All stories by Laura Collins-Hughes on BroadwayStars

Wednesday, November 16, 2016

Review: ‘Man in Snow,’ With a Lone Voice Hoping to Stay Connected by Laura Collins-Hughes

This show grew out of Israel Horovitz’s radio play of the same name, inspired by an Alaskan avalanche that buried a man in a cabin under 30 feet of snow.

SOURCE: The New York Times Subscription at 01:48PM

The Professor of Pratfalls by Laura Collins-Hughes

Christopher Bayes, who teaches physical acting at Yale, has trained a generation of comic performers, including many in “The Servant of Two Masters.”

SOURCE: The New York Times Subscription at 01:18PM
Monday, November 14, 2016

Review: A Tennis Rivalry That Just Might Sabotage a Friendship by Laura Collins-Hughes

With girlfriends acting as ironic courtside commentators, Andy Bragen’s play examines a highly charged pastime for two men entering middle age.

SOURCE: The New York Times Subscription at 05:18PM
Sunday, November 13, 2016

Edgar Oliver, Actor and Raconteur, Hews to His East Village Past by Laura Collins-Hughes

Mr. Oliver, who stars in “Attorney Street,” the latest installment of his solo trilogy, takes a melancholy stroll around his former neighborhood.

SOURCE: The New York Times Subscription at 06:06PM
Tuesday, November 8, 2016

Review: Stranded. And Don’t Expect Help From Those Animals. by Laura Collins-Hughes

John Fleck veers into gothic horror spoof in his solo show, “Blacktop Highway,” at Dixon Place. With video and puppetry, it is gory and gleefully dark.

SOURCE: The New York Times Subscription at 02:48PM
Monday, November 7, 2016

Review: ‘Lost Voices’ Confronts the Rising Tide of Climate Change by Laura Collins-Hughes

In this program of two one-act plays at Here, the company Eagle Project examines how natural disasters take their greatest toll on minority residents.

SOURCE: The New York Times Subscription at 05:48PM
Tuesday, November 1, 2016

Review: In ‘Sagittarius Ponderosa,’ New Self Confronts Old by Laura Collins-Hughes

This MJ Kaufman play centers on a transgender character who finds solace in an enormous tree as he deals with issues of identity, intimacy and family.

SOURCE: The New York Times Subscription at 06:54PM
Wednesday, October 26, 2016

Review: Sisters at War in ‘Sweet,’ a Triangle Amid ’60s Tumult by Laura Collins-Hughes

Harrison David Rivers’s new play, at the National Black Theater, pits Kansas siblings against each other in a bid for a Columbia graduate’s heart.

SOURCE: The New York Times Subscription at 02:04PM
Friday, October 21, 2016

Review: ‘The Plough and the Stars,’ War and Folly in a Dublin Tenement by Laura Collins-Hughes

Sean Holmes’s contemporary take on Sean O’Casey’s drama set during the 1916 Easter Rising offers no illusions of heroism.

SOURCE: The New York Times Subscription at 05:10PM
Thursday, October 20, 2016

Therapy Becomes Theater in ‘Wilderness’ by Laura Collins-Hughes

The new multimedia piece, at the Abrons Arts Center, was based on the producer Anne Hamburger’s experience with placing her son in wilderness therapy.

SOURCE: The New York Times Subscription at 10:24AM
Tuesday, October 18, 2016

Review: A Portrait of Living With Mental Illness in ‘The Pen’ by Laura Collins-Hughes

The highlight of “Inner Voices,” a program of three musical monologues presented by Premieres at TBG Theater, is “The Pen,” sung by Nancy Anderson.

SOURCE: The New York Times Subscription at 06:12PM
Monday, October 17, 2016

Review: ‘The Maids’ in Puerto Rico, With Shifts in Power and Gender by Laura Collins-Hughes

This adaptation of the Jean Genet play puts two pairs of actors — one male, one female — in the title roles as servants yearning for freedom.

SOURCE: The New York Times Subscription at 05:56PM

Review: In ‘The Loon,’ the Birds Can Coo. Can You? by Laura Collins-Hughes

The new piece from the dance and theater company Witness Relocation is a meditation on middle age that does not want to go gentle.

SOURCE: The New York Times Subscription at 05:56PM
Friday, October 14, 2016

Review: ‘Stuffed’ Details Fights Women Wage With Their Weight by Laura Collins-Hughes

The play, written by and starring Lisa Lampanelli, is a patchwork of standup comedy and monologues that are only loosely sewn together.

SOURCE: The New York Times Subscription at 06:34PM
Tuesday, October 11, 2016

Review: In ‘The God Projekt,’ He’s Old and Alone but Still Almighty by Laura Collins-Hughes

This play features Kevin Augustine as a broken-down heavenly father who is better at making promises than answering prayers.

SOURCE: The New York Times Subscription at 05:49PM
Monday, October 3, 2016

Review: Shelagh Delaney's "A Taste of Honey," once a hit in the West End & on Broadway,revived by Pearl Theatre Company by Laura Collins-Hughes

Joan Plowright & Amanda Plummer played "Jo" to great acclaim, add REBEKAH BROCKMAN to that list since her memorable & assured performance is the chief attraction of Austin Pendleton's produc…

SOURCE: The New York Times Subscription at 07:03PM
Friday, September 30, 2016

New York International Fringe Festival Will Skip 2017 by Laura Collins-Hughes

Organizers of the summer festival, which has been produced for 20 years, say the hiatus will be used to reconsider the festival’s mission.

SOURCE: The New York Times Subscription at 06:21PM
Thursday, September 29, 2016

Review: In ‘Tomorrow’s Parties,’ Visions of the Planet’s Future by Laura Collins-Hughes

A woman and a man conjure ever-morphing, wildly different ideas in this show from Forced Entertainment, part of the Crossing the Line Festival.

SOURCE: The New York Times Subscription at 05:42PM
Tuesday, September 27, 2016

Review: ‘The Black Crook’ Inspires Its Own Alcohol by Laura Collins-Hughes

The play, at the Abrons Arts Center, is adapted by Joshua William Gelb from the 1866 New York stage spectacular of the same name.

SOURCE: The New York Times Subscription at 05:36PM
Friday, September 23, 2016

Review: In ‘A Taste of Honey,’ She’s Having the Baby. How Quaint. by Laura Collins-Hughes

Shelagh Delaney’s play, once a hit in the West End and on Broadway, is revived by Pearl Theater Company.

SOURCE: The New York Times Subscription at 06:51PM
Tuesday, September 20, 2016

Review: A ‘Hamlet’ That Wants to Get Closer by Laura Collins-Hughes

The Public Theater’s Mobile Unit took on the challenge of presenting this play in a nontheatrical space in Harlem; now the cast will continue it in a theatrical one.

SOURCE: The New York Times Subscription at 05:51PM
Wednesday, September 14, 2016

Review: ‘Blossom,’ a Puppet’s Tale of Alzheimer’s by Laura Collins-Hughes

Spencer Lott’s play shines in its wordless moments as it follows the decline of a 76-year-old widower with Alzheimer’s disease.

SOURCE: The New York Times Subscription at 06:49PM
Monday, September 12, 2016

Review: Nice Music, but in ‘Maestro’ He Doesn’t Look a Thing Like Lenny by Laura Collins-Hughes

Hershey Felder plays that “telegenic ham” Leonard Bernstein in “Maestro,” a solo show with songs, at 59E59 Theaters.

SOURCE: The New York Times Subscription at 10:43PM
Wednesday, September 7, 2016

Playing a ‘Game’ to Reveal Uncomfortable Truths About Race by Laura Collins-Hughes

“Underground Railroad Game,” opening at Ars Nova, is a squirm-inducing comic play concerning the legacy of slavery.

SOURCE: The New York Times Subscription at 06:04PM
Thursday, September 1, 2016

Review: ‘The Trojan Women’ Laments War and Bloodshed, From a Distance by Laura Collins-Hughes

Ellen McLaughlin’s adaptation of Euripides’ tale has its New York premiere at the Flea; the impetus for her work was the Bosnian War.

SOURCE: The New York Times Subscription at 10:48PM
Monday, August 29, 2016

Review: It’s the Audience That’s Captured by ‘Caught’ by Laura Collins-Hughes

What is true and what is a cultural expectation in this play about a Chinese dissident keep the audience guessing.

SOURCE: The New York Times Subscription at 10:47AM
Wednesday, August 24, 2016

Review: A Welsh Family Clings to Native Soil in ‘The Good Earth’ by Laura Collins-Hughes

This brisk production from the company Motherlode concerns a village tempted by a stranger to move to new homes down the road.

SOURCE: The New York Times Subscription at 10:20PM
Tuesday, August 23, 2016

Critic’s Notebook: FringeNYC: Plays That Are Bold, Daring and Full of Lust by Laura Collins-Hughes

A critic revisits the festival for “The Box Show,” “Thud!,” a new “Cyrano,” “Night of the Living N-Word!!” and “Roadkill.”

SOURCE: The New York Times Subscription at 06:04PM
Tuesday, August 16, 2016

Critic’s Notebook: Finding Some Treasures at FringeNYC by Laura Collins-Hughes

A dozen-show dive into the New York International Fringe Festival, which has nearly 200 shows on offer.

SOURCE: The New York Times Subscription at 05:39PM
Thursday, August 11, 2016

How 4 Fringe Festival Shows Found Free Rehearsal Space by Laura Collins-Hughes

Artists in the New York International Fringe Festival used their creativity to secure rehearsal locations that wouldn’t break the bank.

SOURCE: The New York Times Subscription at 04:32PM
Wednesday, August 10, 2016

‘The Wolves’ Uses Soccer to Visit a World of Teenage Girls by Laura Collins-Hughes

Sarah DeLappe’s play focuses on coming of age, the closed ranks of a longtime unit and the loneliness of being an outsider.

SOURCE: The New York Times Subscription at 03:33PM