All stories by Mark Fisher on BroadwayStars

Wednesday, September 19, 2018

Twelfth Night review – trippy take on Shakespeare romcom by Mark Fisher

Royal Lyceum, Edinburgh With 50/50 gender-split casting, this comedy of disguise and identity enjoys a playful makeoverYou get a sense of the playfulness of Wils Wilson’s trippy take on Sh…

SOURCE: The Guardian at 11:32AM
Friday, September 7, 2018

Cyrano de Bergerac review – swashbuckling ugly duckling, drowned in sound by Mark Fisher

Tramway, Glasgow The thwarted lover story, retold in dazzling Glaswegian Scots, has raucous spirit and flamboyant hairpieces but its verbal flourishes are lost in acoustic fogEdwin Morgan’…

SOURCE: The Guardian at 02:36AM
Tuesday, September 4, 2018

Ubu review – dictators and discord in dystopian take on Jarry's classic by Mark Fisher

Victoria and Albert Museum, LondonA brutal score by Jerskin Fendrix is the driving force behind this bleakly topical reworking of Alfred Jarry’s Ubu RoiSince its premiere in 1896, Alfred J…

SOURCE: The Guardian at 06:54AM
Thursday, August 23, 2018

The Prisoner review – Peter Brook's gnomic parable gazes at its own navel by Mark Fisher

Royal Lyceum, EdinburghA man sits outside a prison in self-imposed punishment, in this philosophically provocative but dramatically inert dramaThe set is not a million miles from Druid Theat…

SOURCE: The Guardian at 11:04AM
Wednesday, August 22, 2018

The End of Eddy review – a televisual glimpse into small-town homophobia by Mark Fisher

The Studio, EdinburghStewart Laing sensitively takes Édouard Louis’s groundbreaking coming-of-age story from page to stageWhen Édouard Louis was growing up in a poor working-class villag…

SOURCE: The Guardian at 08:54AM
Tuesday, August 21, 2018

Misha Glenny: McMafia review – a chilling portrait of how the criminal became corporate by Mark Fisher

Assembly Checkpoint, EdinburghFrom corrupt cartels to ‘snakehead’ smugglers, the journalist-cum-author presents a plain-talking breakdown of complex global illsWhen Misha Glenny ventured…

SOURCE: The Guardian at 06:36AM
Monday, August 20, 2018

One Life Stand review – a relationship lived through emoticons and kitten memes by Mark Fisher

Roundabout at Summerhall, EdinburghDating apps and cute cat gifs are stifling a couple’s ability to communicate in Eve Nicol’s play for Middle ChildWhat’s a monogamist to do in the age…

SOURCE: The Guardian at 07:24AM

Big Aftermath of a Small Disclosure review – four characters in search of a play by Mark Fisher

Summerhall, EdinburghShould Jon stay or should he go? That is the question in a drama of short sentences, questions and heavy sighsBig Aftermath of a Small Disclosure is a play. The play is …

SOURCE: The Guardian at 01:54AM
Saturday, August 18, 2018

Drip Feed review – heartbreaks and hangovers in Cork by Mark Fisher

Assembly George Square theatre, EdinburghKaren Cogan is compelling as a pleasure-seeking thirtysomething in this vivd solo show staged by Fishamble and Soho theatreYou can imagine another wr…

SOURCE: The Guardian at 03:18AM
Friday, August 17, 2018

Trojan Horse review – Islamic schools ‘plot’ powerfully revisited by Mark Fisher

Summerhall, EdinburghA sobering examination of British children caught in media crossfireIn the spring of 2014, what was the Trojan horse? Was it the Islamist doctrine allegedly smuggled int…

SOURCE: The Guardian at 11:04AM
Wednesday, August 15, 2018

Frites first: the Belgians making audiences laugh, sing and squirm by Mark Fisher

The Edinburgh festival’s Big in Belgium season features daft whimsy, a Eurovision anthem and a headlong charge into uncomfortable territoryWhen the Smiths released Paint a Vulgar Picture ,…

SOURCE: The Guardian at 04:24PM
Sunday, August 12, 2018

The Political History of Smack and Crack review – an unsparing portrait of addiction by Mark Fisher

Roundabout @ Summerhall, EdinburghA desperate love story is set against a broader picture of government hostility in Ed Edwards’ gritty two-handerAccording to this urgent two-hander, the n…

SOURCE: The Guardian at 07:32AM
Saturday, August 11, 2018

Status review – reflections of a world in flux by Mark Fisher

Summerhall, EdinburghIn monologue and song, Chris Thorpe explores nationality, identity and not accepting the story you’re given about BrexitChris Thorpe says his one-man show is not about…

SOURCE: The Guardian at 09:12AM

Underground Railroad Game review – well-intentioned classroom project turns nasty by Mark Fisher

Traverse, EdinburghA history lesson on the American civil war becomes an exploration of race relations in the US today but soon stirs up ugly racist sentimentsMost arguments about inequality…

SOURCE: The Guardian at 07:04AM
Friday, August 10, 2018

Meek/Angry Alan review – Penelope Skinner probes into power, resistance and men's rights by Mark Fisher

★★★☆☆/★★★★☆ Traverse/Underbelly Cowgate, EdinburghIn two new works, the playwright contrasts how the disenfranchised struggle to wrest control from a system they cannot i…

SOURCE: The Guardian at 09:06AM
Thursday, August 9, 2018

Nina’s Got News review – Frank Skinner's debut play is fitfully funny by Mark Fisher

Pleasance Dome, EdinburghSome signature sex gags raise the odd laugh and a late religious theme intrigues – but really, the end can’t come too soonWhen Frank Skinner was on the way up as…

SOURCE: The Guardian at 07:48AM
Wednesday, August 8, 2018

Sitting review – art models reveal all in Katherine Parkinson's smart debut by Mark Fisher

Gilded Balloon Teviot, EdinburghThe IT Crowd actor turns playwright with this subtle monologue play in which three studio sitters bare their emotional woundsThe trick to writing a monologue …

SOURCE: The Guardian at 08:54AM

Mark Thomas – Check Up: Our NHS at 70 review – infectious wit and political fury by Mark Fisher

Traverse, EdinburghThe activist-comedian takes the temperature of universal healthcare and delivers a grave diagnosisMark Thomas is standing centre stage, feet splayed, shoulders feeling the…

SOURCE: The Guardian at 07:48AM

Urinal: The Musical? Toilets and Lewis Hamilton inspire quirky Edinburgh shows by Mark Fisher

Unusual musicals abound at the fringe, from an F1 spin on Lin-Manuel Miranda’s smash hit to a satire on ‘inspiration porn’For a mainstream art form, the musical comes in many odd shape…

SOURCE: The Guardian at 07:48AM

It’s True, It’s True, It’s True review – a compelling rape drama driven by feminist rage by Mark Fisher

Underbelly Cowgate, EdinburghThis gripping production revives 17th-century court transcripts – and thumbscrews – to show just how little society has changedBy rights, a verbatim report o…

SOURCE: The Guardian at 02:18AM
Tuesday, August 7, 2018

Build a Rocket review – reaching for the stars in Scarborough by Mark Fisher

Pleasance Courtyard, EdinburghSerena Manteghi gives a high-voltage performance but the story feels far too familiar in Christopher York’s play for the Stephen Joseph theatreIt’s not only…

SOURCE: The Guardian at 08:42AM
Sunday, August 5, 2018

Ulster American review – riotous black comedy of ambition and identity by Mark Fisher

Traverse, EdinburghIn David Ireland’s brilliantly brutal satire, things get horribly out of hand when two men and a woman meet to discuss putting on a West End playTwo men are debating whe…

SOURCE: The Guardian at 09:36AM
Saturday, August 4, 2018

The Greatest Play in the History of the World … review – sci-fi romance reaches for the stars by Mark Fisher

Traverse, EdinburghJulie Hesmondhalgh’s superb turn as narrator lights up these comic tales about the universal significance of loveIn festivals past, the Traverse has showcased a beguilin…

SOURCE: The Guardian at 09:48AM

Class review – smart tale of social warfare offers no easy answers by Mark Fisher

Traverse, EdinburghA parent-teacher meeting becomes a microcosm for privilege and exclusion in a subtle, well-acted three-handerThe entrance of Sarah Morris’s Donna is delayed. “I though…

SOURCE: The Guardian at 08:36AM

On the Exhale review – gripping gun drama draws us into heart of darkness by Mark Fisher

Traverse, EdinburghPolly Frame’s bereaved mother is consumed by thoughts of revenge as Martín Zimmerman’s mesmerising tale of a school massacre hits homeIn the Alice in Wonderland logic…

SOURCE: The Guardian at 07:32AM
Wednesday, August 1, 2018

A desire for Duras: Katie Mitchell and Alice Birch on the writer's erotic, existential mystery by Mark Fisher

Part philosophical meditation, part fantasy, Marguerite Duras’s 1982 novella La Maladie de la Mort comes to the stage in a hi-tech Edinburgh festival show There’s something about Marguer…

SOURCE: The Guardian at 03:32AM
Monday, July 9, 2018

The Three Musketeers review – gender-fluid swashbuckling by Mark Fisher

Williamson Park, LancasterLucy Jane Parkinson’s D’Artagnan is equal parts swagger and vulnerability in a jolly, summery promenade productionBeing a horse, Christopher Bianchi’s Planche…

SOURCE: The Guardian at 08:32AM
Sunday, July 1, 2018

Pride and Prejudice* (*sort of) review – Jane Austen's karaoke romcom by Mark Fisher

Tron, Glasgow Love-struck pop hits punctuate the regency matchmaking in this raucous, yet surprisingly faithful, all-female adaptationIt’s not Jane Austen’s fault. When the author publis…

SOURCE: The Guardian at 02:12PM
Tuesday, June 19, 2018

Quality Street review – JM Barrie romcom that inspired the chocolates by Mark Fisher

Pitlochry Festival theatreLiz Carruthers directs a sprightly, good-looking revival of Barrie’s romantic 1902 hitValentine Brown is trying to persuade Phoebe Throssel that age is no barrier…

SOURCE: The Guardian at 02:36AM
Tuesday, June 5, 2018

Summer Holiday review – Cliff Richard musical becomes bus ride in Bolton by Mark Fisher

Octagon, BoltonThe audience enjoy a Cliff singalong on the top deck as they soak up the feelgood hit of the summerSometimes the stars align and fate smiles on a production. When Elizabeth Ne…

SOURCE: The Guardian at 07:12AM
Sunday, June 3, 2018

Magical Plastic Chicken review – intriguingly arresting satire by Mark Fisher

State cinema, Leith In an atmospheric derelict venue, the Golden Trailer Collective explore anti-terror detentions in a play that could commit more to its eccentricitiesA cuckoo festival wit…

SOURCE: The Guardian at 10:12AM