All stories by Gary Naylor on BroadwayStars

Monday, December 19, 2016

2016 Year in Review: Gary Naylor's Best and Worst of Theatre by Gary Naylor

Gary Naylor looks back on 148 shows reviewed in 2016 and picks his Christmas turkeys and Christmas crackers.

SOURCE: BroadwayWorld at 05:03AM
Wednesday, December 14, 2016

BWW Review: KIKI'S DELIVERY SERVICE, Southwark Playhouse by Gary Naylor

Gary Naylor sees a show sure to enchant all the family, a theatrical production every bit as good as its celebrated animated predecessor.

SOURCE: BroadwayWorld at 04:57PM
Friday, December 9, 2016

BWW Review: THE SCREWTAPE LETTERS, Park Theatre by Gary Naylor

Gary Naylor sees a loyal, committed adaptation of CS Lewis's once celebrated novel that fails to ignite fully as drama, but works well as polemic.

SOURCE: BroadwayWorld at 05:40PM
Thursday, December 8, 2016

BWW Review: SLEEPING BEAUTY, Richmond Theatre by Gary Naylor

Gary Naylor sees a show that delivers traditional Christmas laughs and spectacle from the modern master of the form, writer Eric Potts.

SOURCE: BroadwayWorld at 06:34PM
Tuesday, December 6, 2016

BWW Review: THIS MIGHT BE IT, Theatre N16 by Gary Naylor

Gary Naylor sees a new play about an old problem turning up in new forms - loneliness. This time in the 21st century.

SOURCE: BroadwayWorld at 04:49PM

BWW Review: THEBES LAND, Arcola Theatre by Gary Naylor

Gary Naylor sees an innovative and thought-provoking play from South America that has plenty to say about fathers, and about theatre too.

SOURCE: BroadwayWorld at 07:18AM
Sunday, December 4, 2016

BWW Review: PETER PAN, National Theatre, 2 December 2016 by Gary Naylor

Gary Naylor sees a show soar, like Peter, beyond expectations - a delight for all the family.

SOURCE: BroadwayWorld at 04:10AM
Friday, December 2, 2016

BWW Review: THE WOMAN IN BLACK, Fortune Theatre, 1 December 2016 by Gary Naylor

Gary Naylor sees a long-running West End haunted house mystery and revels in its unabashed theatricality

SOURCE: BroadwayWorld at 04:46AM
Thursday, December 1, 2016

BWW Review: ANOTHER NIGHT BEFORE CHRISTMAS, Bridge House Theatre, 30 November 2016 by Gary Naylor

Gary Naylor sees a magical Christmas show that sets up the festive season even for an old Bah Humbug man like him.

SOURCE: BroadwayWorld at 04:35AM
Wednesday, November 30, 2016

BWW Review: BIANCO, Southbank Centre, 29 November 2016 by Gary Naylor

Gary Naylor sees a show that he should like more than he does, possibly because it's owes more to performance art than it does to theatre.

SOURCE: BroadwayWorld at 08:47AM
Tuesday, November 29, 2016

BWW Review: DR ANGELUS, Finborough Theatre, 28 November 2016 by Gary Naylor

Gary Naylor sees a diverting, if not wholly convincing, revival of a dark comedy-thriller set in a 1920 GP practice in Glasgow.

SOURCE: BroadwayWorld at 07:52AM

BWW PANTO Q&A: Lee Mead by Gary Naylor

BWW catches up with one of Britain's pantomime favourites, currently appearing as Prince Charming in Cinderella at the London Palladium.

SOURCE: BroadwayWorld at 05:29AM
Sunday, November 27, 2016

BWW Review: ALADDIN, Lyric Hammersmith, 26 November 2016 by Gary Naylor

Gary Naylor sees a pantomime that pushes all the traditional panto buttons without distracting gimmicks.

SOURCE: BroadwayWorld at 02:22AM
Saturday, November 26, 2016

BWW Review: THE TEMPEST, Print Room at the Coronet, 25 November 2016 by Gary Naylor

Gary Naylor sees a serious but rewarding take on one of Shakespeare's late plays that raises questions about power and control.

SOURCE: BroadwayWorld at 01:01AM
Tuesday, November 22, 2016

BWW Review: SWING BY AROUND 8, Theatre N16, 21 November 2016 by Gary Naylor

Gary Naylor sees a piece of new theatre that has its roots in farce but gives it a contemporary twist with a young cast and first time creatives.

SOURCE: BroadwayWorld at 04:41AM
Monday, November 21, 2016

BWW Review: DISASTER!, Charing Cross Theatre, 20 November 2016 by Gary Naylor

Gary Naylor sees a brilliantly executed musical spoof of the 70s disaster movie genre that needs to find a home in the West End soon.

SOURCE: BroadwayWorld at 10:50AM
Thursday, November 17, 2016

BWW Review: PRINCESS - THE GOOD GIRLS GONE BAD, LOST Theatre, 16 November 2016 by Gary Naylor

Gary Naylor sees an ambitious and challenging show that overstretches its resources and that of its audience.

SOURCE: BroadwayWorld at 04:29AM
Saturday, November 12, 2016

BWW Review: IT IS EASY TO BE DEAD, Trafalgar Studios, 11 November 2016 by Gary Naylor

Gary Naylor sees a wonderful tribute to a unique man amongst The Fallen of the First World War, whose story stands for him and for millions more.

SOURCE: BroadwayWorld at 11:37AM
Friday, November 11, 2016

BWW Review: THE BEGGAR'S OPERA, Brockley Jack Studio Theatre, 9 November 2016 by Gary Naylor

Gary Naylor sees a young cast attack a classic play to update for today's world, a venture that succeeds partially, and is never less than interesting.

SOURCE: BroadwayWorld at 12:12PM
Wednesday, November 9, 2016

BWW Review: TRUMPAGEDDON, King's Head Theatre, 8 November 2016 by Gary Naylor

Gary Naylor sees a show about, and I can hardly believe what I'm writing here, the 45th President of the United States of America.

SOURCE: BroadwayWorld at 03:07AM
Tuesday, November 8, 2016

BWW Review: BITS OF ME ARE FALLING APART, Soho Theatre, 7 November 2016 by Gary Naylor

Gary Naylor sees an adaptation of William Leith's book that, for all the skilled work in the production, fails to engage its audience.

SOURCE: BroadwayWorld at 02:46AM
Monday, November 7, 2016

BWW Review: ST JOHN PASSION, Blackheath Halls, 6 November 2016 by Gary Naylor

Gary Naylor sees an impassioned production of Bach's St John Passion, by and for, the people under the guidance of English Touring Opera

SOURCE: BroadwayWorld at 11:52AM
Sunday, November 6, 2016

BWW Review: ORCA, Southwark Playhouse, 4 November 2016 by Gary Naylor

Gary Naylor sees an accomplished, eerie play about a remote Scottish community that doesn't quite have the courage of its convictions.

SOURCE: BroadwayWorld at 06:28AM
Wednesday, November 2, 2016

BWW Review: THE LAST FIVE YEARS, St James Theatre, 2 November 2016 by Gary Naylor

Gary Naylor sees a slick romcom musical about 90s New Yorkers that impresses but leaves him just a little cold.

SOURCE: BroadwayWorld at 07:36PM
Tuesday, November 1, 2016

BWW Review: FOOL FOR LOVE, Found 111, 31 October 2016 by Gary Naylor

Gary Naylor sees a play that builds atmosphere rather than narrative and now feels of its time - 33 years ago

SOURCE: BroadwayWorld at 10:12AM
Thursday, October 27, 2016

BWW Review: SIDE SHOW, Southwark Playhouse, 26 October 2016 by Gary Naylor

Gary Naylor sees a revival of a show that deserves, and gets, the full 'Big Musical' production treatment.

SOURCE: BroadwayWorld at 08:24AM
Wednesday, October 26, 2016

BWW Review: THE SOUND OF MUSIC, New Wimbledon Theatre, 25 October 2016 by Gary Naylor

Gary Naylor sees a showbiz monument and finds that it's still as entertaining and as relevant as ever.

SOURCE: BroadwayWorld at 07:12AM
Sunday, October 23, 2016

BWW Review: AFTER THREE SISTERS, Brockley Jack Studio Theatre, 21 October 2016 by Gary Naylor

Gary Naylor sees an ambitious production that runs parallel storylines but doesn't solve the considerable problems so caused.

SOURCE: BroadwayWorld at 04:32AM
Thursday, October 20, 2016

BWW Review: WONDERFUL TOWN, Ye Olde Rose and Crown Theatre, 19 October 2016 by Gary Naylor

Gary Naylor sees a lovely show packed with great songs and imaginative staging.

SOURCE: BroadwayWorld at 11:20AM
Wednesday, October 19, 2016

BWW Review: MOBY DICK THE MUSICAL, Union Theatre, 18 October 2016 by Gary Naylor

Gary Naylor sees an enthusiastic revival of Moby Dick The Musical that rather loses the wind from its sails in the second half.

SOURCE: BroadwayWorld at 10:30AM
Tuesday, October 18, 2016

BWW Review: RAGTIME, Charing Cross Theatre, 17 October 2016 by Gary Naylor

Gary Naylor sees a magnificently realised revival of a show that has never been more relevant since the novel was published in 1975.

SOURCE: BroadwayWorld at 07:20AM

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