All stories by Hannah Greenstreet on BroadwayStars

Monday, November 11, 2019

Stop Kiss review at Above the Stag, London – ‘tender production of a dated play’ by Hannah Greenstreet

Stop Kiss is the first production programmed by Above the Stag’s new artistic director Andrew Beckett. Although written in 1998, Diana Son’s

Linked From The Stage Registration at 09:18AM
Wednesday, July 24, 2019

The Tempest review at Osney Mead, Oxford – ‘interactive, irreverent take on Shakespeare’s play’ by Hannah Greenstreet

It starts with a shipwreck. The Creation Cruise from Milan to Naples is going down and, as actors slalom around the tables

Linked From The Stage Registration at 11:28AM
Thursday, April 11, 2019

In the Willows review at Oxford Playhouse – ‘impressive choreography’ by Hannah Greenstreet

How ‘street’ is The Wind in the Willows? Metta Theatre’s street-dance, musical adaptation transplants the tranquil riverbank and its cast of characterful

Linked From The Stage Registration at 08:14AM
Friday, March 1, 2019

Review: SEX SEX MEN MEN at the Yard Theatre by Hannah Greenstreet

'A plethora of pleasurable acts, presented with nuance, gender-theory and heart': Hannah Greenstreet writes on Pecs Drag Kings' show exploring the seepage of gender binaries. The post Revie…

Linked From exeuntmagazine.com at 12:56PM
Sunday, February 17, 2019

Review: Berberian Sound Studio, Donmar Warehouse by Hannah Greenstreet

The screams are real: Hannah Greenstreet writes on Tom Scutt and Joel Horwood's chilling exploration of cinematic horror and aural illusions. The post Review: Berberian Sound Studio, Donmar …

Linked From exeuntmagazine.com at 04:14AM
Thursday, January 24, 2019

When we have sufficiently tortured each other, at the National Theatre by Hannah Greenstreet

Penetrating analysis: Hannah Greenstreet writes on Martin Crimp and Katie Mitchell's phallocentric new exploration of gender roles. The post When we have sufficiently tortured each other, a…

Linked From exeuntmagazine.com at 08:07AM
Thursday, December 20, 2018

Rumpelstilskin review at Queen Elizabeth Hall, London – ‘wonderfully bizarre’ by Hannah Greenstreet

Rumpelstiltskin, a family Christmas show by Windmill Theatre Company and State Theatre Company on tour from Australia, is wonderfully bizarre. It’s a

Linked From The Stage Registration at 06:06AM
Tuesday, December 18, 2018

Review: The Cane at the Royal Court by Hannah Greenstreet

A reckoning: Mark Ravenhill's new play is a naturalistic, troubling exploration of history and abuses of power. The post Review: The Cane at the Royal Court appeared first on Exeunt Magazin…

Linked From exeuntmagazine.com at 12:46PM
Monday, December 17, 2018

Snow White and the Seven Dwarfs review at the Swan, High Wycombe – ‘glitz and glamour’ by Hannah Greenstreet

Strictly Come Dancing star Brendan Cole, with his trademark fancy footwork, gleaming smile and plunging neckline, is at the centre of Qdos

Linked From The Stage Registration at 05:43AM
Friday, December 14, 2018

Review: Violet at The Bunker by Hannah Greenstreet

'The most millennial millennial': Emily Davis writes on Bebe Sanders' one woman show about an intergenerational friendship The post Review: Violet at The Bunker appeared first on Exeunt Maga…

Linked From exeuntmagazine.com at 10:58AM
Tuesday, December 11, 2018

Jack and the Beanstalk review at Newbury Corn Exchange – ‘well-crafted, fairytale pantomime’ by Hannah Greenstreet

This is Phil Willmott’s 11th year of writing and directing the pantomime at the Newbury Corn Exchange and he has clearly hit

Linked From The Stage Registration at 05:49AM
Monday, December 10, 2018

Snowflake review at the Old Fire Station, Oxford – ‘Mike Bartlett’s heart-warming new play’ by Hannah Greenstreet

There’ll be some politically fraught conversations round the table this Christmas. Snowflake, the Old Fire Station’s Christmas show by Mike Bartlett, explores

Linked From The Stage Registration at 06:10PM
Monday, December 3, 2018

Dick Whittington and His Cat review at Oxford Playhouse – ‘unfocused but spectacular’ by Hannah Greenstreet

Steve Marmion’s pantomime brings a taste of London to the Oxford Playhouse stage in his take on Dick Whittington and His Cat.

Linked From The Stage Registration at 06:12AM
Monday, November 26, 2018

Nick Field: “Neoliberalism is collapsing around us” by Hannah Greenstreet

Artist Nick Field is bringing two new shows to CPT. He chats to Hannah Greenstreet about neoliberalism, Tom Baker, and making work that's "pretty damn queer". The post Nick Field: “Neo…

Linked From exeuntmagazine.com at 04:05AM
Monday, November 19, 2018

Aladdin review at the Theatre, Chipping Norton – ‘quirky theatricality’ by Hannah Greenstreet

In the film that opens John Terry’s production of Aladdin, a camel is wandering the streets of Chipping Norton. The villainous Abanazar

Linked From The Stage Registration at 03:48AM
Thursday, November 8, 2018

Review: The Funeral Director at Southwark Playhouse by Hannah Greenstreet

Depth and complexity: Hannah Greenstreet writes on Iman Qureshi's Papatango Prize-winning play. The post Review: The Funeral Director at Southwark Playhouse appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 08:21AM
Thursday, November 1, 2018

Review: Moot Moot at The Yard Theatre by Hannah Greenstreet

Feedback loops: Rosana Cade and Ivor MacAskill's show is a surreal exercise in repetition. The post Review: Moot Moot at The Yard Theatre appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 09:20AM
Friday, September 21, 2018

Othello review at Oxford Playhouse – ‘a fresh perspective on Shakespeare’s play’ by Hannah Greenstreet

English Touring Theatre’s Othello, a co-production with Shakespeare at the Tobacco Factory and Oxford Playhouse, starts with an Islamic wedding. In director

Linked From The Stage Registration at 08:33AM
Friday, August 24, 2018

h 100 Young Influencers of the Year: Hannah Greenstreet on Three Sisters by Hannah Greenstreet

The third finalist in theartsdesk's award in association with The Hospital Club addresses her review to the creators of a Chekhov productionDear RashDash,I know you don’t like critics…

Linked From theartsdesk.com at 03:36AM
Tuesday, August 21, 2018

Edinburgh Review: WHITE at Pleasance Courtyard by Hannah Greenstreet

WHITE is a well-crafted and nuanced interrogation of 'the mixed-race experience.' The post Edinburgh Review: WHITE at Pleasance Courtyard appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 09:17AM

Edinburgh Review: Revelations at Summerhall by Hannah Greenstreet

'Manipulate is not quite the right word...': Hannah Greenstreet is left confused by James Rowland's new show. The post Edinburgh Review: Revelations at Summerhall appeared first on Exeunt Ma…

Linked From exeuntmagazine.com at 04:59AM
Monday, August 20, 2018

Edinburgh Review: A Generous Lover at Summerhall by Hannah Greenstreet

A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph's lyrical solo show. The post Edinburgh Review: A Generous Lover at Summerhall appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 08:52AM
Sunday, August 19, 2018

Edinburgh fringe review: Ladykiller by The Thelmas by Hannah Greenstreet

Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath. The post Edinburgh fringe review: Ladykiller by The Thelmas appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 02:07PM

Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up by Hannah Greenstreet

Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood. The post Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up appeared fir…

Linked From exeuntmagazine.com at 04:18AM
Saturday, August 18, 2018

Edinburgh Review: See-Through at Summerhall by Hannah Greenstreet

The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon's Youtuber show. The post Edinburgh Review: See-Through at Summerhall appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 07:24AM
Friday, August 17, 2018

Edinburgh fringe review: Queens of Sheba at Underbelly by Hannah Greenstreet

A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché's poetic exploration of misogynoir. The post Edinburgh fringe review: Queens of Sheba at Underbelly appeared first on Exeunt M…

Linked From exeuntmagazine.com at 04:41PM

Edinburgh review: Sparks at Pleasance Courtyard by Hannah Greenstreet

Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher's exploration of a mother-daughter relationship. The post Edinburgh review: Sparks at Pleasance Courtyard appeared…

Linked From exeuntmagazine.com at 08:31AM
Thursday, August 16, 2018

Edinburgh Review: What Girls Are Made Of at Traverse by Hannah Greenstreet

What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack. The post Edinburgh Review: What Girls Are Made Of at Traverse appeared first on Exeu…

Linked From exeuntmagazine.com at 08:08AM

Edinburgh review: Finding Fassbender at Pleasance by Hannah Greenstreet

Hannah Greenstreet writes on Lydia Larson's hilarious monologue about "the fantasy lives we build to survive". The post Edinburgh review: Finding Fassbender at Pleasance appeared first on Ex…

Linked From exeuntmagazine.com at 04:36AM
Wednesday, August 15, 2018

Edinburgh review: It’s True, It’s True, It’s True at Underbelly by Hannah Greenstreet

Visual richness: Hannah Greenstreet writes on the images of Breach Theatre's show, which dramatises the story of baroque painter Artemisia Gentileschi. The post Edinburgh review: It’s …

Linked From exeuntmagazine.com at 11:32AM

Edinburgh Review: Pickle Jar at Underbelly Cowgate by Hannah Greenstreet

Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt. The post Edinburgh Review: Pickle Jar at Underbelly Cowgate appeared first on Exeunt Magazine.

Linked From exeuntmagazine.com at 05:27AM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue