What happens when “actor’s actors” run amok? Not much. Which is the point of the sly and sloppy experiment called “Brandywine Distillery Fire.”
SOURCE: The New York Times Subscription at 05:58PMThe musical “Border Towns” mixes Bob Dylan’s music with Americana.
SOURCE: The New York Times Subscription at 05:58PMA modern-dress revival of T. S. Eliot’s verse play “Murder in the Cathedral” is being performed at the Church of St. Joseph in Brooklyn.
SOURCE: The New York Times Subscription at 05:58PMIn a revival of “Jet Lag,” the Builders Association builds a new virtual world and then travels through it.
SOURCE: The New York Times Subscription at 05:58PMAs “Radio Macbeth” unfolds in a kind of theatrical alchemy, this play within a play becomes simply the play — the Scottish one.
SOURCE: The New York Times Subscription at 05:58PMAs “Radio Macbeth” unfolds in a kind of theatrical alchemy, this play within a play becomes simply the play — the Scottish one.
SOURCE: The New York Times Subscription at 05:58PMPerfectly awful: A theatrical version of “Plan Nine From Outer Space” is showing at the Brick Theater in Williamsburg, Brooklyn.
SOURCE: The New York Times Subscription at 05:58PM
The new play about the Green Bay Packers coach is more interested in the myth than the man.
SOURCE: Slate at 05:58PMHaunted houses are a booming national industry, and in New York this theatrical genre has become an artistically fertile scene.
SOURCE: The New York Times Subscription at 05:58PMAl Pacino is back as Shylock in “The Merchant of Venice,” this time on Broadway.
SOURCE: The New York Times Subscription at 05:58PMJordan Harrison’s “Futura” is a thought-provoking drama that does not live up to its potential.
SOURCE: The New York Times Subscription at 05:58PMThe “Radio City Christmas Spectacular” feels like an entertainment throwback, which is part of the appeal.
SOURCE: The New York Times Subscription at 05:58PMTalk of witches and spirits is woven into the fabric of Heidi Schreck’s sturdy dining-room drama “There Are No More Big Secrets.”
SOURCE: The New York Times Subscription at 05:58PMMore and more playwrights are writing for television, and in many ways this is a good thing for theater.
SOURCE: The New York Times Subscription at 05:58PMA play from Denmark examines how the experience of the Iraq war changes friendships.
SOURCE: The New York Times Subscription at 05:58PMSteven Banks brings his secret life out of hiding with a new play, “Looking at Christmas,” at the Flea Theater.
SOURCE: The New York Times Subscription at 05:58PMSteven Banks brings his secret life out of hiding with a new play, “Looking at Christmas,” at the Flea Theater.
SOURCE: The New York Times Subscription at 05:58PMAn impressive amount of melodrama, activity and funny voices is packed into “Being Sellers,” a solo biographical play by Carl Caulfield about the actor Peter Sellers.
SOURCE: The New York Times Subscription at 05:58PMIs the most ambitious new musical of the Broadway season racist?
SOURCE: Slate at 05:58PMA stage adaptation of Philip K. Dick’s “Do Androids Dream of Electric Sheep?” unfolds at the 3LD Art @ Technology Center.
SOURCE: The New York Times Subscription at 05:58PMAs shows by troupes like the Civilians inch closer to journalism, questions are raised about their responsibility to journalistic standards.
SOURCE: The New York Times Subscription at 05:58PMIn “Lay of the Land,” Tim Miller ruminates on gay politics, using various snapshots from his childhood and his travels.
SOURCE: The New York Times Subscription at 05:58PMIs the most ambitious new musical of the Broadway season racist? You could get that impression from reading the press coverage of The Scottsboro Boys, a wildly entertaining coda to the rich.…
SOURCE: Slate at 05:58PM“Let Them Eat Cake” dramatizes a debate among members of the left about the importance of fighting for marriage as opposed to other civil rights issues.
SOURCE: The New York Times Subscription at 05:58PM“My Last Play” by Ed Schmidt takes place in Mr. Schmidt’s living room in Carroll Gardens.
SOURCE: The New York Times Subscription at 05:58PMInspector Sands, a smartly off-kilter British company, is making an attention-getting introduction to New York with two shows in repertory.
SOURCE: The New York Times Subscription at 05:58PM“My Last Play” by Ed Schmidt takes place in Mr. Schmidt’s living room in Carroll Gardens.
SOURCE: The New York Times Subscription at 05:58PMInspector Sands, a smartly off-kilter British company, is making an attention-getting introduction to New York with two shows in repertory.
SOURCE: The New York Times Subscription at 05:58PM“My Last Play” by Ed Schmidt takes place in Mr. Schmidt’s living room in Carroll Gardens.
SOURCE: The New York Times Subscription at 05:58PM“Mummenschanz,” the granddaddy of wordless, whimsical nonsense spectacles, is back in New York for the first time since 2003, along with its beloved giant faceless puppets.
SOURCE: The New York Times Subscription at 05:58PMAbsent from the theatrical menu are original holiday dramas that are entertaining, accessible and even sentimental.
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