Monday, May 25, 2015
Absent from the theatrical menu are original holiday dramas that are entertaining, accessible and even sentimental.
SOURCE: The New York Times Subscription at 05:58PMAbsent from the theatrical menu are original holiday dramas that are entertaining, accessible and even sentimental.
SOURCE: The New York Times Subscription at 05:58PMThe Public Theater’s annual festival of adventurous new works stretches theatrical forms and the imagination.
SOURCE: The New York Times Subscription at 05:58PMWith each performance, the cast of “Baby Wants Candy” concoct a different musical comedy with a story idea supplied by a member of the audience.
SOURCE: The New York Times Subscription at 05:58PM“What the Public Wants,” Arnold Bennett’s 1909 play about the newspaper business, has resonance for today.
SOURCE: The New York Times Subscription at 05:58PMTrista Baldwin’s “American Sexy,” at the Flea Theater, shows how a group of young people can interact but not connect.
SOURCE: The New York Times Subscription at 05:58PMSpider-Man is a wild, sexed-up, Greek mythologized train wreck. But it's Julie Taymor's train wreck, through and through.
SOURCE: Slate at 05:58PMTheater in the Dark, With Lights, a mini-festival in which three of his works are receiving short runs, provides an opportunity to judge whether Ashlin Halfnight has arrived.
SOURCE: The New York Times Subscription at 05:58PMTina Satter’s “In the Pony Palace/Football” dissects high school football with gender-flipped casting that reveals the sport’s hidden dimensions.
SOURCE: The New York Times Subscription at 05:58PMFour plays at two New York festivals, Under the Radar and Coil, offer a range of themes, styles and even language.
SOURCE: The New York Times Subscription at 05:58PMWednesday, May 20, 2015
Wednesday, April 22, 2015
Elizabeth Reaser and Justin Bartha play spouses who follow the precepts of Christian Domestic Discipline.
SOURCE: The New York Times Subscription at 09:14AMThursday, March 26, 2015
Lisa D’Amour’s huge, atmospheric party of a play features bartenders, hustlers, strippers and other denizens of the city.
SOURCE: The New York Times Subscription at 12:45PMTuesday, March 10, 2015
The Annoyance Theater, long a staple of the Chicago improv scene, has brought comedy theater to Brooklyn.
SOURCE: The New York Times Subscription at 10:31AMWednesday, February 25, 2015
Cush Jumbo brings her solo show “Josephine and I” to New York, playing the American performer Josephine Baker.
SOURCE: The New York Times Subscription at 12:31PMWednesday, February 18, 2015
As Mr. David’s opening night for “Fish in the Dark” approaches, he bemoans the play’s enormous advance ticket sales as “a terrible thing.”
SOURCE: The New York Times Subscription at 08:00AMWednesday, January 28, 2015
What distinguishes acts like Sebastian Maniscalco’s is a full-bodied commitment to the act-out: stand-up jargon describing a shift from narrating a joke to acting it.
SOURCE: The New York Times Subscription at 05:59PMLarry David’s new comedy, “Fish in the Dark,” has established itself as the blockbuster new play of the spring season even before it begins.
SOURCE: The New York Times Subscription at 12:57PMWednesday, December 31, 2014
January is when a glut of downtown festivals descend on New York with strange, daring and often thrilling international shows.
SOURCE: The New York Times Subscription at 12:28PMWednesday, December 3, 2014
“Every Brilliant Thing” arrives in New York with lots of good reviews and a high concept that sounds a bit mawkish.
SOURCE: The New York Times Subscription at 01:03PMThursday, November 13, 2014
The New York Deaf Theater presents “The Strange Case of Dr. Jekyll and Mr. Hyde” with a cast that signs the dialogue.
SOURCE: The New York Times Subscription at 05:34PMWednesday, November 5, 2014
Wednesday, October 8, 2014
“Father Comes Home From Wars (Parts 1, 2 & 3)" is a new drama by the Pulitzer Prize-winning playwright Suzan-Lori Parks.
SOURCE: The New York Times Subscription at 12:49PMWednesday, September 17, 2014
Tuesday, August 19, 2014
Wednesday, August 13, 2014
Like so many spectacularly successful comic playwrights from the first half of the 20th century, George Kelly (the uncle of Grace) is mostly forgotten.
SOURCE: The New York Times Subscription at 06:07PMWednesday, July 16, 2014
Of course, “Between Riverside and Crazy” is by Stephen Adly Guirgis, a playwright whose distinctive style extends to his titles.
SOURCE: The New York Times Subscription at 12:50PMWednesday, June 18, 2014
If you’re looking for high-energy fun, head to Union Square, where the high-flying acrobats from “Fuerza Bruta: Wayra” will splash around in giant pools over your head.
SOURCE: The New York Times Subscription at 09:27AMWednesday, May 21, 2014
Toshiki Okada discusses his new play, “The Sonic Life of a Giant Tortoise,” and how he writes for an audience that does not share his language or culture.
SOURCE: The New York Times Subscription at 10:30AM 
