All stories by Laura Collins-Hughes on BroadwayStars

Tuesday, March 21, 2017

Review: Instead of a ‘War Horse,’ This Time a Lost Cat Opens a Child’s Eyes by Laura Collins-Hughes

In “946: The Amazing Story of Adolphus Tips,” Emma Rice directs a fanciful adaptation of another novel by Michael Morpurgo, the author of “War Horse.”

SOURCE: The New York Times Subscription at 05:48PM
Monday, March 20, 2017

Review: In ‘Pool Play 2.0,’ the Audience Is Welcome to Make a Splash by Laura Collins-Hughes

Featuring dance numbers, This Is Not a Theater Company’s buoyant daydream of a show is set in a pool on the East Side of Manhattan. Acoustics are a challenge.

SOURCE: The New York Times Subscription at 08:18PM
Wednesday, March 15, 2017

‘Vanity Fair’ at the Pearl Theater Brings William Makepeace Thackeray to the Stage by Laura Collins-Hughes

Kate Hamill and Eric Tucker team up for another Off Broadway adaptation, this time taking on a novel of social satire.

SOURCE: The New York Times Subscription at 12:18PM
Monday, March 13, 2017

Review: For ‘Judas Iscariot,’ a Courtroom Drama of Epic Proportions by Laura Collins-Hughes

In Stephen Adly Guirgis’s play, directed by Estelle Parsons at La MaMa, Satan’s arrival unleashes magic.

SOURCE: The New York Times Subscription at 10:32PM
Thursday, March 9, 2017

Using Shakespeare to Ease the Trauma of War by Laura Collins-Hughes

Stephan Wolfert’s one-man show, “Cry Havoc!,” explores a surprising psychic space where Shakespeare and military experience intersect.

SOURCE: The New York Times Subscription at 08:18AM
Monday, March 6, 2017

Review: ‘Frontières Sans Frontières,’ Where Poverty Is Photogenic by Laura Collins-Hughes

Phillip Howze’s play, at the Bushwick Starr in Brooklyn, is an absurdist take on the cultural imperialism of tourists visiting a developing country.

SOURCE: The New York Times Subscription at 04:54PM
Sunday, March 5, 2017

Review: Office Politics Stay Bloodless in ‘Dolphins and Sharks’ by Laura Collins-Hughes

The struggle to get by in today’s economy is a tension central to this play by James Anthony Tyler from the Labyrinth Theater Company.

SOURCE: The New York Times Subscription at 05:32PM
Friday, March 3, 2017

Review: Little Miss Sunshine Trips Into a Slasher Film in ‘All the Fine Boys’ by Laura Collins-Hughes

Abigail Breslin stars as a love-struck teenager in this play written and directed by Erica Schmidt.

SOURCE: The New York Times Subscription at 02:48PM
Thursday, March 2, 2017

Review: ‘Bull in a China Shop’ Finds a Revolution in One Woman by Laura Collins-Hughes

The play, by Bryna Turner, is inspired by letters between Mary Woolley, a president of Mount Holyoke College, and Jeannette Marks.

SOURCE: The New York Times Subscription at 02:03PM
Monday, February 27, 2017

Review: ‘9 Circles,’ a Soldier’s Story (and the Damage Done) by Laura Collins-Hughes

An honorably discharged private is at the center of this morality play inspired by Dante’s “The Divine Comedy.”

SOURCE: The New York Times Subscription at 10:42PM
Thursday, February 16, 2017

Why Thornton Wilder Matters in the Trump Era by Laura Collins-Hughes

Wilder’s “The Skin of Our Teeth” made its Broadway premiere in 1942. It’s back, again, with fresh resonance.

SOURCE: The New York Times Subscription at 12:54PM
Thursday, February 9, 2017

Review: A New ‘Big River,’ Endearing but Ill Timed by Laura Collins-Hughes

At City Center, an irresistible Huckleberry Finn but no new insights into the questions of race and responsibility that his story always raises.

SOURCE: The New York Times Subscription at 06:03PM
Monday, February 6, 2017

Review: The God of Wine Stirs No Sexual Whirlwind in ‘Hurricane Diane’ by Laura Collins-Hughes

A new woman in town is really the Greek god Dionysus incarnated as a gardener with a mission in this eco-play at Two River Theater in New Jersey.

SOURCE: The New York Times Subscription at 06:18PM
Tuesday, January 31, 2017

Give Them a Hand: Puppet Artists Are Having a Moment by Laura Collins-Hughes

An 11-day celebration of puppet-related stage productions in Chicago, and shows elsewhere, have showed the possibilities of an art form.

SOURCE: The New York Times Subscription at 07:06PM
Thursday, January 26, 2017

How to Act Drunk, With Richard Roxburgh by Laura Collins-Hughes

Mr. Roxburgh stars as Mikhail in “The Present,” a Chekhov adaptation that floats along on a vodka tide, at the Ethel Barrymore Theater.

SOURCE: The New York Times Subscription at 06:48PM
Sunday, January 22, 2017

Review: An ‘Orange Julius’ Bond Is Complicated by Laura Collins-Hughes

Memory, gender and fantasy blend in this play about a Vietnam veteran and his offspring.

SOURCE: The New York Times Subscription at 10:42PM
Thursday, January 19, 2017

Review: ‘Albatross’ Has an Ancient Mariner but Modern Technology by Laura Collins-Hughes

This solo show, written by Matthew Spangler and Benjamin Evett and starring Mr. Evett, is based on the poem by Samuel Taylor Coleridge.

SOURCE: The New York Times Subscription at 10:18PM
Monday, January 16, 2017

Review: ‘[Porto]’ Features a Bar Regular Looking for Love by Laura Collins-Hughes

This Kate Benson play is set in a Brooklyn spot that promises company and conversation, especially for a lonely woman who wants to attract a man.

SOURCE: The New York Times Subscription at 06:04PM
Monday, January 2, 2017

Step Aboard or Put on That Blindfold: 2017’s Theatrical Adventures by Alexis Soloski and Laura Collins-Hughes

From Under the Radar to Coil to American Realness and beyond, the curtain’s going up on several January festivals that insist on engaged audiences.

SOURCE: The New York Times Subscription at 05:48PM
Thursday, December 29, 2016

Eat, Drink, Dance and Be Part of the Play by Laura Collins-Hughes

“The Grand Paradise,” “The Dead, 1904,” “Drunk Shakespeare” and “Sleep No More” are participation shows offering special events the night of Dec. 31.

SOURCE: The New York Times Subscription at 05:54PM
Sunday, December 25, 2016

Review: Hey, Eb, 3 Christmas Spirits Would Like to Chill With You by Laura Collins-Hughes

This six-actor adaptation by Matt Opatrny of the Dickens classic brings humanizing touches to the story.

SOURCE: The New York Times Subscription at 11:36PM
Friday, December 23, 2016

Josh Radnor Is ‘Existentially Restless.’ And That’s O.K. by Laura Collins-Hughes

He is writing essays, working on an album and starring in a play, among other things.

SOURCE: The New York Times Subscription at 10:32AM
Thursday, December 22, 2016

Surfing and Sondheim: What’s on Josh Radnor’s Mind by Laura Collins-Hughes

A roundup of what the actor is raving about these days.

SOURCE: The New York Times Subscription at 08:32PM
Sunday, December 18, 2016

Review: ‘Mytho? Lure of Wildness’ Teases the Senses by Laura Collins-Hughes

The work, a trip through Anna Kohler’s memories of being a young nude model in Paris, is directed by Caleb Hammond and is partly a sensory experiment.

SOURCE: The New York Times Subscription at 06:04PM
Thursday, December 15, 2016

Review: Remembering a Happier Holiday Among Many That Were Sad in ‘The First Noel’ by Laura Collins-Hughes

The Classical Theater of Harlem’s Christmas musical is a memory show; this year it moves to the main stage of the Apollo.

SOURCE: The New York Times Subscription at 06:18PM
Tuesday, December 6, 2016

Review: In the Din of ‘Clover,’ Voices of Loss, Hope and Emmett Till by Laura Collins-Hughes

Erik Ehn’s sprawling experimental drama at La MaMa, directed by Glory Kadigan, means to be obscure, though probably not to the degree that it is.

SOURCE: The New York Times Subscription at 06:06PM
Wednesday, November 30, 2016

A Producer Spearheads a Collective to Help Hispanics in Theater by Laura Collins-Hughes

Jacob G. Padrón is the artistic director of the Sol Project, which has found deep pockets to finance its goal of ushering Latinos into the theater mainstream.

SOURCE: The New York Times Subscription at 07:02PM
Sunday, November 27, 2016

Books of The Times: Review: ‘By Women Possessed,’ a Remix of a Flawed Eugene O’Neill by Laura Collins-Hughes

This book by Arthur and Barbara Gelb expresses a professional admiration for Mr. O’Neill but goes into great detail about the unflattering parts of his life.

SOURCE: The New York Times Subscription at 05:24PM
Wednesday, November 23, 2016

Review: ‘Poison,’ in Which a Death Separates a Couple and Connects Them by Laura Collins-Hughes

The loss of a young son is the central force in this work by the Dutch playwright Lot Vekemans.

SOURCE: The New York Times Subscription at 02:02PM
Monday, November 21, 2016

Review: ‘Among the Dead’ Deals in War and Family Mysteries by Laura Collins-Hughes

This Hansol Jung play, set from the 1940s through the mid-1970s, centers on a woman with an urn of her father’s ashes and includes Jesus in disguise.

SOURCE: The New York Times Subscription at 07:18PM
Wednesday, November 16, 2016

Review: ‘Man in Snow,’ With a Lone Voice Hoping to Stay Connected by Laura Collins-Hughes

This show grew out of Israel Horovitz’s radio play of the same name, inspired by an Alaskan avalanche that buried a man in a cabin under 30 feet of snow.

SOURCE: The New York Times Subscription at 01:48PM