All stories by Hannah Greenstreet on BroadwayStars

Thursday, December 20, 2018

Rumpelstilskin review at Queen Elizabeth Hall, London – ‘wonderfully bizarre’ by Hannah Greenstreet

Rumpelstiltskin, a family Christmas show by Windmill Theatre Company and State Theatre Company on tour from Australia, is wonderfully bizarre. It’s a

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Tuesday, December 18, 2018

Review: The Cane at the Royal Court by Hannah Greenstreet

A reckoning: Mark Ravenhill's new play is a naturalistic, troubling exploration of history and abuses of power. The post Review: The Cane at the Royal Court appeared first on Exeunt Magazin…

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Monday, December 17, 2018

Snow White and the Seven Dwarfs review at the Swan, High Wycombe – ‘glitz and glamour’ by Hannah Greenstreet

Strictly Come Dancing star Brendan Cole, with his trademark fancy footwork, gleaming smile and plunging neckline, is at the centre of Qdos

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Friday, December 14, 2018

Review: Violet at The Bunker by Hannah Greenstreet

'The most millennial millennial': Emily Davis writes on Bebe Sanders' one woman show about an intergenerational friendship The post Review: Violet at The Bunker appeared first on Exeunt Maga…

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Tuesday, December 11, 2018

Jack and the Beanstalk review at Newbury Corn Exchange – ‘well-crafted, fairytale pantomime’ by Hannah Greenstreet

This is Phil Willmott’s 11th year of writing and directing the pantomime at the Newbury Corn Exchange and he has clearly hit

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Monday, December 10, 2018

Snowflake review at the Old Fire Station, Oxford – ‘Mike Bartlett’s heart-warming new play’ by Hannah Greenstreet

There’ll be some politically fraught conversations round the table this Christmas. Snowflake, the Old Fire Station’s Christmas show by Mike Bartlett, explores

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Monday, December 3, 2018

Dick Whittington and His Cat review at Oxford Playhouse – ‘unfocused but spectacular’ by Hannah Greenstreet

Steve Marmion’s pantomime brings a taste of London to the Oxford Playhouse stage in his take on Dick Whittington and His Cat.

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Monday, November 26, 2018

Nick Field: “Neoliberalism is collapsing around us” by Hannah Greenstreet

Artist Nick Field is bringing two new shows to CPT. He chats to Hannah Greenstreet about neoliberalism, Tom Baker, and making work that's "pretty damn queer". The post Nick Field: “Neo…

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Monday, November 19, 2018

Aladdin review at the Theatre, Chipping Norton – ‘quirky theatricality’ by Hannah Greenstreet

In the film that opens John Terry’s production of Aladdin, a camel is wandering the streets of Chipping Norton. The villainous Abanazar

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Thursday, November 8, 2018

Review: The Funeral Director at Southwark Playhouse by Hannah Greenstreet

Depth and complexity: Hannah Greenstreet writes on Iman Qureshi's Papatango Prize-winning play. The post Review: The Funeral Director at Southwark Playhouse appeared first on Exeunt Magazine.

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Thursday, November 1, 2018

Review: Moot Moot at The Yard Theatre by Hannah Greenstreet

Feedback loops: Rosana Cade and Ivor MacAskill's show is a surreal exercise in repetition. The post Review: Moot Moot at The Yard Theatre appeared first on Exeunt Magazine.

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Friday, September 21, 2018

Othello review at Oxford Playhouse – ‘a fresh perspective on Shakespeare’s play’ by Hannah Greenstreet

English Touring Theatre’s Othello, a co-production with Shakespeare at the Tobacco Factory and Oxford Playhouse, starts with an Islamic wedding. In director

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Friday, August 24, 2018

h 100 Young Influencers of the Year: Hannah Greenstreet on Three Sisters by Hannah Greenstreet

The third finalist in theartsdesk's award in association with The Hospital Club addresses her review to the creators of a Chekhov productionDear RashDash,I know you don’t like critics…

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Tuesday, August 21, 2018

Edinburgh Review: WHITE at Pleasance Courtyard by Hannah Greenstreet

WHITE is a well-crafted and nuanced interrogation of 'the mixed-race experience.' The post Edinburgh Review: WHITE at Pleasance Courtyard appeared first on Exeunt Magazine.

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Edinburgh Review: Revelations at Summerhall by Hannah Greenstreet

'Manipulate is not quite the right word...': Hannah Greenstreet is left confused by James Rowland's new show. The post Edinburgh Review: Revelations at Summerhall appeared first on Exeunt Ma…

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Monday, August 20, 2018

Edinburgh Review: A Generous Lover at Summerhall by Hannah Greenstreet

A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph's lyrical solo show. The post Edinburgh Review: A Generous Lover at Summerhall appeared first on Exeunt Magazine.

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Sunday, August 19, 2018

Edinburgh fringe review: Ladykiller by The Thelmas by Hannah Greenstreet

Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath. The post Edinburgh fringe review: Ladykiller by The Thelmas appeared first on Exeunt Magazine.

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Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up by Hannah Greenstreet

Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood. The post Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up appeared fir…

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Saturday, August 18, 2018

Edinburgh Review: See-Through at Summerhall by Hannah Greenstreet

The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon's Youtuber show. The post Edinburgh Review: See-Through at Summerhall appeared first on Exeunt Magazine.

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Friday, August 17, 2018

Edinburgh fringe review: Queens of Sheba at Underbelly by Hannah Greenstreet

A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché's poetic exploration of misogynoir. The post Edinburgh fringe review: Queens of Sheba at Underbelly appeared first on Exeunt M…

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Edinburgh review: Sparks at Pleasance Courtyard by Hannah Greenstreet

Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher's exploration of a mother-daughter relationship. The post Edinburgh review: Sparks at Pleasance Courtyard appeared…

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Thursday, August 16, 2018

Edinburgh Review: What Girls Are Made Of at Traverse by Hannah Greenstreet

What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack. The post Edinburgh Review: What Girls Are Made Of at Traverse appeared first on Exeu…

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Edinburgh review: Finding Fassbender at Pleasance by Hannah Greenstreet

Hannah Greenstreet writes on Lydia Larson's hilarious monologue about "the fantasy lives we build to survive". The post Edinburgh review: Finding Fassbender at Pleasance appeared first on Ex…

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Wednesday, August 15, 2018

Edinburgh review: It’s True, It’s True, It’s True at Underbelly by Hannah Greenstreet

Visual richness: Hannah Greenstreet writes on the images of Breach Theatre's show, which dramatises the story of baroque painter Artemisia Gentileschi. The post Edinburgh review: It’s …

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Edinburgh Review: Pickle Jar at Underbelly Cowgate by Hannah Greenstreet

Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt. The post Edinburgh Review: Pickle Jar at Underbelly Cowgate appeared first on Exeunt Magazine.

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Monday, July 23, 2018

Review: Pity at the Royal Court by Hannah Greenstreet

Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey's new play. The post Review: Pity at the Royal Court appeared first on Exeunt Magazine.

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Thursday, June 28, 2018

Review: One For Sorrow at the Royal Court by Hannah Greenstreet

Edges, borders, barbed wire: Cordelia Lynn's bomb attack drama explores the ethics of keeping safe. The post Review: One For Sorrow at the Royal Court appeared first on Exeunt Magazine.

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Thursday, May 24, 2018

Review: RashDash’s Three Sisters at The Yard Theatre by Hannah Greenstreet

I'm ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash. The post Review: RashDash’s Three Sisters at The …

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Friday, May 18, 2018

Fragment review at the North Wall, Oxford – ‘a harmonious reflection on love and loss’ by Hannah Greenstreet

Gig theatre has come to be associated with the punkish energy of theatre companies like Middle Child and RashDash. Fragment, a new

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Tuesday, May 8, 2018

A Tender Thing review at the Theatre, Chipping Norton – ‘sensitively staged’ by Hannah Greenstreet

What if Romeo and Juliet did not die as teenagers, but lived on into old age? This is the concept of Ben

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Monday, April 30, 2018

Review: Masterpieces at the Finborough Theatre by Hannah Greenstreet

Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels' play about sexism and pornography The post Review: Masterpieces at the Finborough Theatre appeared first on Exeunt Magazi…

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