All stories by Hannah Greenstreet on BroadwayStars

Thursday, August 16, 2018

Edinburgh Review: What Girls Are Made Of at Traverse by Hannah Greenstreet

What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack. The post Edinburgh Review: What Girls Are Made Of at Traverse appeared first on Exeu…

SOURCE: exeuntmagazine.com at 08:08AM

Edinburgh review: Finding Fassbender at Pleasance by Hannah Greenstreet

Hannah Greenstreet writes on Lydia Larson's hilarious monologue about "the fantasy lives we build to survive". The post Edinburgh review: Finding Fassbender at Pleasance appeared first on Ex…

SOURCE: exeuntmagazine.com at 04:36AM
Wednesday, August 15, 2018

Edinburgh review: It’s True, It’s True, It’s True at Underbelly by Hannah Greenstreet

Visual richness: Hannah Greenstreet writes on the images of Breach Theatre's show, which dramatises the story of baroque painter Artemisia Gentileschi. The post Edinburgh review: It’s …

SOURCE: exeuntmagazine.com at 11:32AM

Edinburgh Review: Pickle Jar at Underbelly Cowgate by Hannah Greenstreet

Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt. The post Edinburgh Review: Pickle Jar at Underbelly Cowgate appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 05:27AM
Monday, July 23, 2018

Review: Pity at the Royal Court by Hannah Greenstreet

Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey's new play. The post Review: Pity at the Royal Court appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 02:02AM
Thursday, June 28, 2018

Review: One For Sorrow at the Royal Court by Hannah Greenstreet

Edges, borders, barbed wire: Cordelia Lynn's bomb attack drama explores the ethics of keeping safe. The post Review: One For Sorrow at the Royal Court appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 06:58AM
Thursday, May 24, 2018

Review: RashDash’s Three Sisters at The Yard Theatre by Hannah Greenstreet

I'm ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash. The post Review: RashDash’s Three Sisters at The …

SOURCE: exeuntmagazine.com at 08:02AM
Friday, May 18, 2018

Fragment review at the North Wall, Oxford – ‘a harmonious reflection on love and loss’ by Hannah Greenstreet

Gig theatre has come to be associated with the punkish energy of theatre companies like Middle Child and RashDash. Fragment, a new

SOURCE: The Stage Registration at 09:19AM
Tuesday, May 8, 2018

A Tender Thing review at the Theatre, Chipping Norton – ‘sensitively staged’ by Hannah Greenstreet

What if Romeo and Juliet did not die as teenagers, but lived on into old age? This is the concept of Ben

SOURCE: The Stage Registration at 11:52AM
Monday, April 30, 2018

Review: Masterpieces at the Finborough Theatre by Hannah Greenstreet

Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels' play about sexism and pornography The post Review: Masterpieces at the Finborough Theatre appeared first on Exeunt Magazi…

SOURCE: exeuntmagazine.com at 04:20AM
Wednesday, March 28, 2018

Alchymy Festival by Hannah Greenstreet

Hannah Greenstreet chats to Ellie Keel, producer of Alchymy - a unique Oxford-based festival that's all about developing new theatre. The post Alchymy Festival appeared first on Exeunt Magaz…

SOURCE: exeuntmagazine.com at 06:16AM
Tuesday, March 20, 2018

Review: Big Bad at Vault Festival 2018 by Hannah Greenstreet

Jodi Gray's wolfish one-woman play is an exploration of 'monstrous' femininity and the male gaze. The post Review: Big Bad at Vault Festival 2018 appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 09:46AM
Monday, February 19, 2018

Review: I Have a Mouth and I Will Scream at Vault Festival 2018 by Hannah Greenstreet

‘This is not the end’: Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre. The post Review: I Have a Mouth and I Will Scream at Vault Festival 2018…

SOURCE: exeuntmagazine.com at 03:36AM
Tuesday, February 6, 2018

Review: Collective Rage at the Southwark Playhouse by Hannah Greenstreet

Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman's play about five Betties The post Review: Collective Rage at the Southwark Playhouse appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 08:25AM
Monday, January 29, 2018

Review: The Words Are Coming Now at Theatre503 by Hannah Greenstreet

Words can be weaponised: ten short plays expose the challenges of introducing nuance to the #MeToo conversation. The post Review: The Words Are Coming Now at Theatre503 appeared first on Exe…

SOURCE: exeuntmagazine.com at 09:14AM
Monday, December 11, 2017

Beauty and the Beast review at Corn Exchange, Newbury – ‘slickly choreographed’ by Hannah Greenstreet

Phil Willmott has set himself a challenge by adapting the story of Beauty and the Beast for Newbury Corn Exchange’s pantomime, given

SOURCE: The Stage Registration at 10:06AM

Working Christmas review at Old Fire Station, Oxford – ‘warm and disarming’ by Hannah Greenstreet

A scene of festive detritus – the aftermath of a student party at an Oxford College – is the setting for the

SOURCE: The Stage Registration at 09:07AM
Wednesday, December 6, 2017

Callisto: A Queer Epic by Hannah Greenstreet

Hannah Greenstreet sits in on rehearsals for Forward Arena's queer, time-hopping epic. The post Callisto: A Queer Epic appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 03:48AM
Monday, December 4, 2017

Jack and the Beanstalk review at Oxford Playhouse – ‘brilliantly engaging theatricality’ by Hannah Greenstreet

Oxford Playhouse’s Jack and the Beanstalk boasts the best cow this panto season. Jagger’s (Tegan Bannister and Daisy Elwin) milkshake brings all

SOURCE: The Stage Registration at 07:18AM
Thursday, November 16, 2017

Sleeping Beauty review at Chipping Norton Theatre – ‘some comic miscalculations’ by Hannah Greenstreet

Chipping Norton Theatre’s Sleeping Beauty takes its audience time-travelling from 1567 to 1967. John Terry’s engaging production slickly incorporates all the beloved elements

SOURCE: The Stage Registration at 06:51AM
Tuesday, November 14, 2017

Review: Til We Meet In England at Safehouse, Peckham by Hannah Greenstreet

Hannah Greenstreet on the "unforced relevance" of an immersive reimagining of Elizabeth Inchbald's 1792 play. The post Review: Til We Meet In England at Safehouse, Peckham appeared first on …

SOURCE: exeuntmagazine.com at 06:26AM
Thursday, November 9, 2017

Review: All In at New Diorama Theatre by Hannah Greenstreet

Playing games: Hannah Greenstreet on a beguiling, political piece about group psychology by Barcelona-based company ATRESBANDES. The post Review: All In at New Diorama Theatre appeared first…

SOURCE: exeuntmagazine.com at 07:58AM
Sunday, October 1, 2017

Review: Hijabi Monologues at the Bush Theatre by Hannah Greenstreet

Both hypervisible but invisible: Hannah Greenstreet reviews a set of nine monologues by Muslim women from across the world. The post Review: Hijabi Monologues at the Bush Theatre appeared f…

SOURCE: exeuntmagazine.com at 05:35AM
Monday, September 18, 2017

Review: Bullish at Camden People’s Theatre by Hannah Greenstreet

Beyond bullshit stereotypes: Hannah Greenstreet on Milk Presents' gender fluid reimagining of the Minotaur myth. The post Review: Bullish at Camden People’s Theatre appeared first on E…

SOURCE: exeuntmagazine.com at 08:01AM
Tuesday, August 15, 2017

Edinburgh Fringe Review: Three shows about mental health by Hannah Greenstreet

Hannah Greenstreet reviews What if the plane falls out of the sky?, The Soft Subject, and A Super Happy Story (About Feeling Super Sad) at the Edinburgh Fringe 2017. The post Edinburgh Fring…

SOURCE: exeuntmagazine.com at 01:40PM
Monday, August 14, 2017

Edinburgh Fringe Review: Lilith: The Jungle Girl at Traverse Theatre by Hannah Greenstreet

Wonderfully offbeat and political: Hannah Greenstreet on Sisters Grimm's queer-feminist satire of nationalism and colonialism. The post Edinburgh Fringe Review: Lilith: The Jungle Girl at Tr…

SOURCE: exeuntmagazine.com at 02:12PM
Sunday, August 13, 2017

Edinburgh Fringe Review: DollyWould at Summerhall by Hannah Greenstreet

A mainstream crossover hit - or is it? Hannah Greenstreet on Sh!t Theatre's Dolly Parton-inspired show. The post Edinburgh Fringe Review: DollyWould at Summerhall appeared first on Exeunt Ma…

SOURCE: exeuntmagazine.com at 08:39AM
Friday, August 11, 2017

Edinburgh Fringe Review: Offside at Pleasance Courtyard by Hannah Greenstreet

Hannah Greenstreet reviews Futures Theatre's passionate celebration of women's football. The post Edinburgh Fringe Review: Offside at Pleasance Courtyard appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 04:46AM
Thursday, August 10, 2017

Edinburgh Fringe Review: salt. at Summerhall by Hannah Greenstreet

How do you mourn someone you have never met? - Hannah Greenstreet reviews Selina Thompson's powerful interrogation of the legacy of slavery. The post Edinburgh Fringe Review: salt. at Summer…

SOURCE: exeuntmagazine.com at 10:24AM
Wednesday, August 9, 2017

Edinburgh Fringe Review: LANDS at Summerhall by Hannah Greenstreet

Puzzling but enjoyable: Hannah Greenstreet on Antler's bouncing tragi-comedy. The post Edinburgh Fringe Review: LANDS at Summerhall appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 03:43AM
Tuesday, August 8, 2017

Edinburgh Fringe Review: Brutal Cessation + Dust by Hannah Greenstreet

Watching through my fingers - Hannah Greenstreet on Milly Thomas's new plays and theatre's duty of care. The post Edinburgh Fringe Review: Brutal Cessation + Dust appeared first on Exeunt Ma…

SOURCE: exeuntmagazine.com at 09:19AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic