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What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.
The post Edinburgh Review: What Girls Are Made Of at Traverse appeared first on Exeu…
Hannah Greenstreet writes on Lydia Larson's hilarious monologue about "the fantasy lives we build to survive".
The post Edinburgh review: Finding Fassbender at Pleasance appeared first on Ex…
Visual richness: Hannah Greenstreet writes on the images of Breach Theatre's show, which dramatises the story of baroque painter Artemisia Gentileschi.
The post Edinburgh review: It’s …
Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt.
The post Edinburgh Review: Pickle Jar at Underbelly Cowgate appeared first on Exeunt Magazine.
Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey's new play.
The post Review: Pity at the Royal Court appeared first on Exeunt Magazine.
Edges, borders, barbed wire: Cordelia Lynn's bomb attack drama explores the ethics of keeping safe.
The post Review: One For Sorrow at the Royal Court appeared first on Exeunt Magazine.
I'm ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash.
The post Review: RashDash’s Three Sisters at The …
Gig theatre has come to be associated with the punkish energy of theatre companies like Middle Child and RashDash. Fragment, a new
What if Romeo and Juliet did not die as teenagers, but lived on into old age? This is the concept of Ben
Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels' play about sexism and pornography
The post Review: Masterpieces at the Finborough Theatre appeared first on Exeunt Magazi…
Hannah Greenstreet chats to Ellie Keel, producer of Alchymy - a unique Oxford-based festival that's all about developing new theatre.
The post Alchymy Festival appeared first on Exeunt Magaz…
Jodi Gray's wolfish one-woman play is an exploration of 'monstrous' femininity and the male gaze.
The post Review: Big Bad at Vault Festival 2018 appeared first on Exeunt Magazine.
‘This is not the end’: Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre.
The post Review: I Have a Mouth and I Will Scream at Vault Festival 2018…
Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman's play about five Betties
The post Review: Collective Rage at the Southwark Playhouse appeared first on Exeunt Magazine.
Words can be weaponised: ten short plays expose the challenges of introducing nuance to the #MeToo conversation.
The post Review: The Words Are Coming Now at Theatre503 appeared first on Exe…
Phil Willmott has set himself a challenge by adapting the story of Beauty and the Beast for Newbury Corn Exchange’s pantomime, given
A scene of festive detritus – the aftermath of a student party at an Oxford College – is the setting for the
Hannah Greenstreet sits in on rehearsals for Forward Arena's queer, time-hopping epic.
The post Callisto: A Queer Epic appeared first on Exeunt Magazine.
Oxford Playhouse’s Jack and the Beanstalk boasts the best cow this panto season. Jagger’s (Tegan Bannister and Daisy Elwin) milkshake brings all
Chipping Norton Theatre’s Sleeping Beauty takes its audience time-travelling from 1567 to 1967. John Terry’s engaging production slickly incorporates all the beloved elements
Hannah Greenstreet on the "unforced relevance" of an immersive reimagining of Elizabeth Inchbald's 1792 play.
The post Review: Til We Meet In England at Safehouse, Peckham appeared first on …
Playing games: Hannah Greenstreet on a beguiling, political piece about group psychology by Barcelona-based company ATRESBANDES.
The post Review: All In at New Diorama Theatre appeared first…
Both hypervisible but invisible: Hannah Greenstreet reviews a set of nine monologues by Muslim women from across the world.
The post Review: Hijabi Monologues at the Bush Theatre appeared f…
Beyond bullshit stereotypes: Hannah Greenstreet on Milk Presents' gender fluid reimagining of the Minotaur myth.
The post Review: Bullish at Camden People’s Theatre appeared first on E…
Hannah Greenstreet reviews What if the plane falls out of the sky?, The Soft Subject, and A Super Happy Story (About Feeling Super Sad) at the Edinburgh Fringe 2017.
The post Edinburgh Fring…
Wonderfully offbeat and political: Hannah Greenstreet on Sisters Grimm's queer-feminist satire of nationalism and colonialism.
The post Edinburgh Fringe Review: Lilith: The Jungle Girl at Tr…
A mainstream crossover hit - or is it? Hannah Greenstreet on Sh!t Theatre's Dolly Parton-inspired show.
The post Edinburgh Fringe Review: DollyWould at Summerhall appeared first on Exeunt Ma…
Hannah Greenstreet reviews Futures Theatre's passionate celebration of women's football.
The post Edinburgh Fringe Review: Offside at Pleasance Courtyard appeared first on Exeunt Magazine.
How do you mourn someone you have never met? - Hannah Greenstreet reviews Selina Thompson's powerful interrogation of the legacy of slavery.
The post Edinburgh Fringe Review: salt. at Summer…
Puzzling but enjoyable: Hannah Greenstreet on Antler's bouncing tragi-comedy.
The post Edinburgh Fringe Review: LANDS at Summerhall appeared first on Exeunt Magazine.
Watching through my fingers - Hannah Greenstreet on Milly Thomas's new plays and theatre's duty of care.
The post Edinburgh Fringe Review: Brutal Cessation + Dust appeared first on Exeunt Ma…