All stories by Jesse Green on BroadwayStars

Sunday, September 6, 2020

Review: In ‘Three Kings,’ Hot Priest Sheds His Cassock by Jesse Green

The “Fleabag” star Andrew Scott is the entire brilliant cast of a penetrating play about toxic fathers and sons.

SOURCE: The New York Times Subscription at 03:06PM
Friday, September 4, 2020

Review: A Pandemic ‘Othello,’ Socially and Otherwise Distant by Jesse Green

The actors quarantined together all summer to produce Shakespeare’s tragedy safely. But they can’t overcome the remove of a camera.

SOURCE: The New York Times Subscription at 02:42PM
Monday, August 31, 2020

Review: It’s Just You and Me and Zoom in ‘Here We Are’ by Jesse Green

Theater for One was built on the idea of face-to-face encounters. Moving it online could have been a disaster, but instead it’s a heartbreaker.

SOURCE: The New York Times Subscription at 01:18PM
Friday, August 21, 2020

Direct from Edinburgh: Theaters Are Closed, but a ‘Zoo’ Is Open by Jesse Green, Alexis Soloski and Elisabeth Vincentelli

Among the performances you can catch online are a one-woman show about sexual assault and riffs on “Heart of Darkness” and “Rocky.”

SOURCE: The New York Times Subscription at 04:06PM
Monday, August 10, 2020

Review: Packing 14 Up-to-the-Minute Monologues in ‘One Room’ by Jesse Green

A collection of short solo works from the Weston Playhouse furthers the redefinition of theater online — and of life in isolation.

SOURCE: The New York Times Subscription at 01:42PM
Thursday, August 6, 2020

‘A Killer Party’ Review: The Case of the Online Musical by Jesse Green

With broad winks to Agatha Christie and the limitations of remote theater, a serialized song-and-dance mystery goes on. Well, not so much dance.

SOURCE: The New York Times Subscription at 02:54PM
Monday, August 3, 2020

The (Virtual) Theatrical Fringe Moves Front and Center by Jesse Green

Expanding content and experimenting with form, the avant-garde finds a congenial new home online, as two recent offerings demonstrate.

SOURCE: The New York Times Subscription at 01:48PM
Friday, July 31, 2020

Review: A Sci-Fi Classic Featuring a Multiverse of Stooges by Jesse Green

In “The 7th Voyage of Egon Tichy,” an experimental theater lab operating from a closet adapts a timely tale about the solitude of cramped quarters.

SOURCE: The New York Times Subscription at 02:24PM
Tuesday, July 21, 2020

Review: Reliving ‘Private Lives,’ This Time Mostly Women’s by Jesse Green

Eight short plays take cues from the 1930 Noël Coward comedy — but now the stakes are different.

SOURCE: The New York Times Subscription at 02:48PM
Thursday, July 16, 2020

The Time I Saw Angela Lansbury Instead of the Horse Show by Jesse Green

Not so long ago, top stars brought top musicals to suburban arenas that started their lives as tents.

SOURCE: The New York Times Subscription at 05:36PM
Thursday, July 9, 2020

Review: Covid Responders Have Their Harrowing Say in ‘The Line’ by Jesse Green

A documentary play based on interviews with New York doctors, nurses and paramedics underlines the inequities of a medical system “flawed from its root.”

SOURCE: The New York Times Subscription at 03:03PM
Wednesday, July 8, 2020

This Is Theater in 2020. Will It Last? Should It? by Ben Brantley, Jesse Green and Maya Phillips

Our critics discuss the last four months, which thanks to Zoom (and Meryl Streep) have been full of experimentation and playfulness.

SOURCE: The New York Times Subscription at 10:54AM
Tuesday, July 7, 2020

Hoping for a Theater Bailout? Better Head to London. by Jesse Green

The British government has promised $2 billion to save its cultural institutions, while the American theater, lacking meaningful leadership, is left to fend for itself.

SOURCE: The New York Times Subscription at 02:48PM
Thursday, July 2, 2020

Review: Apple-Picking Time Again, in ‘And So We Come Forth’ by Jesse Green

Richard Nelson’s fictional family returns, but for the first time this drama of connection in the age of American bewilderment feels smaller than life.

SOURCE: The New York Times Subscription at 02:18PM
Monday, June 29, 2020

Review: When ‘Tartuffe’ Meets Trump, It’s Revolutionary by Jesse Green

A streaming production of the Molière comedy, with allusions to the White House as well as Black Lives Matter, tears down walls to rebuild a classic.

SOURCE: The New York Times Subscription at 02:03PM
Tuesday, June 16, 2020

First the Play. Then the Soul Searching. But What Comes Next? by Jesse Green

An Atlanta theater company addresses racial inequity in a series of virtual dinners that mix drama with discussion.

SOURCE: The New York Times Subscription at 03:42PM
Friday, June 12, 2020

12 Streamable Plays That Depict Black Lives Pierced by Racism by Ben Brantley, Jesse Green and Maya Phillips

From the documentary works of Anna Deavere Smith to brief monologues written in this moment of unrest, dramatists are sounding an alarm.

SOURCE: The New York Times Subscription at 07:03PM
Thursday, June 4, 2020

No Tony Awards Show? Make Your Own With These Great Moments. by Ben Brantley, Jesse Green, Michael Paulson, Alexis Soloski, Elisabeth Vincentelli, Laura Collins-Hughes, Scott Heller and Eric Grode

Miranda’s rap. Rylance’s poems. Jackman’s pelvis. And a brassy reunion for Bea Arthur and Angela Lansbury. Now set your clock for “Turkey Lurkey Time.”

SOURCE: The New York Times Subscription at 02:18PM
Wednesday, May 27, 2020

Larry Kramer, Prophet and Pussycat by Jesse Green

On the stage and on the page, his fury was fueled by an often-cloaked belief in the power of love.

SOURCE: The New York Times Subscription at 05:24PM
Wednesday, April 15, 2020

20 Broadway Musical Albums to Listen To by Jesse Green and Ben Brantley

What we plan to listen to in perpetuity (or right now) in our Spotify-enabled isolation.

SOURCE: The New York Times Subscription at 10:42AM

Six Tips for Listening to Original Cast Recordings by Jesse Green and Ben Brantley

To begin with, don’t call them soundtracks!

SOURCE: The New York Times Subscription at 10:42AM

The 2019-2020 Broadway Cast Albums: A Listening Guide by Ben Brantley and Jesse Green

A listening guide to the cast albums, playlists and video footprints left behind by 18 Broadway and Off Broadway musicals.

SOURCE: The New York Times Subscription at 10:42AM
Monday, April 6, 2020

Off Broadway’s Season Shook Up Norms of Life and Theater by Ben Brantley and Jesse Green

Our co-chief theater critics discuss the plays and musicals that reflected and predicted an unstable world.

SOURCE: The New York Times Subscription at 02:36PM
Tuesday, March 31, 2020

Who Says You Can’t Give Tony Awards in an Abbreviated Season? by Jesse Green and Ben Brantley

Our chief theater critics have no nickel-plated medallions to hand out, but they find plenty to celebrate among shut-down Broadway offerings.

SOURCE: The New York Times Subscription at 05:42PM
Tuesday, March 24, 2020

Terrence McNally, Tony-Winning Playwright of Gay Life, Dies at 81 by Jesse Green and Neil Genzlinger

Mr. McNally, who died of coronavirus complications, introduced audiences to characters and situations that most mainstream theater had previously shunted into comic asides.

SOURCE: The New York Times Subscription at 03:42PM
Wednesday, March 18, 2020

54% of the People. 12% of the Plays. Atlanta, Do We Have a Problem? by Jesse Green

One of the country’s most racially diverse cities struggles, nicely, with representation and inclusion on its many bustling stages.

SOURCE: The New York Times Subscription at 12:02PM
Thursday, March 12, 2020

Now You Know: A Critic’s Guide to Sondheim by Ben Brantley and Jesse Green

An opinionated take on the songwriter’s major works, from a delayed debut to a Pulitzer Prize- winning classic.

SOURCE: The New York Times Subscription at 07:06AM

Stephen Sondheim is Not Just a Great Composer. He’s a Great Playwright. by Jesse Green

Let’s not underrate Stephen Sondheim any longer: Theater’s greatest songwriter is also one of theater’s greatest playwrights. Here’s why.

SOURCE: The New York Times Subscription at 07:06AM
Monday, March 9, 2020

Review: In ‘Endlings,’ the Pain of Swimming Between Worlds by Jesse Green

What do Korean divers and Manhattan playwrights have in common? A new play looks for the connection.

SOURCE: The New York Times Subscription at 11:03PM
Tuesday, March 3, 2020

Review: In ‘The Perplexed,’ Moral Gridlock on Fifth Avenue by Jesse Green

Richard Greenberg’s overstuffed new play about family feuds and ethical choices turns a wedding comedy into a crisis.

SOURCE: The New York Times Subscription at 10:18PM
Wednesday, February 26, 2020

Review: In ‘We’re Gonna Die,’ Pop Songs for the Reaper by Jesse Green

Young Jean Lee offers upbeat tunes about downbeat lives and inevitable ends.

SOURCE: The New York Times Subscription at 01:03AM