Faustian tale of a musician selling his soul for a shot at successThings were going well for Jake Rae in 1998. Hi…

SOURCE: The Guardian at 09:48AM
Thursday, May 11, 2017

The 306: Day review – war drama sings praises of women written out of history by Mark Fisher

Station Hotel, PerthThe second part of Oliver Emanuel’s first world war trilogy is a confrontational patchwork that shatters the myth of Britain’s cheerful army of working womenOne day l…

SOURCE: The Guardian at 01:42PM
Wednesday, May 3, 2017

Charlie Sonata review – wayward odyssey of a drunken dreamer by Mark Fisher

Royal Lyceum, EdinburghSandy Grierson brings humour and bitterness to Douglas Maxwell’s tale of a redemptive mission, directed by Matthew LentonThe eponymous figure at the centre of Dougla…

SOURCE: The Guardian at 09:42AM
Sunday, April 23, 2017

Out of This World review – theatrical fantasia falls back to Earth with a crash by Mark Fisher

Macrobert Arts Centre, StirlingIts bewildering mix of projections, music and ariel work makes Mark Murphy’s show about a coma patient a technical marvel, but the story is ultimately prosai…

SOURCE: The Guardian at 11:06AM