All stories by Hannah Greenstreet on BroadwayStars

Thursday, November 8, 2018

Review: The Funeral Director at Southwark Playhouse by Hannah Greenstreet

Depth and complexity: Hannah Greenstreet writes on Iman Qureshi's Papatango Prize-winning play. The post Review: The Funeral Director at Southwark Playhouse appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 08:21AM
Thursday, November 1, 2018

Review: Moot Moot at The Yard Theatre by Hannah Greenstreet

Feedback loops: Rosana Cade and Ivor MacAskill's show is a surreal exercise in repetition. The post Review: Moot Moot at The Yard Theatre appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 09:20AM
Friday, September 21, 2018

Othello review at Oxford Playhouse – ‘a fresh perspective on Shakespeare’s play’ by Hannah Greenstreet

English Touring Theatre’s Othello, a co-production with Shakespeare at the Tobacco Factory and Oxford Playhouse, starts with an Islamic wedding. In director

Linked From The Stage Registration at 08:33AM
Friday, August 24, 2018

h 100 Young Influencers of the Year: Hannah Greenstreet on Three Sisters by Hannah Greenstreet

The third finalist in theartsdesk's award in association with The Hospital Club addresses her review to the creators of a Chekhov productionDear RashDash,I know you don’t like critics…

Linked From theartsdesk.com at 03:36AM
Tuesday, August 21, 2018

Edinburgh Review: WHITE at Pleasance Courtyard by Hannah Greenstreet

WHITE is a well-crafted and nuanced interrogation of 'the mixed-race experience.' The post Edinburgh Review: WHITE at Pleasance Courtyard appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 09:17AM

Edinburgh Review: Revelations at Summerhall by Hannah Greenstreet

'Manipulate is not quite the right word...': Hannah Greenstreet is left confused by James Rowland's new show. The post Edinburgh Review: Revelations at Summerhall appeared first on Exeunt Ma…

Linked From exeuntmagazine.com at 04:59AM
Monday, August 20, 2018

Edinburgh Review: A Generous Lover at Summerhall by Hannah Greenstreet

A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph's lyrical solo show. The post Edinburgh Review: A Generous Lover at Summerhall appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 08:52AM
Sunday, August 19, 2018

Edinburgh fringe review: Ladykiller by The Thelmas by Hannah Greenstreet

Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath. The post Edinburgh fringe review: Ladykiller by The Thelmas appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 02:07PM

Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up by Hannah Greenstreet

Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood. The post Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up appeared fir…

Linked From exeuntmagazine.com at 04:18AM
Saturday, August 18, 2018

Edinburgh Review: See-Through at Summerhall by Hannah Greenstreet

The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon's Youtuber show. The post Edinburgh Review: See-Through at Summerhall appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 07:24AM
Friday, August 17, 2018

Edinburgh fringe review: Queens of Sheba at Underbelly by Hannah Greenstreet

A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché's poetic exploration of misogynoir. The post Edinburgh fringe review: Queens of Sheba at Underbelly appeared first on Exeunt M…

Linked From exeuntmagazine.com at 04:41PM

Edinburgh review: Sparks at Pleasance Courtyard by Hannah Greenstreet

Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher's exploration of a mother-daughter relationship. The post Edinburgh review: Sparks at Pleasance Courtyard appeared…

Linked From exeuntmagazine.com at 08:31AM
Thursday, August 16, 2018

Edinburgh Review: What Girls Are Made Of at Traverse by Hannah Greenstreet

What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack. The post Edinburgh Review: What Girls Are Made Of at Traverse appeared first on Exeu…

Linked From exeuntmagazine.com at 08:08AM

Edinburgh review: Finding Fassbender at Pleasance by Hannah Greenstreet

Hannah Greenstreet writes on Lydia Larson's hilarious monologue about "the fantasy lives we build to survive". The post Edinburgh review: Finding Fassbender at Pleasance appeared first on Ex…

Linked From exeuntmagazine.com at 04:36AM
Wednesday, August 15, 2018

Edinburgh review: It’s True, It’s True, It’s True at Underbelly by Hannah Greenstreet

Visual richness: Hannah Greenstreet writes on the images of Breach Theatre's show, which dramatises the story of baroque painter Artemisia Gentileschi. The post Edinburgh review: It’s …

Linked From exeuntmagazine.com at 11:32AM

Edinburgh Review: Pickle Jar at Underbelly Cowgate by Hannah Greenstreet

Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt. The post Edinburgh Review: Pickle Jar at Underbelly Cowgate appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 05:27AM
Monday, July 23, 2018

Review: Pity at the Royal Court by Hannah Greenstreet

Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey's new play. The post Review: Pity at the Royal Court appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 02:02AM
Thursday, June 28, 2018

Review: One For Sorrow at the Royal Court by Hannah Greenstreet

Edges, borders, barbed wire: Cordelia Lynn's bomb attack drama explores the ethics of keeping safe. The post Review: One For Sorrow at the Royal Court appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 06:58AM
Thursday, May 24, 2018

Review: RashDash’s Three Sisters at The Yard Theatre by Hannah Greenstreet

I'm ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash. The post Review: RashDash’s Three Sisters at The …

Linked From exeuntmagazine.com at 08:02AM
Friday, May 18, 2018

Fragment review at the North Wall, Oxford – ‘a harmonious reflection on love and loss’ by Hannah Greenstreet

Gig theatre has come to be associated with the punkish energy of theatre companies like Middle Child and RashDash. Fragment, a new

Linked From The Stage Registration at 09:19AM
Tuesday, May 8, 2018

A Tender Thing review at the Theatre, Chipping Norton – ‘sensitively staged’ by Hannah Greenstreet

What if Romeo and Juliet did not die as teenagers, but lived on into old age? This is the concept of Ben

Linked From The Stage Registration at 11:52AM
Monday, April 30, 2018

Review: Masterpieces at the Finborough Theatre by Hannah Greenstreet

Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels' play about sexism and pornography The post Review: Masterpieces at the Finborough Theatre appeared first on Exeunt Magazi…

Linked From exeuntmagazine.com at 04:20AM
Wednesday, March 28, 2018

Alchymy Festival by Hannah Greenstreet

Hannah Greenstreet chats to Ellie Keel, producer of Alchymy - a unique Oxford-based festival that's all about developing new theatre. The post Alchymy Festival appeared first on Exeunt Magaz…

Linked From exeuntmagazine.com at 06:16AM
Tuesday, March 20, 2018

Review: Big Bad at Vault Festival 2018 by Hannah Greenstreet

Jodi Gray's wolfish one-woman play is an exploration of 'monstrous' femininity and the male gaze. The post Review: Big Bad at Vault Festival 2018 appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 09:46AM
Monday, February 19, 2018

Review: I Have a Mouth and I Will Scream at Vault Festival 2018 by Hannah Greenstreet

‘This is not the end’: Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre. The post Review: I Have a Mouth and I Will Scream at Vault Festival 2018…

Linked From exeuntmagazine.com at 03:36AM
Tuesday, February 6, 2018

Review: Collective Rage at the Southwark Playhouse by Hannah Greenstreet

Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman's play about five Betties The post Review: Collective Rage at the Southwark Playhouse appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 08:25AM
Monday, January 29, 2018

Review: The Words Are Coming Now at Theatre503 by Hannah Greenstreet

Words can be weaponised: ten short plays expose the challenges of introducing nuance to the #MeToo conversation. The post Review: The Words Are Coming Now at Theatre503 appeared first on Exe…

Linked From exeuntmagazine.com at 09:14AM
Monday, December 11, 2017

Beauty and the Beast review at Corn Exchange, Newbury – ‘slickly choreographed’ by Hannah Greenstreet

Phil Willmott has set himself a challenge by adapting the story of Beauty and the Beast for Newbury Corn Exchange’s pantomime, given

Linked From The Stage Registration at 10:06AM

Working Christmas review at Old Fire Station, Oxford – ‘warm and disarming’ by Hannah Greenstreet

A scene of festive detritus – the aftermath of a student party at an Oxford College – is the setting for the

Linked From The Stage Registration at 09:07AM
Wednesday, December 6, 2017

Callisto: A Queer Epic by Hannah Greenstreet

Hannah Greenstreet sits in on rehearsals for Forward Arena's queer, time-hopping epic. The post Callisto: A Queer Epic appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 03:48AM
Monday, December 4, 2017

Jack and the Beanstalk review at Oxford Playhouse – ‘brilliantly engaging theatricality’ by Hannah Greenstreet

Oxford Playhouse’s Jack and the Beanstalk boasts the best cow this panto season. Jagger’s (Tegan Bannister and Daisy Elwin) milkshake brings all

Linked From The Stage Registration at 07:18AM

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