All stories by Arifa Akbar on BroadwayStars

Wednesday, August 17, 2022

The Trials review – tomorrow’s children hold us to account for climate crimes by Arifa Akbar

Donmar Warehouse, LondonIn a near-future world on fire, a jury of 12 young people listen to testimony from the ‘dinosaur’ generation If the current, abnormal weather patterns around the…

SOURCE: The Guardian at 09:07AM
Monday, August 1, 2022

Tikkun Olam review – gripping dissection of identity politics and the culture wars by Arifa Akbar

Available onlineCentred around a proposed Holocaust memorial, this debut from playwright Teunkie Van Der Sluijs probes the intersections of Black and Jewish identity with an eloquent flair T…

SOURCE: The Guardian at 02:33AM
Friday, July 29, 2022

The Lion, the Witch and the Wardrobe review – a dark, riveting revamp by Arifa Akbar

Gillian Lynne theatre, LondonThis exhilarating production of CS Lewis’s timeless tale delivers spellbinding spectacle, wartime drama and perfect puppetry This captivating production takes …

SOURCE: The Guardian at 11:07AM
Thursday, July 28, 2022

Francesca Martinez: ‘It’s hard living in a world that can’t handle difference’ by Arifa Akbar

The self-described ‘wobbly’ comedian is returning to her first love, acting, with a hard-hitting play about the collision of disability and austerity Francesca Martinez was three years o…

SOURCE: The Guardian at 11:07AM
Wednesday, July 27, 2022

Yeast Nation: The Triumph of Life review – a defeat for theatre by Arifa Akbar

Southwark Playhouse, LondonMusical set on the prehistoric ocean floor and starring singing yeast particles is a swampy mess This 2007 comedy musical features all-singing, all-dancing particl…

SOURCE: The Guardian at 09:03AM
Tuesday, July 26, 2022

Chasing Hares review – factory drama moulds its own subversive power play by Arifa Akbar

Young Vic, London Sonali Bhattacharyya intriguingly exposes the exploitative dynamics of the global gig economy through the lens of a Bengali jatra theatre group This drama about the gig eco…

SOURCE: The Guardian at 12:12PM
Sunday, July 24, 2022

101 Dalmatians review – puppyish enthusiasm can’t save a patchy production by Arifa Akbar

Open Air theatre, Regent’s Park, LondonThis family musical and adorable puppets will keep the kids happy, but parents might wish they could go walkies Some stories are better known, and lo…

SOURCE: The Guardian at 09:54AM
Friday, July 22, 2022

The Darkest Part of the Night review – a powerful portrayal of autism and prejudice by Arifa Akbar

Kiln theatre, LondonZodwa Nyoni’s hard-hitting play takes us into the mind of Dwight, growing up with his Black British family in 1980s Leeds and in the present day This drama about family…

SOURCE: The Guardian at 10:54AM
Thursday, July 21, 2022

Closer review – Patrick Marber’s daring drama turns 25 by Arifa Akbar

Lyric Hammersmith, LondonThis intimate story of four-way romantic damage gains an extra edge in Clare Lizzimore’s slick revival Patrick Marber’s hit play brimmed with daring when it prem…

SOURCE: The Guardian at 05:33PM
Wednesday, July 20, 2022

Crazy for You review – spine-tingling musical is a giddy thrill by Arifa Akbar

Chichester Festival theatreInstantly infectious melodies, superb choreography and irresistible comedy are met with astonishing performances in this lovable show A faithful revival of this 19…

SOURCE: The Guardian at 06:33PM
Tuesday, July 19, 2022

Much Ado About Nothing review – screwball Shakespeare goes with a swing by Arifa Akbar

Lyttelton theatre, LondonSimon Godwin masterfully directs a slick production starring Katherine Parkinson and John Heffernan Lovers and fighters convene at an opulent Sicilian hotel, though …

SOURCE: The Guardian at 11:48AM
Monday, July 18, 2022

Odds On review – Dante Or Die’s compelling online gambling drama by Arifa Akbar

Available onlineFiona Watson plays a GP who is drawn, at retirement, into an immersive game that threatens to swallow her up Odds On is an exemplar of the way online theatre has developed in…

SOURCE: The Guardian at 10:24AM
Thursday, July 14, 2022

Jack Absolute Flies Again review – wartime comedy of manners fails to take off by Arifa Akbar

Olivier theatre, LondonThe razor sharp social critique of the original is replaced by nostalgia and strained gags in this toothless transposition of The Rivals Jack Absolute is the comically…

SOURCE: The Guardian at 09:07PM

Peaky Blinders: The Rise review – immersed in a criminally flimsy plot by Arifa Akbar

Camden Garrison, LondonFans of the TV series may enjoy the period detail and atmosphere, but this immersive show is frustratingly light on story and drama It is 1921 and the Shelby clan have…

SOURCE: The Guardian at 02:33AM
Wednesday, July 13, 2022

Patriots review – Peter Morgan’s compelling study of Russian dissidence by Arifa Akbar

Almeida theatre, LondonTom Hollander stars as Boris Berezovsky in The Crown creator’s new drama, which has a show-stealing performance by Will Keen as Vladimir Putin While the urgent real-…

SOURCE: The Guardian at 07:03AM
Friday, July 8, 2022

The Lesson review – Ionesco’s sinister comedy still shocks by Arifa Akbar

Southwark Playhouse, LondonIt can feel exasperating at times but this well-performed 1951 drama offers a smart balance of discomfort and laughs Eugène Ionesco’s single-act play, about a l…

SOURCE: The Guardian at 11:18AM

Objectified, derided, demeaned: sexism is still rampant on stage in the era of #MeToo by Arifa Akbar

From Jerusalem and Pretty Woman to a 70s Alan Bennett farce, unreconstructed attitudes and old-fashioned smut still permeate British theatre. And irony is not much of a defence If the theatr…

SOURCE: The Guardian at 10:12AM

A-Typical Rainbow review – sparky debut from a promising playwright by Arifa Akbar

Turbine theatre, LondonJJ Green’s play, in which he also stars, contrasts the struggles his autistic hero faces with the rich world of his imagination This debut play about a boy growing u…

SOURCE: The Guardian at 09:03AM

The Seagull review – woodchip-walled Chekhov is hypnotic by Arifa Akbar

Harold Pinter theatre, LondonEmilia Clarke and Indira Varma star in Jamie Lloyd’s stripped-back West End production which asks probing questions about performance Chekhov’s drama about …

SOURCE: The Guardian at 12:33AM
Thursday, July 7, 2022

The End of the Night review – Himmler’s secret summit with a Jewish leader by Arifa Akbar

Available onlineA chilling portrayal of the tense encounter between the SS chief and Norbert Masur, a representative of the World Jewish Congress, works well on screen In the dying days of t…

SOURCE: The Guardian at 07:03AM
Tuesday, July 5, 2022

The Throne review – unexpected royal encounter goes down the pan by Arifa Akbar

Charing Cross theatre, LondonA meeting in a toilet between a republican teacher and the Queen is disappointingly amicable with few laughs Here’s a comedy for those of us who hid from the a…

SOURCE: The Guardian at 09:54AM
Sunday, July 3, 2022

The Card review – cheeky chappy comes up trumps in a twisty tale of social mobility by Arifa Akbar

Fenton Town Hall, Stoke-on-TrentWily upstart Denry Machin is played with picaresque charm in a witty adaptation of Arnold Bennett’s novel, empowered by the big, vivid sound of a brass band…

SOURCE: The Guardian at 07:24AM
Friday, July 1, 2022

Richard III review – Shakespeare’s supervillain breezes through the bloodbath by Arifa Akbar

Royal Shakespeare theatre, Stratford-upon-AvonArthur Hughes is the scheming sociopath in a production of magisterial stagecraft that builds to a powerful climax Arthur Hughes is the first di…

SOURCE: The Guardian at 11:42AM
Thursday, June 30, 2022

Favour review – a moving addiction drama with occasional lapses by Arifa Akbar

Bush theatre, LondonThree generations of a working-class Muslim family clash in Ambreen Razia’s meditation on the complexities of motherhood This lean multi-generational family drama explo…

SOURCE: The Guardian at 06:24PM
Tuesday, June 28, 2022

Evelyn review – identity drama spoiled by a Punch and Judy cameo by Arifa Akbar

Southwark Playhouse, LondonThe use of puppets to portray mob justice is not the only bad call in a play that rarely achieves enough dramatic tension A stranger arrives at a seaside town wit…

SOURCE: The Guardian at 11:18AM

‘Why can’t we do it?’: the Ringham brothers’ daring sound designs by Arifa Akbar

Having settled the ‘sound wars’ of their childhood, Ben and Max Ringham reveal how they went from drum’n’bass maestros to prolific theatrical duo Max and Ben Ringham had wildly clash…

SOURCE: The Guardian at 08:07AM
Monday, June 27, 2022

Fantastically Great Women Who Changed the World review – superhero sisters by Arifa Akbar

Theatre Royal Stratford East, LondonRousing children’s musical provides a zippy guide to the great women of history that sets toes tapping and young minds alight “What’s a suffragette?…

SOURCE: The Guardian at 10:18AM
Sunday, June 26, 2022

Mad House review – David Harbour and Bill Pullman spar in dark family psychodrama by Arifa Akbar

Ambassadors, LondonTheresa Rebeck’s play follows the relationship between a terminally ill father and a mentally unstable son Theresa Rebeck’s play opens as a dysfunctional father-son dr…

SOURCE: The Guardian at 08:12PM
Thursday, June 23, 2022

‘I wish she could have seen the change happening right now’: trailblazing theatre star Pearl Prescod by Arifa Akbar

The actor and campaigner came to Britain from Trinidad and Tobago in 1954 and rose to join Laurence Olivier’s National Theatre company. Clint Dyer and others explain why we should remember…

SOURCE: The Guardian at 06:42AM
Monday, June 13, 2022

The Royal Court’s Vicky Featherstone: ‘Britain thinks it isn’t antisemitic because it defeated Hitler’ by Arifa Akbar

A group of queer, black friends, the Jewish experience, how a British Iraqi saw the Gulf War … as she unveils her radical programme, the artistic director talks about learning from the row…

SOURCE: The Guardian at 01:07PM
Friday, June 10, 2022

The Still Room review – a hideously misguided workplace sex comedy by Arifa Akbar

Park theatre, LondonAny earnest intentions in this 80s-set coming-of-age tale are ruined by odious vulgarity and lazy, Benny Hill-esque humour This coming-of-age story, set in the kitchen of…

SOURCE: The Guardian at 12:37PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic