Monday, February 10, 2020
Bertie Wooster has decided to take to the stage. “I’ve been to the theatre”, he declares, “how hard can it be?” Harder
SOURCE: The Stage Registration at 06:58AMMonday, February 3, 2020
Ad Infinitum’s Extraordinary Wall [of Silence] opens with an arresting history lesson. In 1880, the performers tell us, the Milan Conference ruled
SOURCE: The Stage Registration at 06:21AMMonday, December 9, 2019
Oxford Playhouse’s Beauty and the Beast, written and directed by Steve Marmion, once again serves up all the beloved elements of traditional
SOURCE: The Stage Registration at 10:55AMMonday, November 11, 2019
Stop Kiss is the first production programmed by Above the Stag’s new artistic director Andrew Beckett. Although written in 1998, Diana Son’s
SOURCE: The Stage Registration at 09:18AMWednesday, July 24, 2019
It starts with a shipwreck. The Creation Cruise from Milan to Naples is going down and, as actors slalom around the tables
SOURCE: The Stage Registration at 11:28AMThursday, April 11, 2019
How ‘street’ is The Wind in the Willows? Metta Theatre’s street-dance, musical adaptation transplants the tranquil riverbank and its cast of characterful
SOURCE: The Stage Registration at 08:14AMFriday, March 1, 2019
'A plethora of pleasurable acts, presented with nuance, gender-theory and heart': Hannah Greenstreet writes on Pecs Drag Kings' show exploring the seepage of gender binaries.
The post Revie…
SOURCE: exeuntmagazine.com at 12:56PMSunday, February 17, 2019
The screams are real: Hannah Greenstreet writes on Tom Scutt and Joel Horwood's chilling exploration of cinematic horror and aural illusions.
The post Review: Berberian Sound Studio, Donmar …
SOURCE: exeuntmagazine.com at 04:14AMThursday, January 24, 2019
Penetrating analysis: Hannah Greenstreet writes on Martin Crimp and Katie Mitchell's phallocentric new exploration of gender roles.
The post When we have sufficiently tortured each other, a…
SOURCE: exeuntmagazine.com at 08:07AMThursday, December 20, 2018
Rumpelstiltskin, a family Christmas show by Windmill Theatre Company and State Theatre Company on tour from Australia, is wonderfully bizarre. It’s a
SOURCE: The Stage Registration at 06:06AMTuesday, December 18, 2018
A reckoning: Mark Ravenhill's new play is a naturalistic, troubling exploration of history and abuses of power.
The post Review: The Cane at the Royal Court appeared first on Exeunt Magazin…
SOURCE: exeuntmagazine.com at 12:46PMMonday, December 17, 2018
Strictly Come Dancing star Brendan Cole, with his trademark fancy footwork, gleaming smile and plunging neckline, is at the centre of Qdos
SOURCE: The Stage Registration at 05:43AMFriday, December 14, 2018
'The most millennial millennial': Emily Davis writes on Bebe Sanders' one woman show about an intergenerational friendship
The post Review: Violet at The Bunker appeared first on Exeunt Maga…
SOURCE: exeuntmagazine.com at 10:58AMTuesday, December 11, 2018
This is Phil Willmott’s 11th year of writing and directing the pantomime at the Newbury Corn Exchange and he has clearly hit
SOURCE: The Stage Registration at 05:49AMMonday, December 10, 2018
There’ll be some politically fraught conversations round the table this Christmas. Snowflake, the Old Fire Station’s Christmas show by Mike Bartlett, explores
SOURCE: The Stage Registration at 06:10PMMonday, December 3, 2018
Steve Marmion’s pantomime brings a taste of London to the Oxford Playhouse stage in his take on Dick Whittington and His Cat.
SOURCE: The Stage Registration at 06:12AMMonday, November 26, 2018
Artist Nick Field is bringing two new shows to CPT. He chats to Hannah Greenstreet about neoliberalism, Tom Baker, and making work that's "pretty damn queer".
The post Nick Field: “Neo…
SOURCE: exeuntmagazine.com at 04:05AMMonday, November 19, 2018
In the film that opens John Terry’s production of Aladdin, a camel is wandering the streets of Chipping Norton. The villainous Abanazar
SOURCE: The Stage Registration at 03:48AMThursday, November 8, 2018
Depth and complexity: Hannah Greenstreet writes on Iman Qureshi's Papatango Prize-winning play.
The post Review: The Funeral Director at Southwark Playhouse appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:21AMThursday, November 1, 2018
Feedback loops: Rosana Cade and Ivor MacAskill's show is a surreal exercise in repetition.
The post Review: Moot Moot at The Yard Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 09:20AMFriday, September 21, 2018
English Touring Theatre’s Othello, a co-production with Shakespeare at the Tobacco Factory and Oxford Playhouse, starts with an Islamic wedding. In director
SOURCE: The Stage Registration at 08:33AMFriday, August 24, 2018
The third finalist in theartsdesk's award in association with The Hospital Club addresses her review to the creators of a Chekhov productionDear RashDash,I know you don’t like critics…
SOURCE: theartsdesk.com at 03:36AMTuesday, August 21, 2018
WHITE is a well-crafted and nuanced interrogation of 'the mixed-race experience.'
The post Edinburgh Review: WHITE at Pleasance Courtyard appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 09:17AM'Manipulate is not quite the right word...': Hannah Greenstreet is left confused by James Rowland's new show.
The post Edinburgh Review: Revelations at Summerhall appeared first on Exeunt Ma…
SOURCE: exeuntmagazine.com at 04:59AMMonday, August 20, 2018
A modernist odyssey: Hannah Greenstreet writes on La JohnJoseph's lyrical solo show.
The post Edinburgh Review: A Generous Lover at Summerhall appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:52AMSunday, August 19, 2018
Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.
The post Edinburgh fringe review: Ladykiller by The Thelmas appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 02:07PMCan we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.
The post Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up appeared fir…
SOURCE: exeuntmagazine.com at 04:18AMSaturday, August 18, 2018
The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon's Youtuber show.
The post Edinburgh Review: See-Through at Summerhall appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 07:24AMFriday, August 17, 2018
A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché's poetic exploration of misogynoir.
The post Edinburgh fringe review: Queens of Sheba at Underbelly appeared first on Exeunt M…
SOURCE: exeuntmagazine.com at 04:41PMGentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher's exploration of a mother-daughter relationship.
The post Edinburgh review: Sparks at Pleasance Courtyard appeared…
SOURCE: exeuntmagazine.com at 08:31AMThursday, August 16, 2018
What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.
The post Edinburgh Review: What Girls Are Made Of at Traverse appeared first on Exeu…
SOURCE: exeuntmagazine.com at 08:08AM 
