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A deeply uncomfortable experience for its audience — not because of its fascinating probes into the ugliness of racism, but due to how poorly the story has been handled theatrically.
“The Music Man,” I’m sorry to say, does not live up to our oversize expectations. Quite unexpectedly, you leave not raving about Jackman, but the music woman — Sutton Foster. She’s…
The pat dialogue feels as if it was co-authored by a lawyer for the Jackson Estate — one of the producers — with Wite-Out and a Sharpie.
With Omicron surging in New York, understudies, standbys and emergency last-minute fill-ins are the glue keeping Broadway from falling apart.
"Flying Over Sunset” is a stuffy show with an off-putting premise: A 1950s acid trip between Cary Grant, Aldous Huxley and Clare Boothe Luce.
Minutes into the Stephen Sondheim musical “Company,” which opened Thursday at the Bernard B. Jacobs Theatre, it hits you — Broadway really is back.
Why has a movie that was never anything more than a ridiculous vehicle for the late Robin Williams’ comedic talents been dragged onstage almost 30 years later without him?
Spielberg also revealed that the two became friends, and had onset nicknames.
“Trouble in Mind,” which opened Thursday night at the American Airlines Theatre, was written way back in 1955 by Alice Childress, but never got to Broadway until now.
What’s the difference between streaming “Diana” at home and sitting through “Diana” live? At the latter, you feel a bit like you’re gagged and in a straitjacket.
Princess Diana wasn’t the only person upset with her ex-husband Friday night on Broadway.
"How’s the show?” the bartender asked two Playbill-clutching men. “Fantastic!” replied one, before downing a shot of tequila.
It turns out "Caroline" hasn't changed that much. The lethargic Broadway production denies its star the snowballing build-up that would ensure a big payoff in the end.
Bibbidi-bobbidi-cut 30 minutes! There is a satisfying musical buried somewhere in here — but, like the title character, the new show could use a Fairy Godmother’s wand.
Hammer, 35, has been embroiled in controversy since January when multiple women accused the "Call Me by Your Name" star of sexual abuse. Reid will be making his Broadway debut.
“The Lehman Trilogy,” a slick British import about the spectacular rise and fall of the Lehman brothers that opened Thursday night, is an exciting and invigorating piece of theater, even…
Keenan Scott II's entertaining new play at the Golden Theatre gives us what it promises: the internal musings of a group of New York black men.
Hey, Mr. Arrrrrnstein! And Eddie. And Mrs. Brice, too. Lynch, Ramin Karimloo and Jared Grimes will join Beanie Feldstein in the show, opening in March 2022.
Broadway wouldn’t really be back unless there was one show playing that’s so ridiculous we’re baffled by its very existence. Well, here she is, boys!
Hours before the curtain went up on “Six,” the new musical about Henry VIII’s sextet of wronged wives, Broadway went dark due to COVID. Now "Six" is back and vivacious as ever.
A man at the 2021 Tony Awards loudly claimed he used to fake Covid test document to attend the hot afterparty for Best Play nominee “Slave Play” at Neuehouse.
The Post's predictions for who will win best musical, play and more on Broadway's biggest night.
During the world premiere of the moving movie “Dear Evan Hansen” at the Toronto International Film Festival Thursday night, a nagging question kept coming up: Should this still be a musi…
The indomitable De Shields, 75, is excited, if cautious, about returning to the neighborhood where he's wowed audiences for decades.
While Broadway nervously approaches mass reopening in September, with casts and creatives terrified by the Delta variant, much of London’s West End has been happily chugging along since sp…
“Pass Over” is a compelling, if flawed, way to return to Broadway.
The Post’s guide to this year's unusual, unforgettable fall season on Broadway.
The role made a star out of Barbra Streisand in 1964, when the show played the Winter Garden Theatre, and she won the Oscar for Best Actress for the film version in 1968.
Lest you think "Merry Wives" is a nonstop sex romp, get your mind out of the gutter. There are more innocent romances and scheming afoot too.
Broadway's “Moulin Rouge!” announced that Natalie Mendoza will take over the leading role of Satine when the musical resumes performances Sept. 24.
Andrew Lloyd Webber’s new musical, which was set to have its opening night on Tuesday in London, has been thrown into chaos due to a single case of the coronavirus among the cast of more t…