All stories by Lyndsey Winship on BroadwayStars

Wednesday, May 6, 2020

Alonzo King Lines Ballet review – hot and cool moves from a master by Lyndsey Winship

Available onlineDust and Light, Triangle of the Squinches and Scheherazade showcase the elegant nature of King’s work, which pushes beyond classical ballet Hottest front-room seats: best t…

SOURCE: The Guardian at 08:18AM
Monday, April 27, 2020

Alexander Ekman: Eskapist; Midsummer Night's Dream review - audacious and unpredictable by Lyndsey Winship

Available onlineTwo dance works by the Swedish choreographer are visually stunning, meshing movement, theatre, design and music Hottest front-room seats: the best theatre and dance to watch …

SOURCE: The Guardian at 08:54AM
Tuesday, April 21, 2020

Shut up and dance! Five of the best routines made during lockdown by Lyndsey Winship

From Robbie Fairchild’s electric escape to Francesca Hayward’s head-spinning pirouettes, here are five joyful homemade clips Hottest front-room seats: the best theatre and dance to watc…

SOURCE: The Guardian at 03:32AM
Thursday, April 16, 2020

Winged Bull in the Elephant Case review – dancers take over the National Gallery by Lyndsey Winship

Available onlinePaintings are given elastic life in this energetic showcase, which reimagines the collection’s extraordinary wartime evacuation to a Welsh slate mine Hottest front-room sea…

SOURCE: The Guardian at 09:03AM
Wednesday, April 15, 2020

Clowns review – a blast of bloodlust from the brilliant Hofesh Shechter by Lyndsey Winship

Available onlineShechter’s work begins in Regency-esque civility and ends in an orgy of highly choreographed violence The best arts and entertainment during self-isolation Hottest front-r…

SOURCE: The Guardian at 08:03AM
Monday, April 13, 2020

New Movement Collective review – eerie journeys into Auster and Homer by Lyndsey Winship

Available onlineThere are striking moments in the films of this dance group’s performances, inspired by New York Trilogy and The Odyssey • Hottest front-room seats: the best theatre and…

SOURCE: The Guardian at 02:12PM
Thursday, April 9, 2020

The Swan: three minutes of dance to soothe the soul in lockdown by Lyndsey Winship

Watch a short solo from Birmingham Royal Ballet performed by a dancer and two musicians in their own homes • Hottest front-room seats: the best theatre and dance to watch online The danci…

SOURCE: The Guardian at 07:12AM
Thursday, March 26, 2020

BalletBoyz: Deluxe review – striking dances packed with talent by Lyndsey Winship

Michael Nunn and William Trevitt are characteristically unpredictable as they launch the Facebook Premieres series from Sadler’s Wells With their 20th anniversary tour now on hold, BalletB…

SOURCE: The Guardian at 11:36PM
Tuesday, March 24, 2020

Plié, jeté … mind the fridge! My kitchen ballet class with Tamara Rojo by Lyndsey Winship

Dancers are sharing their skills online as venues are shut due to the coronavirus. Our critic stepped up to test one out The core of a ballet dancer’s life is daily class. Whether it’s a…

SOURCE: The Guardian at 04:48AM
Thursday, March 12, 2020

Step in time: how to save the legacy of dance from being lost in history by Lyndsey Winship

While Richard Alston’s company hang up their dance shoes, archivists and choreographers are grasping at ways to immortalise an inherently slippery art form Earlier this month, Richard Alst…

SOURCE: The Guardian at 06:54AM
Monday, March 9, 2020

Now in 3D! Merce Cunningham's mind-blowing dance by Lyndsey Winship

A superb documentary immerses you in the choreographer’s creations and shows off his own wild and weightless performances Given the gift of time travel, you’d have to drop in on the earl…

SOURCE: The Guardian at 09:18AM
Sunday, March 8, 2020

Richard Alston Dance Company review – a thrilling farewell by Lyndsey Winship

Sadler’s Wells, LondonThe company’s final outing after 25 years ran through some of Alston’s most dynamic newer works, with performances ranging from the spellbinding to the effortless…

SOURCE: The Guardian at 09:32AM
Thursday, February 27, 2020

Cloud Gate Dance Theatre review – swirling tales from Taiwan by Lyndsey Winship

Sadler’s Wells, London Cheng Tsung-lung’s 13 Tongues circles and flows, while Lin Hwai-min’s Dust is a slow slide into the dark Forty-seven years ago, a man who knew next to nothing ab…

SOURCE: The Guardian at 09:24AM
Sunday, February 23, 2020

'She taught me to love my skin': Viviana Durante unveils gift to Isadora Duncan by Lyndsey Winship

Until her death in a freak accident, the ‘radical and shocking’ Isadora Duncan transformed dance. Now her feminist free spirit struts the stage again ‘You’ll have to excuse me, I’m…

SOURCE: The Guardian at 11:48AM
Friday, February 21, 2020

Alina Cojocaru review – goosebumpy delight and gems amid disjointed evening by Lyndsey Winship

Sadler’s Wells, LondonThe English National Ballet’s luminous lead principal here creates her own show, ranging from Frederick Ashton to Arvo Pärt and two superb short films It’s impos…

SOURCE: The Guardian at 07:36AM
Thursday, February 20, 2020

Message in a Bottle review – Sting soundtracks a blistering hip-hop tale of refugees by Lyndsey Winship

Peacock theatre, London A compelling cast pour their hearts into Kate Prince’s jukebox tale of civil war, trafficking and three siblings separated as refugees A hip-hop dance show set to t…

SOURCE: The Guardian at 11:24AM
Tuesday, February 18, 2020

The Cellist review – a joyfully giddy tribute to Jacqueline du Pré by Lyndsey Winship

Royal Opera House, LondonCathy Marston’s first main stage commission for the Royal Ballet translates Du Pré’s lyrical presence on the podium into dance, capturing her deep love affair w…

SOURCE: The Guardian at 08:12AM
Friday, February 14, 2020

Acosta Danza: Up Close review – Carlos and co get intimate by Lyndsey Winship

Linbury theatre, Royal Opera House, London The proximity to the action in this show highlights the finesse and strength of the Havana troupe Only a few months since Acosta Danza were last in…

SOURCE: The Guardian at 01:03PM
Thursday, February 13, 2020

Bluebeard review – Pina Bausch's punishing portrait of marital misery by Lyndsey Winship

Sadler’s Wells, LondonSet to Bartók’s opera, the bloody myth becomes a bleak battle of the sexes where we can never quite tell right from wrong Pina Bausch was of the “hell is other p…

SOURCE: The Guardian at 03:03PM
Friday, February 7, 2020

'I’m up for big crazy ideas!' Carlos Acosta's plans for Birmingham Royal Ballet by Lyndsey Winship

New artistic director aims to attract younger audiences and promises more than 20,000 tickets for £20 or less as company reveals 2020 programme Carlos Acosta has pledged to transform Birmin…

SOURCE: The Guardian at 10:54AM
Thursday, February 6, 2020

Mám review – spellbinding gathering of music and memories by Lyndsey Winship

Sadler’s Wells, LondonMichael Keegan-Dolan’s new dance work is steeped in the landscape and culture of the Dingle Peninsula It starts out like a sinister cult: the mask of a black ram, a…

SOURCE: The Guardian at 11:18AM
Wednesday, February 5, 2020

Black Waters: the dance exposing Britain's colonial horror by Lyndsey Winship

Phoenix Dance Theatre’s show looks back to the Zong slave ship massacre and the Kālā Pānī prison torture. Three choreographers explain how they created it together How many people does…

SOURCE: The Guardian at 04:06AM
Saturday, February 1, 2020

What to see this week in the UK by Andrew Pulver, Michael Cragg, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From The Lighthouse to The Haystack, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 07:24AM
Saturday, January 25, 2020

What to see this week in the UK by Andrew Pulver, Sophie Harris, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From The Personal History of David Copperfield to Madonna, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 05:36PM
Friday, January 24, 2020

Aisha and Abhaya review – modern fairytale driven by dark techno by Lyndsey Winship

Linbury theatre, Royal Opera House, LondonThis experiment by film-maker Kibwe Tavares and choreographer Sharon Eyal brims with talent but is frustrating Two young women in heavy robes and el…

SOURCE: The Guardian at 07:06AM
Wednesday, January 22, 2020

Raven review – roll up, roll up to the circus of modern parenting by Lyndsey Winship

Jacksons Lane, LondonIn this acrobatic theatre show, the Berlin circus trio Still Hungry juggle roles and wrestle with all the anxieties and expectations that come with child-rearing A disc…

SOURCE: The Guardian at 08:12AM
Monday, January 20, 2020

Movin' on up: five dazzling dancers to watch by Lyndsey Winship

From the soulful Jemima Brown to BBC Young Dancer champ Nafisah Baba, these dynamos have a stellar year ahead This Northern Irish dancer starts the year nominated for two Critics Circle danc…

SOURCE: The Guardian at 07:36AM

Onegin review – Natalia Osipova thrills with ecstatic, lovestruck obsession by Lyndsey Winship

Royal Opera House, LondonThe Russian ballerina is exhilarating to watch in John Cranko’s 1965 take on Pushkin’s novel, partnered by Reece Clarke in the title role There are few dancers w…

SOURCE: The Guardian at 05:03AM
Friday, January 17, 2020

What to see this week in the UK by Andrew Pulver, Sophie Harris, John Fordham, Andrew Clements, Jonathan Jones, Miriam Gillinson and Lyndsey Winship

From Waves to Beat Horizon, here’s our pick of the best films, concerts, exhibitions, theatre and dance over the next seven days Continue reading...

SOURCE: The Guardian at 09:03AM
Thursday, January 16, 2020

Cirque du Soleil: Luzia review – sometimes bigger really is better by Lyndsey Winship

Royal Albert Hall, LondonThe Canadian company’s colourful Mexican-flavoured show is full of heart-stopping skill, dreamy lyricism and visual whimsy Many contemporary circus groups sell the…

SOURCE: The Guardian at 07:03AM
Wednesday, January 15, 2020

Rooman review – kangaroo love in dreamlike oddball tale by Lyndsey Winship

The Pit, LondonFleur Elise Noble’s fantasy show at the London international mime festival is highly original and unsettling The London international mime festival (43 years old and stronge…

SOURCE: The Guardian at 06:18AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime