All stories by Jesse Green on BroadwayStars

Monday, October 5, 2015

Theater Review: A Cloud Nine With a Few Lightning Bolts by Jesse Green

The first American production of Cloud Nine opened off Broadway on May 18, 1981, a few weeks before the Times ran its first account of what would later be known as AIDS. That's pure coincide…

SOURCE: Vulture at 10:23PM[SHARE]
Monday, September 28, 2015

Theater Review: A Signed (But Not Silenced) Spring Awakening by Jesse Green

The fall Broadway season unofficially begins tonight with the opening of Spring Awakening, the first of six revivals in a row. It's not surprising that with so many déjà vus, and m…

SOURCE: Vulture at 12:49PM[SHARE]
Sunday, September 27, 2015

Theater Review: Juliette Binoche and That Downed Malaysia Airlines Jet Inspire a New Antigone by Jesse Green

The Belgian director Ivo van Hove almost always has the term avant-garde attached to his name, but with four major New York productions this season, including two on Broadway, he probably ne…

SOURCE: Vulture at 09:00PM[SHARE]
Thursday, September 17, 2015

Theater Reviews: The Christians, Iphigenia in Aulis, and Hamlet In Bed by Jesse Green

Most plays about religion are really about politics or psychopathology. In Saint Joan, Agnes of God, and Doubt, for instance, it's not dogma that gets dramatized " how could it be? Theology …

SOURCE: Vulture at 10:00PM[SHARE]
Thursday, September 10, 2015

Theater Reviews: Artifice Wrecks, in Isolde and Desire by Jesse Green

Richard Maxwell's Isolde, opening the season at the Theatre for a New Audience, belongs to the Mad Libs school of dramaturgy, in which various more or less random elements are fitted togethe…

SOURCE: Vulture at 10:00PM[SHARE]
Sunday, September 6, 2015

Even Homer Revs: A Biker Odyssey in the Park by Jesse Green

Art for art's sake is sometimes a diet too rich to maintain, yet art that sets out single-mindedly to feed a political agenda almost always fails to satisfy. The Public Theater, whose missio…

SOURCE: Vulture at 05:25PM[SHARE]
Thursday, August 27, 2015

The Twists and Turns of Whorl Inside a Loop by Jesse Green

If you fished Whorl Inside a Loop out of a slush pile and read only its précis, you'd probably cringe: A Broadway actress, described as the whitest person at her own Whitey Mc…

SOURCE: Vulture at 10:00PM[SHARE]
Tuesday, August 25, 2015

Way Off Broadway, But Maybe Not for Long: What's Playing (and What's Working) in the Berkshires by Jesse Green

What used to be called the straw-hat circuit is long gone, as is the customary summer haberdashery that gave it its name. Stars no longer caravan their Broadway hits, in stripped-down versio…

SOURCE: Vulture at 06:32AM[SHARE]
Wednesday, August 12, 2015

Theater Review: A Bed-and-Breakfast Weekend Gone Awkward, in Annie Baker's John by Jesse Green

What interest could Annie Baker possibly have in kitsch? This was the question bothering me as I headed into her new play, John, which takes place in a Gettysburg bed and breakfast so encrus…

SOURCE: Vulture at 09:38PM[SHARE]
Tuesday, August 11, 2015

Theater Review: Cymbeline In the Park, With Some Streamlining by Jesse Green

In the Shakespeare canon, Cymbeline is a late play and a long play: by line count, the third longest, with 3,753. (The Comedy of Errors has less than half as many.) Some of those lines are g…

SOURCE: Vulture at 06:53AM[SHARE]
Friday, August 7, 2015

Theater Review: Is Hamilton Even Better Than It Was? by Jesse Green

A typical musical might list 18 numbers in its program; Hamilton, with 34, is more in the range of operatic works like Porgy and Bess. Ambition is part of it, no less for Lin-Manuel Miranda …

SOURCE: Vulture at 06:42AM[SHARE]
Friday, July 24, 2015

Theater Review: Rach gets Rolling in Preludes by Jesse Green

Dave Malloy has a thing for the Russian romantics. His recent electropop opera Natasha, Pierre, and the Great Comet of 1812 " presented in a big tent fabulously tricked out as a Czarist nigh…

SOURCE: Vulture at 10:28PM[SHARE]
Friday, July 17, 2015

Theater Review: Amazing Grace, Too Sweet, Unsound by Jesse Green

There's a scene in Fun Home " both the book and the musical " in which a 9-year-old girl shows her father a fanciful map she's drawn for school. As the father grows more agitated t…

SOURCE: Vulture at 10:21AM[SHARE]
Thursday, July 16, 2015

Theater Review: At Encores!, a Brief Return to The Wild Party by Jesse Green

Are you Team Lippa or Team LaChiusa? For theater types, the dueling musicals of The Wild Party " one by Andrew Lippa, one by Michael John LaChiusa, both somehow given their premieres in the …

SOURCE: Vulture at 10:35PM[SHARE]
Monday, July 13, 2015

Theater Review: A Rabbit Trick Redux, in Penn & Teller on Broadway by Jesse Green

You used to have to enter the Marquis Theatre, that abattoir of an auditorium inside the Marriott Marquis hotel, via a series of Plexiglas-encased escalators and cattle chutes that primed yo…

SOURCE: Vulture at 07:11AM[SHARE]
Thursday, July 2, 2015

Theater Review: Encores!' (and Jake Gyllenhaal's, and Ellen Greene's) Little Shop of Horrors by Jesse Green

The mood was ecstatic last night for the first of three concert performances of Little Shop of Horrors, the nearly perfect 1982 musical that's the centerpiece of this summer's "Encores! Off-…

SOURCE: Vulture at 08:08PM[SHARE]
Tuesday, June 30, 2015

Theater Review: Shows for Days, and the Making of Douglas Carter Beane by Jesse Green

Douglas Carter Beane sure knows how to write for his stars. In 1997, As Bees in Honey Drown perfectly showcased the talents of J. Smith-Cameron, just as, more recently, The Little Dog Laughe…

SOURCE: Vulture at 07:46PM[SHARE]
Friday, June 26, 2015

Theater Review: William Finn Reveals A New Brain by Jesse Green

A New Brain, the killer musical about a songwriter facing a life-threatening brain condition, could only have been written by William Finn. For one thing, it's highly autobiographical. When …

SOURCE: Vulture at 02:40AM[SHARE]
Friday, June 19, 2015

Theater Review: Significant Other Needs to Commit by Jesse Green

The only previous work the young playwright Joshua Harmon mentions in his current program bio is Bad Jews, a big hit for the Roundabout in 2012 and 2013. That terrific comedy, tight and…

SOURCE: Vulture at 01:55PM[SHARE]
Thursday, June 18, 2015

Theater Review: Nothing, Then Too Much, in Gloria by Jesse Green

"There are aspects of the play we kindly ask you not to reveal in your review of Gloria." So read the email from the press agents for Branden Jacobs-Jenkins's new shocker at the Vineyard.…

SOURCE: Vulture at 01:12PM[SHARE]
Wednesday, June 17, 2015

Theater Review: A Tempest Without Much Storminess by Jesse Green

The weather, that diva, is often a co-star at the Delacorte Theater, but rarely so aptly as at a recent preview performance of The Tempest, when the air seemed pregnant and thunderstorms wer…

SOURCE: Vulture at 03:37PM[SHARE]
Monday, June 15, 2015

Theater Review: Group Sex Is Anything But Easy in The Qualms by Jesse Green

Before a word is spoken in Bruce Norris's new play The Qualms, now at Playwrights Horizons, audiences hear the sound of nervous laughter onstage. It might as well have been my own, beca…

SOURCE: Vulture at 10:10AM[SHARE]
Thursday, June 11, 2015

Theater Review: Once More, Please, for 10 out of 12 by Jesse Green

At some point in their writing lives, most playwrights turn from the world they can never finally fathom to one they already know too well. Recent New York seasons have brought us both fond …

SOURCE: Vulture at 07:46AM[SHARE]
Monday, June 8, 2015

Surprises and Disappointments at Last Night's Tony Awards by Jesse Green

Time moves slowly in Tonyland; from one year to the next you can pretty much expect the same turnout of stars, the same proportion of gold to cheese. In that regard, the 2015 edition did not…

SOURCE: Vulture at 01:51PM[SHARE]
Friday, June 5, 2015

Predicting the 2015 Tony Awards: A Critic's-Eye View by Jesse Green

The 51 Tony Award nominators typically get a lot of grief from theater types, but they did a good job this Broadway season. Sure, I would have enjoyed seeing Jason Robert Brown's score for H…

SOURCE: Vulture at 10:34PM[SHARE]
Thursday, June 4, 2015

Theater Reviews: Heisenberg and The Twentieth-Century Way by Jesse Green

With a title like Heisenberg, and a plot that begins with a smooch between an old man and a much younger woman, Simon Stephens's terrific new play might seem to be a cross between Nick Payne…

SOURCE: Vulture at 10:38AM[SHARE]
Wednesday, June 3, 2015

Theater Review: Is There a Victor in Jesse Eisenberg's The Spoils? by Jesse Green

His first line is "Namaste, motherfuckers," and the fact that he says it as a kind of greeting to his Nepalese roommate and the roommate's Indian-American girlfriend does not make him seem a…

SOURCE: Vulture at 07:38AM[SHARE]
Monday, June 1, 2015

Theater Review: Evil Stands and Attempts to Defend Itself in A Human Being Died That Night by Jesse Green

You might not think that a man whose crimes against humanity during South Africa's apartheid regime had earned him the nickname "Prime Evil" would want to be interviewed, in the prison where…

SOURCE: Vulture at 10:13AM[SHARE]
Friday, May 29, 2015

Theater Review: Does Jim Parsons, as God, Knock 'Em Dead? by Jesse Green

For all its celebration of personal liberty and countercultural fabulousness, Broadway is actually a fairly God-positive place. Producers are not, after all, in the business of alienating po…

SOURCE: Vulture at 07:37AM[SHARE]
Monday, May 25, 2015

Luckiest Boy in the World by Jesse Green

Pee-wee Herman comes to Broadway, and Paul Reubens moves (cautiously) back into the spotlight.

SOURCE: New York Magazine at 05:58PM[SHARE]

The Intelligent Homosexual's Guide to Himself by Jesse Green

Tony Kushner is one of the last public intellectuals left standing in the theater—or America. Heavy is the head that wears that crown.

SOURCE: New York Magazine at 05:58PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off