All stories by Fergus Morgan on BroadwayStars

Friday, December 16, 2016

Dreamgirls at the Savoy Theatre – review round-up by Fergus Morgan

It’s been 35 years since Tom Eyen and Henry Krieger’s Dreamgirls opened on Broadway, and although it won six Tony awards, has

SOURCE: The Stage Registration at 12:12PM

Cinderella pantomime at the London Palladium – review round-up by Fergus Morgan

It’s that time of year. Oxford Street is rammed, there are fewer than choccies left in your advent calendar, and you’ve already

SOURCE: The Stage Registration at 07:23AM

Simon Callow’s A Christmas Carol review at Arts Theatre, London – ‘verve and vigour’ by Fergus Morgan

Was there ever a more spine-chilling, heart-warming, consistently inspiring festive tale than A Christmas Carol? And was there ever a more perfectly

SOURCE: The Stage Registration at 07:19AM
Wednesday, December 14, 2016

Hedda Gabler review round-up: does Ivo van Hove deliver at the National Theatre? by Fergus Morgan

After what only feels like minutes since his Off-Broadway production of Lazarus fell to Earth in King’s Cross, the sizzlingly hot Belgian

SOURCE: The Stage Registration at 04:38PM
Friday, December 9, 2016

Beauty and the Beast review at Cambridge Junction – ‘pure, inspiring and music-filled’ by Fergus Morgan

There is something quite wonderful about stripping a Disneyfied fairytale back to its roots, something joyous about dispensing with all the corporate

SOURCE: The Stage Registration at 08:23AM
Thursday, December 8, 2016

F*cking Little Elf B*tch review at Rosemary Branch Theatre, London – ‘unconventional and irreverent’ by Fergus Morgan

Imagine it’s Christmas Eve. Imagine you’ve just been dumped by your boyfriend. Imagine that you’ve not slept in 36 hours. And imagine

SOURCE: The Stage Registration at 06:35AM
Tuesday, December 6, 2016

Thebes Land review at the Arcola Theatre, London – ‘a rare treat’ by Fergus Morgan

What drives a son to kill his father? That’s the question at the heart of Sergio Blanco’s Thebes Land, a dark, slippery Latin American import about

SOURCE: The Stage Registration at 06:14AM
Monday, December 5, 2016

Buried Child review round-up – Ed Harris stars in West End Sam Shepard revival by Fergus Morgan

At a time when the British press discusses America more than it does Britain, along comes this autumn’s second West End Sam

SOURCE: The Stage Registration at 07:39AM
Wednesday, November 30, 2016

Sinbad review at the New Wolsey, Ipswich – ‘a banging rock’n’roll soundtrack’ by Fergus Morgan

The New Wolsey Theatre’s annual pantomime ian’t just your regular, run-of-the-mill, f-list celebrity-filled affair. It’s a Christmas show with a difference: a

SOURCE: The Stage Registration at 08:51AM
Tuesday, November 29, 2016

Mark Rylance in Nice Fish – review round-up by Fergus Morgan

He’s back. After an Oscar-winning excursion into Hollywood, Mark Rylance bestrides the London stage once again in Nice Fish, an enigmatic tragi-comedy

SOURCE: The Stage Registration at 09:02AM
Monday, November 21, 2016

When the Eye Has Gone review at Lord’s Cricket Ground – ‘brimming with charisma’ by Fergus Morgan

Colin Milburn was a bombastic first class cricketer, who lit up the County Championship with his box-office batting in the late 1960s.

SOURCE: The Stage Registration at 07:54AM
Wednesday, November 16, 2016

Andrew Lloyd Webber’s School of Rock London – review round-up by Fergus Morgan

Like AC/DC, Andrew Lloyd Webber is back in black, returning to the West End with a new musical all about the liberating

SOURCE: The Stage Registration at 08:43AM
Saturday, November 12, 2016

Removal Men review at the Yard, London – ‘eclectic, amusing, and frequently beautiful’ by Fergus Morgan

Another week, another earnest play addressing the refugee crisis. Except Removal Men is different. Co-written by MJ Harding and Jay Miller, it’s

SOURCE: The Stage Registration at 05:21AM
Thursday, November 10, 2016

David Bowie’s Lazarus at King’s Cross Theatre – review round-up by Fergus Morgan

Since David Bowie died in January – an early sign of 2016’s relentless cruelty – his star has, if possible, risen even

SOURCE: The Stage Registration at 11:25AM
Tuesday, November 8, 2016

Drones, Baby, Drones review at Arcola Theatre, London – ‘richly drawn’ by Fergus Morgan

At a time when American foreign policy is pretty high on the world’s agenda, along comes a play that tackles its most

SOURCE: The Stage Registration at 06:42AM
Monday, November 7, 2016

Katherine Parkinson and Steve Pemberton in Dead Funny – review round-up by Fergus Morgan

If you thought 2016 was bad for celebrity deaths, try April 1992, when two of Britain’s most cherished funnymen – Benny Hill

SOURCE: The Stage Registration at 08:41AM

Glenda Jackson in King Lear – review round-up by Fergus Morgan

In one of the biggest theatrical events of the year, Glenda Jackson has returned to the stage after a 25-year hiatus in

SOURCE: The Stage Registration at 06:00AM
Saturday, November 5, 2016

Still Ill review at New Diorama Theatre, London – ‘fascinating, layered, intelligent’ by Fergus Morgan

“Does the body rule the mind or does the mind rule the body?” wails Morrissey in The Smiths’ Still Ill, a song

SOURCE: The Stage Registration at 06:38AM
Friday, November 4, 2016

Deny Deny Deny review at Park Theatre, London – ‘clunky, emotionless drama’ by Fergus Morgan

Most productions profess to be timely in some way, but in the case of Deny Deny Deny, Jonathan Maitland’s five-handed drama about

SOURCE: The Stage Registration at 11:15AM
Wednesday, November 2, 2016

Merryville review at Camden People’s Theatre, London – ‘articulate, amusing, angry’ by Fergus Morgan

It’s 2020. Theresa May has just won a second term, taking the reins of a Tory-Ukip coalition with Nigel Farage as her

SOURCE: The Stage Registration at 10:17AM
Monday, October 31, 2016

Review: Magnificence, Finborough Theatre by Fergus Morgan

It’s not difficult to see why the Finborough has programmed a revival of Howard Brenton’s Magnificence. Written in 1973 during a time of financial crisis, IRA terrorism, and an emergent …

SOURCE: A Younger Theatre at 10:36AM
Friday, October 28, 2016

Amadeus at the National Theatre – review round-up by Fergus Morgan

It’s one of the National’s greatest success stories. Amadeus, Peter Shaffer’s dramatic fictionalisation of the intertwined lives of Antonio Salieri and Mozart,

SOURCE: The Stage Registration at 06:51AM
Thursday, October 20, 2016

Review: Blue Heart, Orange Tree Theatre by Fergus Morgan

It’s probably a good idea to have a coffee or three before seeing David Mercatali’s revival of Blue Heart, Caryl Churchill’s 1997 double-bill of tongue-twisting, head-spinning wordplay…

SOURCE: A Younger Theatre at 11:42AM
Wednesday, October 19, 2016

Review: Lost in the Stars, Union Chapel Islington by Fergus Morgan

Highbury Opera Theatre’s production of Lost In The Stars – Kurt Weill’s last musical-cum-opera – in Islington’s Union Chapel is actually the work’s London premiere, only 67 years…

SOURCE: A Younger Theatre at 03:51PM
Monday, October 17, 2016

Review: Skin a Cat, The Bunker by Fergus Morgan

Skin A Cat should be compulsory viewing for anyone under 25. Scratch that, it should be compulsory viewing for everyone. A hysterically funny, warm-hearted, autobiographical three-hander abo…

SOURCE: A Younger Theatre at 10:57AM
Monday, August 29, 2016

Review: The Reluctant Fundamentalist, Finborough Theatre by Fergus Morgan

First a novel, then a film, now a play, Mohsin Hamid’s The Reluctant Fundamentalist’s prolonged shelf life is proof that it is a story for our times. This first ever stage adaptation by …

SOURCE: A Younger Theatre at 10:47AM
Saturday, August 27, 2016

Review: They Drink it in the Congo, Almeida Theatre by Fergus Morgan

What do you know about the Democratic Republic of the Congo? That it is the seventh poorest country in the world, when its vast mineral reserves should make it one of the richest? That betwe…

SOURCE: A Younger Theatre at 12:55PM
Wednesday, August 24, 2016

Review: 946: The Amazing Story of Adolphus Tips, The Globe by Fergus Morgan

Emma Rice’s work is theatrical marmite. You either love it or hate it. For some, her productions for Kneehigh were endlessly innovative, relentlessly entertaining breaths of fresh air.…

SOURCE: A Younger Theatre at 12:23PM
Wednesday, August 10, 2016

Review: How We Think We Think, King’s Head Theatre by Fergus Morgan

Heart To Heart Theatre’s How We Think We Think begins inauspiciously. Peter Dewhurst as Tom ushers the audience to their seats, then haltingly embarks on a prepared presentation on hum…

SOURCE: A Younger Theatre at 01:39PM
Tuesday, August 2, 2016

Review: Present Laughter, Richmond Theatre by Fergus Morgan

Noël Coward tends to take a bit of a bashing nowadays. The average Coward production is about as unfashionable as its octogenarian audience is unaware of where they are. But now that Terren…

SOURCE: A Younger Theatre at 02:36PM
Wednesday, May 18, 2016

Review: Undermined, Old Red Lion Theatre by Fergus Morgan

For a while, it was considered unfashionable to be too overtly partisan in political theatre. Undermined, Danny Mellor’s hour-long one-man show about the mining strikes of the mid-eighties…

SOURCE: A Younger Theatre at 05:55PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic