All stories by Frank Scheck on BroadwayStars

Wednesday, February 1, 2012

Fine writing does not apply here by Frank Scheck

In light of the recent Vassar early-admissions snafu, already wary parents of students applying to college should avoid “Inadmissible.” Not that anyone else should rush to see this play …

SOURCE: The New York Post Subscription at 10:27PM
Tuesday, January 31, 2012

Review: Russian Transport by Frank Scheck

Beware sexy Russian men bearing gifts. That seems to be the primary message of Russian Transport, the new play by Erika Sheffer being given its world premiere by the New Group. This uneasy b…

SOURCE: Scheck on the Arts at 05:09AM
Friday, January 27, 2012

Review: Wit by Frank Scheck

Margaret Edson has just written one play in her life, the brilliant Wit, now receiving its Broadway premiere a mere seventeen years after it was first produced and went on to win nearly ever…

SOURCE: Scheck on the Arts at 06:58AM
Wednesday, January 25, 2012

Review: Petula Clark at Feinstein's at Loews Regency by Frank Scheck

The British songstress long-awaited return to the New York nightclub scene proved to be a truly triumphant evening.

SOURCE: TheaterMania at 10:00AM
Tuesday, January 24, 2012

‘Claywoman’ half-film, half-live & half-baked by Frank Scheck

In “The Mystery of Claywoman,” we meet a 500-million-year-old extraterrestrial who’s become a cult-like figure. She’s a fascinating character — too bad we don’t get to see more o…

SOURCE: The New York Post Subscription at 10:38PM
Monday, January 23, 2012

Ghost story’s a vision but not clear by Frank Scheck

Though “Stopped Bridge of Dreams” is based on 17thcentury Japanese writings, its style couldn’t be more contemporary. Written, directed and designed by MacArthur “Genius” Award win…

SOURCE: The New York Post Subscription at 11:40PM
Sunday, January 22, 2012

He’ll charm your pants off by Frank Scheck

You can tell that George Bernard Shaw was still a young man when he wrote “The Philanderer.” This infrequently performed comedy has a breezy playfulness, unlike the playwright’s more h…

SOURCE: The New York Post Subscription at 11:21PM
Saturday, January 21, 2012

Poor ‘Instinct’ stinks by Frank Scheck

The four scientists in “Instinct” spend most of the play’s 85-minute running time debating parenthood, religion and sexual identity. Oh, and they’re also trying to halt an epidemic k…

SOURCE: The New York Post Subscription at 12:36AM

Off-kilter ‘Earth’ lacking in gravity by Frank Scheck

A Midwestern mother and her businesswoman daughter travel to a small American city. Their purpose? To identify the body of a family member who committed suicide.Hilarity ensues.If that sound…

SOURCE: The New York Post Subscription at 12:36AM
Thursday, January 19, 2012

Review: Richard III by Frank Scheck

Reunited with his American Beauty director, Sam Mendes, Kevin Spacey pulls out all the stops with his devilishly entertaining turn in the title role of the Bridge Project’s production …

SOURCE: Scheck on the Arts at 05:58AM
Wednesday, January 18, 2012

Review: The Road to Mecca by Frank Scheck

The plays of Athol Fugard often require heavy lifting on the part of an audience. That’s particularly true of his 1987 drama The Road to Mecca, now being given its Broadway premiere in…

SOURCE: Scheck on the Arts at 04:54AM
Monday, January 16, 2012

Arresting, but only on the screen by Frank Scheck

I* capturing the monotony and anger that marks the daily life of New York City cops, “Newyorkland” makes a powerfully compelling film.The problem is, it’s supposed to be a theater piec…

SOURCE: The New York Post Subscription at 10:23PM

Plot as sloppy as a drunk by Frank Scheck

Why does every show set in Dublin seem to take place in a bar? Hot on the heels of the Broadway-bound “Once” — where you can step up onstage and buy a pint of Guinness before the show …

SOURCE: The New York Post Subscription at 01:49AM
Friday, January 13, 2012

Review: The Gershwins' Porgy and Bess by Frank Scheck

Composer Stephen Sondheim will probably be appeased when he sees The Gershwins’ Porgy and Bess, the reconceived revival of the classic opera by George and Ira Gershwin and, oh yes, lib…

SOURCE: Scheck on the Arts at 06:40AM
Wednesday, January 11, 2012

Post-apocalyptic story survives by its wit by Frank Scheck

Flip around the radio dial lately? You probably won’t find anything as entertaining as the programming put on by Soviet Free Radio Order. Especially its “At Home Field Guide,” a homesp…

SOURCE: The New York Post Subscription at 11:05PM

Family drama no kin do by Frank Scheck

Bridesburg is a run-down neighborhood in south Philadelphia. If Victor Kaufold’s drama set there is any indication, you won’t want to go there . . . or to “Bridesburg,” for that matt…

SOURCE: The New York Post Subscription at 10:51PM

Review: Outside People by Frank Scheck

The Chinese language is all that one seems to be hearing lately. Not only did presidential candidate Jon Huntsman resort to Mandarin while rebuking Mitt Romney during a recent debate, but Da…

SOURCE: Scheck on the Arts at 06:43AM
Monday, January 9, 2012

Class science friction by Frank Scheck

Imagine a cross between “Inherit the Wind” and David Mamet’s charged student-versus-teacher drama “Oleanna,” and you have some idea of “How the World Began.” Catherine Trieschm…

SOURCE: The New York Post Subscription at 11:11PM

One man’s world of tiny wonders by Frank Scheck

Let’s say you’ve flipped through a newspaper, reading this or that; sponged the breakfast crumbs off the table, loaded the dishwasher and wrestled your child into a car seat for a trip t…

SOURCE: The New York Post Subscription at 11:06PM
Sunday, January 8, 2012

Magic and tragic at under the radar by Frank Scheck

The Under the Radar festival is a much-needed showcase for adventurous theater companies whose work isn’t exactly commercial — for better or worse. Two recent cases: the New York troupe …

SOURCE: The New York Post Subscription at 10:13PM
Monday, January 2, 2012

The most festive time of year by Frank Scheck

The tourists may have left, but the city’s about to be invaded by a new force of thousands. And Mark Russell is ready. The arts festival he produces may be called Under the Radar, but ther…

SOURCE: The New York Post Subscription at 10:49PM
Monday, December 26, 2011

Shooting straight to the top by Frank Scheck

By any measure, this year was a real roller-coaster ride for Jeremy Jordan. Like the Frank Sinatra song, the 27-year-old actor’s been up and down and over and out, having made a splash wit…

SOURCE: The New York Post Subscription at 11:30PM
Friday, December 23, 2011

Review: Close Up Sapce by Frank Scheck

David Hyde Pierce somehow always manages to project a vaguely uncomfortable, awkward quality in his characters. It feels totally appropriate for Close Up Space, the uncomfortable, awkward ne…

SOURCE: Scheck on the Arts at 03:56AM
Thursday, December 22, 2011

Review: Farm Boy by Frank Scheck

In what surely must be purely coincidental timing, Farm Boy has arrived for a holiday engagement at 59E59 Theaters. Michael Morpungo’s “sequel” to his War Horse has opened …

SOURCE: Scheck on the Arts at 05:33AM
Tuesday, December 20, 2011

Review: Misterman by Frank Scheck

The cavernous St. Ann’s Warehouse provides the perfect theatrical environment for Misterman, Irish playwright Enda Walsh’s one-person play starring Cillian Murphy in his U.S. sta…

SOURCE: Scheck on the Arts at 05:24AM
Sunday, December 18, 2011

A ‘Schlemiel’ fit for a king by Frank Scheck

You’ll probably head straight for a deli after “Shlemiel the First,” the delightful morsel of a 1994 klezmer musical based on Isaac Bashevis Singer’s “Chelm” stories. In this wor…

SOURCE: The New York Post Subscription at 11:04PM
Friday, December 16, 2011

Review: Elective Affinities by Frank Scheck

Good luck scoring an invitation to the most exclusive social reception in town. It’s being held at the palatial and luxurious Fifth Avenue townhouse belonging to the very wealthy Mrs. …

SOURCE: Scheck on the Arts at 07:14AM
Thursday, December 15, 2011

Review: Lysistrata Jones by Frank Scheck

The near demise of commercial off-Broadway has resulted in a plethora of unsuitable Broadway productions of tiny shows that look awfully wan in big theaters. The latest example is Lysistrata…

SOURCE: Scheck on the Arts at 05:57AM
Tuesday, December 13, 2011

Less-than-saintly Santas by Frank Scheck

Had enough Sugarplum Fairies to last you a lifetime? Tired of seeing the Rockettes kicking up their heels again? Bah, humbug, indeed. Hey, this is New York City, so no problem. There’s pl…

SOURCE: The New York Post Subscription at 12:19AM
Monday, December 12, 2011

Review: On a Clear Day You Can See Forever by Frank Scheck

In the musical On a Clear Day You Can See Forever, we learn that the central character experienced a past life and suffered an untimely end, only to be reborn in a new incarnation. Such is t…

SOURCE: Scheck on the Arts at 05:21AM
Friday, December 9, 2011

A nice hello by ‘Bai’ by Frank Scheck

If there was ever a show that should begin with the disclaimer, “Kids, don’t try this at home,” it’s the Cirque Shanghai’s “Bai Xi.” This Chinese acrobatic spectacle — the ti…

SOURCE: The New York Post Subscription at 11:45PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre