All stories by Lyndsey Winship on BroadwayStars

Wednesday, January 15, 2020

Rooman review – kangaroo love in dreamlike oddball tale by Lyndsey Winship

The Pit, LondonFleur Elise Noble’s fantasy show at the London international mime festival is highly original and unsettling The London international mime festival (43 years old and stronge…

SOURCE: The Guardian at 06:18AM
Friday, January 10, 2020

This Time review – a trapeze show light in touch but deep in meaning by Lyndsey Winship

Shoreditch Town Hall, LondonAerial theatre company Ockham’s Razor deftly and poignantly explore age and innocence There is a wonderful warmth in the work of aerial theatre company Ockham�…

SOURCE: The Guardian at 08:54AM
Thursday, January 9, 2020

'Dance is not a museum': how ballet is reimagining problematic classics by Lyndsey Winship

Historical ballets are rife with offensive colonial politics but choreographers and dancers are finding creative ways to change them for today’s audiences A 19th-century worldview informs …

SOURCE: The Guardian at 03:24PM

English National Ballet: Le Corsaire review – firecracker dancing by Lyndsey Winship

Coliseum, LondonWhile its story of slavery and exotica is dubious, ENB’s virtuoso dancers sparkle as much as the fake jewels Perhaps because ballet as an art form is so unreal, it’s eas…

SOURCE: The Guardian at 11:24AM
Monday, January 6, 2020

Stop mewling! Cats is no turkey, say our dance and theatre critics by Arifa Akbar and Lyndsey Winship

Film reviewers sank their claws into Cats, but is it really so awful? Our stage reviewers steeled themselves for the caterwauling ... but ended up quite enjoying it It can be very pleasurab…

SOURCE: The Guardian at 11:24AM
Thursday, January 2, 2020

Star debuts and happy returns: theatre, dance and comedy in 2020 by Arifa Akbar, Lyndsey Winship and Brian Logan

Tom Stoppard gets personal, Cush Jumbo does Hamlet, Hollywood names bring everything from tragedy to comedy … plus dance confronts shame and there’s standup open heart surgery Continue r…

SOURCE: The Guardian at 04:36AM
Friday, December 27, 2019

Singalong or keep stumm … what's the etiquette for musicals? by Lyndsey Winship

As karaoke versions of musicals take off, we chat to punters at two West End shows – strictly during the interval, of course – to gauge opinion on audience participation ‘It’ll have …

SOURCE: The Guardian at 09:33AM

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Jojo Rabbit to Craig David, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 06:06AM
Sunday, December 22, 2019

Circus 1903 review – Christmas offering oozes old-school charm by Lyndsey Winship

Royal Festival Hall, London In a culture of special effects, it is the moments of connection, creativity and wonder that matter Circus 1903 – in pictures Playing its second year as an alte…

SOURCE: The Guardian at 09:54AM
Sunday, December 15, 2019

Top 10 dance shows of 2019 by Lyndsey Winship and Sanjoy Roy

A snogtastic Romeo and Juliet from Matthew Bourne and an international dance-a-thon celebrating Merce Cunningham join a mixed troupe of winners More on the best culture of 2019 Continue read…

SOURCE: The Guardian at 02:03PM
Sunday, December 8, 2019

Radio & Juliet / Faun / MсGregor + Mugler review – Radiohead, gangs and OTT dazzle by Lyndsey Winship

London ColiseumEdward Clug strips back Shakespeare, Sidi Larbi Cherkaoui riffs on Nijinsky and Wayne McGregor teams up with Manfred Thierry Mugler in this rich Russian triple bill What do y…

SOURCE: The Guardian at 10:06AM
Wednesday, December 4, 2019

Svetlana Zakharova review – Bolshoi ballerina cuts chic shapes as Chanel by Lyndsey Winship

Coliseum, LondonA stylish riff on Coco Chanel’s place in ballet history and a regal mocking of Handel make a double bill where style outshines insight The indomitable Boshoi ballerina Svet…

SOURCE: The Guardian at 01:54PM
Friday, November 29, 2019

Royal Ballet: Coppélia review – hello, dolly! by Lyndsey Winship

Royal Opera House, LondonFrancesca Hayward sparkles in this twee revival, a luminous presence in an inconsequential story about a lifesize doll There are ballets of magical otherworldliness,…

SOURCE: The Guardian at 09:48AM
Thursday, November 28, 2019

Alston at Home review – master of dance creates a world of grace by Lyndsey Winship

The Place, LondonOn their final tour, Richard Alston Dance Company take it back to where it all began with a moving survey of their 25-year history It is a season of farewells for the Richar…

SOURCE: The Guardian at 07:48PM
Tuesday, November 26, 2019

Balletboyz's Romeo and Juliet film takes star-cross'd lovers to the street by Lyndsey Winship

Shot on location with lashings of fighting and flirting, Romeo and Juliet: Beyond Words is a vibrant, up-close take on one of the Royal Ballet’s best-loved gems It’s been an ongoing quan…

SOURCE: The Guardian at 01:33PM
Friday, November 22, 2019

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Frozen II to Anselm Kiefer, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days (Jennifer Lee, Chris Buck, 2019, US) 103 mins Continue…

SOURCE: The Guardian at 07:06AM
Wednesday, November 20, 2019

Blackface and Fu Manchu moustaches: does ballet have a race problem? by Lyndsey Winship

From the Chinese scene in Nutcracker to the Moor in Petrushka, are some ballets now offensively outdated? We ask big names in dance if they should be preserved, changed – or binned It’s …

SOURCE: The Guardian at 11:48AM

Acosta Danza review – Cuba moves in a new direction by Lyndsey Winship

Sadler’s Wells, LondonCarlos Acosta’s Havana-based troupe makes no wrong steps in charming, evocative and sharply technical mixed bill It’s only three years since Cuban ballet star Car…

SOURCE: The Guardian at 08:42AM
Friday, November 15, 2019

Dorrance Dance review – tip-top tap gets into the groove by Lyndsey Winship

Sadler’s Wells, LondonMichelle Dorrance’s superb pieces range from rubber-legged slapstick to brilliantly musical moves Michelle Dorrance may be a dancer, but musicianship is the bedrock…

SOURCE: The Guardian at 07:33AM
Tuesday, November 12, 2019

Emanuel Gat: Works review – moving, mysterious dance is a delight by Lyndsey Winship

Sadler’s Wells, LondonRelationships between the Israeli choreographer’s idiosyncratic dancers play out on stage in a surreal and touching show There’s a man in a dress, another wearing…

SOURCE: The Guardian at 08:33AM
Monday, November 11, 2019

Ballet Cymru review – fuelled by sheer positivity by Lyndsey Winship

Lilian Baylis Studio, LondonIt’s hard not to warm to this bright Welsh company, but some of the more experimental works were confused in design and execution It takes a lot of grit and plu…

SOURCE: The Guardian at 09:42AM
Friday, November 8, 2019

The Sleeping Beauty review – the Royal Ballet take your breath away by Lyndsey Winship

Royal Opera House, LondonYasmine Naghdi conquers physics in a fairytale production with intricate and intense performances What is the appeal to adults of an old-fashioned fairytale? This on…

SOURCE: The Guardian at 11:06AM
Thursday, November 7, 2019

Northern Ballet review – dancing with dreams and facing fear by Lyndsey Winship

Linbury theatre, LondonWorks by Kenneth Tindall, Mlindi Kulashe and Morgann Runacre-Temple give these dancers a chance to get their bodies around abstraction Trends for favoured composers i…

SOURCE: The Guardian at 07:54AM
Tuesday, November 5, 2019

Rambert2 review – exciting and fearless fresh-faced dancing by Lyndsey Winship

Sadler’s Wells, LondonA group of young prestige dancers from all over the world throw themselves utterly into a uneven triple bill The deal with Rambert’s sister company, Rambert2, is th…

SOURCE: The Guardian at 08:33AM
Wednesday, October 30, 2019

Birmingham Royal Ballet review – noirish style and tragic love by Lyndsey Winship

Sadler’s Wells, LondonGuests Ballet Black steal the show with Cathy Marston’s masterful The Suit, while newcomer Jack Lister offers little substance but plenty of style In an unusually b…

SOURCE: The Guardian at 08:42AM
Monday, October 28, 2019

Teneisha Bonner obituary by Lyndsey Winship

Athletic star dancer who dazzled as Spinderella in the hit West End show Into the Hoods In the sometimes macho world of hip-hop dance, a form that demands explosive power and immense strengt…

SOURCE: The Guardian at 09:33AM
Friday, October 25, 2019

Georgia Vardarou: a dance-maker creating room for thought by Lyndsey Winship

The vision of this Greek choreographer – tipped as a major talent of the future at London’s Dance Umbrella festival – is ‘beautifully different’ To write about contemporary dance i…

SOURCE: The Guardian at 01:36PM
Wednesday, October 23, 2019

Royal Ballet mixed bill review – a trio of 60s flashbacks by Lyndsey Winship

Royal Opera House, LondonLauren Cuthbertson and Reece Clarke’s masterclass in clarity is the highlight in a night of Macmillan, Ashton and Petipa It’s a seemingly random selection that m…

SOURCE: The Guardian at 08:12AM
Monday, October 21, 2019

Silent Lines review – cosmic ninjas in Maliphant's Milky Way by Lyndsey Winship

Sadler’s Wells, LondonLighting patterns sweep across Russell Maliphant’s dancers, who move with seamless fluidity You won’t find steps in Russell Maliphant’s choreography, so much as…

SOURCE: The Guardian at 12:36PM
Tuesday, October 15, 2019

Oona Doherty review – a swaggering, graceful ode to working-class men by Lyndsey Winship

The Yard, LondonIn Hope Hunt and the Ascension Into Lazarus, the Northern Irish dancer embodies a group rarely explored in dance A car revs up outside the theatre and Oona Doherty tumbles ou…

SOURCE: The Guardian at 09:54AM
Monday, October 14, 2019

Ten minutes to face the apocalypse! A dance-off for dark times by Lyndsey Winship

The finalists of Boris Charmatz’s Danse Élargie competition squared up to today’s doom and gloom There are questions about the validity of scoring art (hey, some of us have made a livin…

SOURCE: The Guardian at 12:06PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime