If you’re going to write a play about two legendary sports figures it would help if more than one of them was interesting. Such is the dilemma of Eric Simonson’s second attempt to lure reluctant middle-aged men to Broadway. But unlike last season’s Lombardi, which presented a compelling portrait of a truly larger-than-life figure, Magic/Bird has a central emptiness at its core.   The play conc…
SOURCE: Scheck on the Arts at 06:54AM on April 12, 2012