All stories by Catherine Sawoski on BroadwayStars

Saturday, November 2, 2024

Pure Vinegar in “Honeyland” by Catherine Sawoski

  I spent the two hours after leaving Honeyland thinking about how it could be rewritten into a passable show. It was a frustrating task. What should one do with a musical whose surface goe…

SOURCE: Culture Bot at 04:24PM
Wednesday, October 30, 2024

In “Cellino v. Barnes” Inside Knowledge is Too Essential by Catherine Sawoski

  The ‘Cellino v. Barnes’ play ads have been almost as inescapable as their real-life inspirations in recent months. Facebook and Instagram have become virtual billboards with plastered…

SOURCE: Culture Bot at 12:06PM
Saturday, October 5, 2024

A Clean Sweep in ELEGIE’s The Maids by Catherine Sawoski

Few things make you feel as lucky to live in New York as being around artists at the beginning of their careers. This is certainly the case with ELEGIE, a nascent theater company founded thi…

SOURCE: Culture Bot at 05:24PM
Sunday, September 22, 2024

Asking More from Matthew Freeman’s “The Ask” by Catherine Sawoski

Matthew Freeman, like most New York City creatives, has a day job. The award-winning playwright, who premiered his latest play, The Ask, in early September, spends his time out of the theate…

SOURCE: Culture Bot at 01:32PM
Tuesday, September 17, 2024

Father/Parent, Mother/Father: Imaging the Possibility of Both in Kelindah Bee Schuster’s “seapony” by Catherine Sawoski

The audience sits on sand while an artist simulates giving birth. Each one of their limbs dunked in a separate bucket of water, jutted in a prone crabwalk position, they declare that it is n…

SOURCE: Culture Bot at 01:54PM
Saturday, August 10, 2024

It’s Nice to See You: An Empathetic Theatrical Experience for One by Catherine Sawoski

You – just you – walk into an empty space. The only thing visible is a note with a phone number on it, and when the voice on the other line picks up, it asks you to acknowledge that you …

SOURCE: Culture Bot at 09:00AM
Tuesday, July 30, 2024

Dialogue vs Diagnosis in Matthew Gasda’s “Morning Journal” by Catherine Sawoski

  The Brooklyn Center for Theatre Research, based out of a loft in Greenpoint, is known for shows that tread the line of intellectualism and indulgence. Playwright and director Matthew Gasd…

SOURCE: Culture Bot at 12:24PM
Sunday, July 14, 2024

Looking Through the Window with Mur by Catherine Sawoski

  Mur shows up at the Murray Hill coffee shop in an outfit streaked with multicolored paint and a gift for me still drying in their hand. The performance artist is best known for their musi…

SOURCE: Culture Bot at 11:36AM
Wednesday, May 22, 2024

In Katy Early’s Hysterical “Dance Nation,” Girlhood is Not for the Faint of Heart by Catherine Sawoski

For young women on social media and the real world alike, girlhood has become somewhat trendy in recent months. Apprehensive of adulthood, increasing numbers of individuals have clung to the…

SOURCE: Culture Bot at 06:02PM
Monday, May 20, 2024

Circling the Creator in “Third Law” by Catherine Sawoski

The audience, a group of ten people padding along in their socks, line up silently along the back wall. The glowing outline of a circle appears on the floor. Someone is brave enough to step …

SOURCE: Culture Bot at 07:36PM
Saturday, May 18, 2024

Wooster Group’s Symphony of Rats: Delirious, Surreal, and Synthesized by Catherine Sawoski

The president of the United States sits in a wheelchair commode, speaking in a synthesized voice. A man in a lab coat and rat ears stands at a screen designed to look like a cardboard box. A…

SOURCE: Culture Bot at 04:32PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime