All stories by Arifa Akbar on BroadwayStars

Wednesday, July 5, 2023

Edinburgh festival 2023: 50 shows to see by Brian Logan, Arifa Akbar and Lyndsey Winship

Cracking comedy, an eclectic mix of theatre – and aerial dance in an ice rink. Our critics share their picks for the August arts extravaganza Rhod Gilbert: Work in Progress Gilded Balloon …

SOURCE: The Guardian at 09:07AM
Sunday, July 2, 2023

Happy Days review – Siobhán McSweeney brings masterful touch to Beckett’s masterpiece by Arifa Akbar

Birmingham RepThe Derry Girls star adds wonderfully subtle clowning and a beguiling naturalism to the absurd classic about a woman quite literally stuck in marital stasis The sun beats down …

SOURCE: The Guardian at 08:37AM
Friday, June 30, 2023

A Playlist for the Revolution review – Hong Kong romcom turns serious by Arifa Akbar

Bush theatre, LondonSet against a backdrop of the 2019 Hong Kong protests, AJ Yi’s thought-provoking and zingy culture-clash comedy contrasts online bedroom activism with the real thing We…

SOURCE: The Guardian at 09:19AM
Thursday, June 29, 2023

A Strange Loop review –‘fat, Black, queer body’ musical is magnificent by Arifa Akbar

Barbican theatre, LondonMichael R Jackson’s Pulitzer-winning play is a strikingly original, highly entertaining tour of identity politics and the struggles of selfhood Michael R Jackson’…

SOURCE: The Guardian at 05:19PM
Wednesday, June 28, 2023

As You Like It review – age-blind anti-production pulls the rug on Arden by Arifa Akbar

Royal Shakespeare theatre, Stratford-upon-AvonA bewitching cast cleverly turns Shakespeare into improv comedy in a backstage ‘rehearsal’ of the play, in which age and memory are played f…

SOURCE: The Guardian at 08:49AM
Sunday, June 25, 2023

Robin Hood. The Legend. Re-Written review – inventive take on outlaw tale by Arifa Akbar

Regent’s Park Open Air Theatre, London With anarchic comedy, songs and merry gender twists in Carl Grose’s version, the folk hero of Sherwood Forest blazes a fresh trail of must-see summ…

SOURCE: The Guardian at 07:43AM
Friday, June 23, 2023

Mrs Doubtfire: The New Musical Comedy review – all energy, no emotion by Arifa Akbar

Shaftesbury theatre, LondonThe cast do their exuberant best but this bland, by-the-numbers retread of the 1990s film lacks feeling and adds nothing original beyond a reference to Love Island…

SOURCE: The Guardian at 08:55AM
Thursday, June 22, 2023

The Pillowman review – Lily Allen fails to deliver visceral punch by Arifa Akbar

Duke of York’s, London In this revival of Martin McDonagh’s play about child mutilation, tyranny and freedom of expression, the twists and turns between comic and macabre sadly do not co…

SOURCE: The Guardian at 10:13AM
Tuesday, June 20, 2023

Dear England review – touching, funny retelling of Gareth Southgate’s quiet revolution by Arifa Akbar

National Theatre, LondonIt’s a game of two halves, but Jason Graham’s dramatisation of Southgate rescuing a languishing England team delivers tension and movement James Graham’s story…

SOURCE: The Guardian at 07:07PM

Safe pair of hands or time for a shakeup: who’s going to get the biggest job in UK theatre? by Arifa Akbar

After Rufus Norris’s departure from the National Theatre, who is most likely to be the London powerhouse’s next artistic director? We look at eight potential candidates Rufus Norris’s …

SOURCE: The Guardian at 12:37PM

‘If you get your phone out, I’m going to lose it’: Charlie Stemp, Britain’s musicals megastar by Arifa Akbar

He’s a West End fixture who’s already been compared to Fred Astaire. As he prepares to hop from Mary Poppins to the Gershwin musical Crazy for You, Stemp talks rowdy audiences, ice baths…

SOURCE: The Guardian at 12:37PM

The Third Man: A Musical Thriller review – atmospheric and eccentric version of classic noir by Arifa Akbar

Menier Chocolate Factory, LondonThe songs may not compare to the 1949 film’s zither music, but the design amplifies Trevor Nunn’s elegantly shadowy production It takes courage to adapt …

SOURCE: The Guardian at 09:13AM
Thursday, June 15, 2023

Romeo and Juliet review – Rebecca Frecknall’s dance to the death by Arifa Akbar

Almeida theatre, LondonThis innovative, fast-paced production of Shakespeare’s tragedy, starring Toheeb Jimoh and Isis Hainsworth, has a beguiling intensity Rebecca Frecknall is fast becom…

SOURCE: The Guardian at 09:33AM
Wednesday, June 14, 2023

When Winston Went to War With the Wireless review – radio is the star of BBC crisis drama by Arifa Akbar

Donmar Warehouse, LondonJack Thorne’s dramatisation of the power play between the UK government and the broadcaster in 1920s Britain is pacy and evocative If Reithian principles represent …

SOURCE: The Guardian at 08:37AM
Tuesday, June 13, 2023

‘Miss Saigon is offensive’: the satire savaging the ‘racist, imperialist and misogynistic’ musical by Arifa Akbar

Playwright Kimber Lee was so shocked when she first saw the musical, she wrote a vitriolic sendup, called untitled f*ck m*ss s**gon play. As it finally hits the stage, she warns: ‘This is …

SOURCE: The Guardian at 12:49PM
Monday, June 12, 2023

Assassins review – Sondheim’s dark study of aspiring presidential killers by Arifa Akbar

Chichester Festival theatrePolly Findlay’s production underlines the way these left-behinds and psychopaths invert the American dream It begins as a presidential convention complete with M…

SOURCE: The Guardian at 06:37AM
Friday, June 9, 2023

Groundhog Day review – stellar set, score and performances are guaranteed entertainment by Arifa Akbar

Old Vic, London A revival of the musical at the same venue where it premiered combines clever staging, impeccable performances and Tim Minchin’s lyrical brilliance into a reassuringly fami…

SOURCE: The Guardian at 08:33AM
Thursday, June 8, 2023

We Will Rock You review – Ben Elton stars as royally ridiculous Queen musical returns by Arifa Akbar

London ColiseumRousing songs but threadbare plot as Earth has been conquered, renamed iPlanet and – inexplicably – can only be saved by a band of rock’n’rollers Some bad news for tho…

SOURCE: The Guardian at 05:13AM
Wednesday, June 7, 2023

Yours Unfaithfully review – three’s a crowd in 1930s polyamory play by Arifa Akbar

Jermyn Street theatre, LondonLaughs give way to an interrogation of monogamy and jealousy as a couple open up their marriage in Miles Malleson’s play Miles Malleson’s 1933 drama is a rem…

SOURCE: The Guardian at 08:33AM
Tuesday, June 6, 2023

Recognition review – student’s ode to a neglected composer by Arifa Akbar

Fairfield Halls, LondonIn Talawa theatre company’s show, the story of a modern Black composer is entwined with that of Samuel Coleridge-Taylor There is a potent moment in Recognition when …

SOURCE: The Guardian at 11:49AM
Friday, June 2, 2023

Surfing the Holyland review – balanced view of Israel from a surfboard by Arifa Akbar

Caravanserai, BrightonAn Ohioan moves to Israel in this charming solo performance which offers a fresh perspective on the Middle East – plus ukulele songs It is refreshing to hear a story…

SOURCE: The Guardian at 07:48AM
Wednesday, May 31, 2023

The Shape of Things review – seductive sociopaths show cruel intent by Arifa Akbar

Park theatre, LondonThe tension is raised in Neil LaBute’s dark comedy as entitled Evelyn sets about remoulding unworldly Adam from geek to good-looking boyfriend To those uninitiated with…

SOURCE: The Guardian at 09:06AM
Tuesday, May 30, 2023

Under the Kundè Tree review – a fractured tale of family strife and colonial uprising by Arifa Akbar

Southwark Playhouse, LondonBoldly directed, lyrically enacted play melds a personal story of rebellion in French Cameroon with the story of independence – but leaves both unfinished The st…

SOURCE: The Guardian at 08:06AM
Monday, May 29, 2023

Encore! Surefire shows returning for the Edinburgh festival in 2023 by Chris Wiegand, Anya Ryan, Brian Logan, Mark Fisher, Kate Wyver, Arifa Akbar and David Jays

In the run-up to the festival, our writers will choose new productions that have caught their eye – but here’s a selection of those we’ve already reviewed Richard Marsh has clearly see…

SOURCE: The Guardian at 10:24AM
Sunday, May 28, 2023

Charles Dickens’s Great Expectations review – Eddie Izzard seduces in charismatic one-woman show by Arifa Akbar

Garrick theatre, LondonIzzard uses humour instinctively, helped by Dickens’s love of the exaggerated or comic grotesque Eddie Izzard performing Great Expectations – but why? That questio…

SOURCE: The Guardian at 08:18AM
Friday, May 26, 2023

Aspects of Love review – a preposterous blast from the past by Arifa Akbar

Lyric theatre, LondonMichael Ball returns to sing Love Changes Everything, this time as the uncle, in Andrew Lloyd Webber’s musical of romantic entanglements If Aspects of Love is a blast …

SOURCE: The Guardian at 09:24AM
Thursday, May 25, 2023

A Passionate Woman review – Kay Mellor’s wry rummage through middle-aged angst by Arifa Akbar

Leeds PlayhouseA year after Mellor’s death, Tess Seddon directs her 1993 play marked by dry northern wit, knowing ridiculousness and deep, understated sadness Kay Mellor’s play features …

SOURCE: The Guardian at 09:36AM
Monday, May 22, 2023

The Second Woman review – Ruth Wilson’s spellbinding theatrical marathon by Arifa Akbar

Young Vic, LondonOver 24 hours, the star offers variations on the same scene with 100 different partners, including some famous faces – and the result is astonishing Even before Ruth Wilso…

SOURCE: The Guardian at 04:12AM
Friday, May 19, 2023

Brokeback Mountain review – perfectly pitched staging of the heartbreaking love story by Arifa Akbar

@sohoplace, LondonThe desolately poignant tale is brought into stark relief in Jonathan Butterell’s production through Eddi Reader’s beautiful vocals and a compelling cast Where Ang Lee …

SOURCE: The Guardian at 09:32AM
Saturday, May 6, 2023

The Great White Bard by Farah Karim-Cooper review – reclaiming Shakespeare by Arifa Akbar

An inspiring analysis of Shakespeare and race restores his reputation as a playwright for all There is a vivid moment in Farah Karim-Cooper’s new book where she reflects on the image of th…

SOURCE: The Guardian at 06:32AM
Wednesday, May 3, 2023

The Motive and the Cue review – Gielgud and Burton battle it out by Arifa Akbar

Lyttelton theatre, LondonMark Gatiss and Johnny Flynn star in Jack Thorne’s play about the prickly pair’s 1960s Broadway production of Hamlet In 1964, John Gielgud directed a stripped-ba…

SOURCE: The Guardian at 05:18AM

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