All stories by Jesse Green on BroadwayStars

Monday, May 25, 2015

Luckiest Boy in the World by Jesse Green

Pee-wee Herman comes to Broadway, and Paul Reubens moves (cautiously) back into the spotlight.

SOURCE: New York Magazine at 05:58PM[SHARE]

The Intelligent Homosexual's Guide to Himself by Jesse Green

Tony Kushner is one of the last public intellectuals left standing in the theater—or America. Heavy is the head that wears that crown.

SOURCE: New York Magazine at 05:58PM[SHARE]

A Web and a Prayer by Jesse Green

This week, the world will finally get its first look at Spider-Man: Turn Off the Dark. But the most expensive musical in Broadway history has already had an epic run—battling bankruptc…

SOURCE: New York Magazine at 05:58PM[SHARE]
Sunday, May 24, 2015

Theater Review: Is It Smaller Than a Black Box? A Visit to I'm Not the Stranger You Think I Am by Jesse Green

From the outside, the "theater" looks like a shipping crate, the kind roadies roll around, except that it's customized with various lights and bump-outs and a door that says AUDIENCE. Ushere…

SOURCE: Vulture at 08:22PM[SHARE]
Wednesday, May 20, 2015

Theater Review: Permission Tries to Get Away With Something by Jesse Green

After attending a preview of Robert Askins's new play Permission the other night, I can report that the cast's padded undergarments, which got their own feature in the Times last week, are i…

SOURCE: Vulture at 09:00PM[SHARE]
Tuesday, May 19, 2015

Theater Review: One More LaBute Twist, in The Way We Get By by Jesse Green

In a Pottery Barned New York apartment, a postcoital couple awakens in the wee hours and stumbles through a discussion about their future. Have we not seen this before? Doug (an unrecognizab…

SOURCE: Vulture at 10:23PM[SHARE]
Monday, May 18, 2015

Theater Review: The Return of Annie Baker's The Flick by Jesse Green

Note: Sam Gold's production of Annie Baker's play The Flick, produced at Playwrights Horizons in 2013 and subsequently awarded the Pulitzer Prize, returns tonight at the Barrow Street Theate…

SOURCE: Vulture at 10:00PM[SHARE]
Sunday, May 17, 2015

Theater Review: Wasps With a Very Gentle Sting, in What I Did Last Summer by Jesse Green

A playwright is really asking for it when he creates, in a semiautobiographical work, a conflict whose glorious resolution is the writing of the play itself. This is what A.R. Gurney has don…

SOURCE: Vulture at 10:00PM[SHARE]
Monday, May 11, 2015

Theater Review: Athol Fugard's Stately The Painted Rocks at Revolver Creek by Jesse Green

On a farm in South Africa, a large boulder stares down a local painter like a blank canvas. The painter " someone we would categorize today as an outsider artist " is Nukain Mabusa, an old b…

SOURCE: Vulture at 10:00PM[SHARE]
Thursday, May 7, 2015

Theater Review: At Encores!, Zorba Tries to Find the Greek Fire by Jesse Green

Should a critic recuse himself from reviewing a show because he loves it too much? I grew up wearing down the grooves of the 1968 cast album of the original Broadway production of Zorba, whi…

SOURCE: Vulture at 04:24PM[SHARE]
Sunday, April 26, 2015

Theater Review: Anne Hathaway's On Point in Grounded by Jesse Green

The question of how to make Americans listen to things they may not want to hear, especially from the stage, is smartly answered by the Public Theater's production of George Brant's Grounded…

SOURCE: Vulture at 10:00PM[SHARE]
Thursday, April 23, 2015

Theater Reviews: Airline Highway & The Visit by Jesse Green

Sixteen-year-old Zoe has come to New Orleans with her mother's boyfriend, Greg, to visit the Hummingbird Motel. When Greg lived there, before he cleaned up his image and moved to Atlanta, he…

SOURCE: Vulture at 10:00PM[SHARE]
Wednesday, April 22, 2015

Theater Review: Something Rotten! Feels Fresh by Jesse Green

Whatever their nominal subjects, musical comedies today are usually about musical comedies. Consider three of the funniest of the last ten years: Spamalot, The Drowsy Chaperone, and The Book…

SOURCE: Vulture at 10:46PM[SHARE]
Tuesday, April 21, 2015

Theater Review: Doctor Zhivago Needs Intensive Care by Jesse Green

Can we please get this straight, Broadway? Sprawling European novels do not make great musicals. Sorry, Les Miz partisans and Phantomaniacs, but whatever the virtues of those shows " and the…

SOURCE: Vulture at 09:00PM[SHARE]
Monday, April 20, 2015

Theater Review: A Domesticated Renée Fleming in Living on Love by Jesse Green

It's not fair to judge a play by its bloopers; almost everything that has ever appeared onstage has had its share of dropped lines, missed entrances, Parkinsonian sets, or plummeting Spider-…

SOURCE: Vulture at 10:00PM[SHARE]
Sunday, April 19, 2015

Theater Review: Fun Home in Its New Round House by Jesse Green

I already thought that Fun Home was the best new musical of the year in 2013, when it opened at the Public Theater. It's hard to imagine that its Broadway transfer, and transformation, will …

SOURCE: Vulture at 10:00PM[SHARE]
Thursday, April 16, 2015

Theater Review: Shall We Dance Once Again? The King and I Returns by Jesse Green

There really was a King and there really was an I. The King was Phra Bat Somdet Phra Poramenthra Maha Mongkut Phra Chom Klao Chao Yu Hua, more generally known as Mongkut. The "I" was Anna Le…

SOURCE: Vulture at 10:00PM[SHARE]
Wednesday, April 15, 2015

Theater Review: A Rough Takeoff for Finding Neverland by Jesse Green

Provenance is a concept usually associated with art, not theater. Who, after all, owns a plot " or the history on which it is based? Still, the problem rears up in several ways in Finding Ne…

SOURCE: Vulture at 09:00PM[SHARE]
Tuesday, April 14, 2015

Theater Review: It Shoulda Been You and Shoulda Been Better by Jesse Green

With its title reminiscent of that very old standard "It Had to Be You," the new musical It Shoulda Been You sounds like a retread even before it starts. The impression does not abate once y…

SOURCE: Vulture at 10:00PM[SHARE]
Sunday, April 12, 2015

Theater Review: An American in Paris Has Its Pleasures, and Its Limits by Jesse Green

The curtain is already up at the Palace as you make your way to your seats for An American In Paris; the stage is empty except for a piano dead center. There's no overture, and, when the sho…

SOURCE: Vulture at 10:00PM[SHARE]
Thursday, April 9, 2015

Theater Review: Beheadings and Betrothals at Wolf Hall by Jesse Green

With more than 1,500 seats, the Winter Garden is generally considered too large for plays: too lacking in intimacy and too hard to fill. In any case, it hasn't housed a nonmusical since 1982…

SOURCE: Vulture at 11:00PM[SHARE]
Wednesday, April 8, 2015

Theater Review: City Dynamics Step Onstage, in The Buzzer by Jesse Green

What kingdoms were to Elizabethan drama, co-ops are today. In contemporary plays as diverse as Skylight, Belleville, and Between Riverside and Crazy, domestic real estate is not just a setti…

SOURCE: Vulture at 10:00PM[SHARE]

Theater Review: A Disney Star in a Girl-Power Gigi by Jesse Green

A note in the Playbill for the new production of Gigi explains that the title character "first burst upon the world" in a novella by "French authoress" Colette. Authoress? It says everything…

SOURCE: Vulture at 10:00PM[SHARE]
Tuesday, April 7, 2015

Theater Review: Hypocrites and a Vicious Sock Puppet in Hand to God by Jesse Green

For centuries, theatrical antiheroes have vied for attention by going to extremes, but Tyrone, in Robert Askins's Hand to God, may be the first, onstage at least, to bite off an ear. He's as…

SOURCE: Vulture at 08:00PM[SHARE]
Thursday, April 2, 2015

Theater Review: An Illuminating Skylight by Jesse Green

It may not at first make sense that two such fundamentally different acting styles as Bill Nighy's and Carey Mulligan's should coexist in " and mutually enhance " one play. And yet here they…

SOURCE: Vulture at 10:00PM[SHARE]
Friday, March 27, 2015

Theater Review: The Radio City Music Hall New York Spring Spectacular Is Not for Us by Jesse Green

The largest Broadway houses have fewer than 2,000 seats; Radio City Music Hall has almost 6,000. So you might expect Radio City's New York Spring Spectacular, a sticky amalgam of musical the…

SOURCE: Vulture at 03:17PM[SHARE]
Thursday, March 19, 2015

Theater Review: The Heidi Chronicles Returns, With Elisabeth Moss by Jesse Green

You cannot look at Heidi Holland, the heroine of Wendy Wasserstein's The Heidi Chronicles, without seeing, dimly and slightly out of phase behind her, Wasserstein herself. It's not just the …

SOURCE: Vulture at 11:00PM[SHARE]

Theater Review: At Encores!, Paint Your Wagon Is Way Better Than It Oughta Be by Jesse Green

The ick factor is high in Lerner and Loewe's Paint Your Wagon, the second of this season's three Encores! presentations. I'm referring to the story, a mortifying one even by the standards of…

SOURCE: Vulture at 03:16PM[SHARE]
Monday, March 16, 2015

Theater Reviews: Flatness as Drama, in Placebo and Posterity by Jesse Green

The flat lives and flatter affects of the below-40 set have been the subject of enough recent plays to warrant a collective name; how about Theater of the Becalmed? These are generally sour …

SOURCE: Vulture at 09:43PM[SHARE]
Sunday, March 15, 2015

Theater Review: A Little Engine Keeps On the Twentieth Century Moving by Jesse Green

There are a million big reasons that On the Twentieth Century, the 1978 musical by Cy Coleman and Comden and Green, shouldn't work today: It's profoundly silly, tonally tricky, too big for t…

SOURCE: Vulture at 08:56PM[SHARE]
Friday, March 13, 2015

Theater Review: The Wild and Wily An Octoroon by Jesse Green

There are few plays I disliked last year as much as Branden Jacobs-Jenkins's Appropriate, the story of a nasty white Arkansas family discovering in the ancestral plantation a collection of l…

SOURCE: Vulture at 11:18AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off