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The Very Hungry Caterpillar doesn't arrive on the scene til rather late in this show for the preschool set. But so many enchanting characters that precede him that they won't mind a bit.
Len Cariou interweaves Shakespeare's verse with the Great American Songbook, and seasons it with tidbits of theater lore culled from his own personal history on Broadway, and beyond
this is a Merchant that sings in a Sephardic key but can speak to everybody
Celebrating the 400th Anniversary of Shakespeare's Death with a Dollop of Theater
The Donmar's condensed all-Female production initiate's St. Ann's new venue
The Mobile Shakespeare Unit is in its sixth season —and going strong.
a fast-paced marathon with an Irish accent . .
Edward Petherbridge succeeds here by performing, not the tradtional Lear, but an off-beat meditation on the ancient king. .
A surreal but fascinating first musical for the Claire Towe Theater
Edward Anthony's new multi-media play about Sylvia Plath's suicide is surprising funny and entertaining,
Bill Camp's Underground Man pushes Dostoevsky's anti-hero right into the You Tube era. . .
This dramatic political smorgasbord makes for a lengthy meal with much to chew on and digest
this solo adaptation of Shakespeare's classic isn't nearly as effective as the real thing . . .
a disappointing sequel to Girls Night: The Musical
a spunky bare bones production of Shakespeare's notoriously difficult play has fresh clarity and charm. .
Austin Pendleton is the best thing about this bare bones production of a minor Tennessee Williams play. .
Scratch beneath the ultural surface, and you will find that these two plays are joined at the hip by their feisty female protagonists, both named Nora
Although this extended riff on King Lear has some pithy philosophical moments and inventive staging it doesn't completely coalesce into a whole. . .
Another lively Mobile Shakespeare Unit production
a distilled and intense rendering of the tale famously filmed with Paul Newman in the title role
Fiasco's reworks Shakespeare's first romantic comedy as a zany caper
Red Bull's production of Ford's juicy drama hits the bull's eye . .
Director Austin Pendleton has plucked out the spirit of Old Hamlet from the dramatis personae and Peter Sarsgaard plays his son as a regular Joe.
Shakespeare's classic re-conceived and performed by Amanda Boekelheide and Sarah Eismann . .
Bedlam Theater's Shakespearean switcheroo takes the double title and morphs each into a full production that runs in entertaining repertory with itself
CHURCHILL is a heart-warming interpretation of one of history's true originals.
an interesting but flawed production .
Maggie Bofill's domestic comedy at the Ensemble Studio Theate
Victor L. Cahn's fine cat-and-mouse caper with a twist of villainy .
The Shakespeare Mobile Unit in a brief sit-down run at the Public Theater . .